Ed West expands on the review he wrote when Holland’s book was first published in 2019:
The Romans are the most “epic” figures in history, to use my young son’s favourite word, exerting a glamour and allure that no civilisation has successfully matched. This magnetism can also appear heightened by what followed, the illiterate bleakness of the early Middle Ages, and the fun-sucking religion that came with it. Many down the years have lamented the switch from the Rome of the Caesars to the Rome of the popes.
The young Tom Holland was one of them. Raised as an Anglican, the historian’s childhood fascination with dinosaurs evolved into one for the equally glamorous ancients. “Although I vaguely continued to believe in God,” he writes: “I found him infinitely less charismatic than the gods of the Greeks: Apollo, Athena, Dionysus. I liked the way that they did not lay down laws, or condemn other deities as demons; I liked their rock-star glamour. As a result, by the time I came to read Edward Gibbon and his great history of the decline and fall of the Roman Empire, I was more ready to accept his interpretation of the triumph of Christianity: that it had ushered in an ‘age of superstition and credulity’. My childhood instinct to see the biblical God as the po-faced enemy of liberty and fun was rationalised.”
This, indeed, is a widespread view. Since Gibbon wrote his great work in the late 18th century there has existed the popular idea that the Renaissance, with its return to classical values, and the Enlightenment, which saw the birth of reason over superstition, were a reaction to Christianity, which had in those thousand dark medieval years suppressed science and freedom.
Yet the truth and paradox, as Holland shows in this truly epic account of how Christianity came to shape the West, is that the western idea of secularism is itself a very Christian one. Liberalism was never a reaction to Christianity, it was a product, perhaps one might heresy; ditto Marxism, socialism and the various progressive creeds of the modern era, right up to the current Great Awokening with its focus on the sanctity of victimhood.
All our assumptions about progress, the rights of the individual, our horror of racism and sexual exploitation, even the acceptance of gay marriage, are the products of Christianity. They are not in themselves universal or “natural”, and to the Romans these ideas of human rights and dignity would have been incomprehensible, laughable even.
Holland made his name with thrilling popular histories set in the ancient world, yet the more he studied antiquity, the more alien it became to him. It wasn’t just that Spartans or Romans killed innocents in large numbers, but that they lacked even the suggestion that the weak might be worth pitying. “That my belief in God had faded over the course of my teenage years did not mean that I had ceased to be Christian,” he writes.
Cruelties such as the exposure of infants – especially female infants – were almost universally accepted in antiquity, except among one or two small German tribes and, at the other end of the empire, a monotheistic people in the eastern Mediterranean. Perhaps the obscenest horror, however, was the practice of crucifixion, a death so cruel that Roman writers barely touched on the subject. Indeed only “four detailed accounts of the process by which a man might be sentenced to the cross, and then suffer his punishment, have survived from antiquity. Remarkably, they all describe the same execution.”
This is the story of how on that one Friday in Judea the world was changed forever — with a moral revolution like nothing before or since.
