Rex Krueger
Published 24 Mar 2021Avoid these common mistakes and make your first workbench last for years.
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Build my English Joiner’s Bench:
Video: https://youtu.be/zcq1LQq08lk?
Plans: https://www.rexkrueger.com/store/plan…?No vise; no problem: Viseless Workholding:
Video: https://youtu.be/kzv27STMnvY?
Plans: https://www.rexkrueger.com/store/plan…?Joiners’s Bench Playlist: https://youtube.com/playlist?list=PLR…?
Complete Joiner’s Bench Plan Bundle (40 pages, full color, only $10): https://bit.ly/2QZls9T?Sign up for Fabrication First, my FREE newsletter: http://eepurl.com/gRhEVT
Wood Work for Humans Tool List (affiliate):
*Cutting*
Gyokucho Ryoba Saw: https://amzn.to/2Z5Wmda
Dewalt Panel Saw: https://amzn.to/2HJqGmO
Suizan Dozuki Handsaw: https://amzn.to/3abRyXB
(Winner of the affordable dovetail-saw shootout.)
Spear and Jackson Tenon Saw: https://amzn.to/2zykhs6
(Needs tune-up to work well.)
Crown Tenon Saw: https://amzn.to/3l89Dut
(Works out of the box)
Carving Knife: https://amzn.to/2DkbsnM
Narex True Imperial Chisels: https://amzn.to/2EX4xls
(My favorite affordable new chisels.)
Blue-Handled Marples Chisels: https://amzn.to/2tVJARY
(I use these to make the DIY specialty planes, but I also like them for general work.)*Sharpening*
Honing Guide: https://amzn.to/2TaJEZM
Norton Coarse/Fine Oil Stone: https://amzn.to/36seh2m
Natural Arkansas Fine Oil Stone: https://amzn.to/3irDQmq
Green buffing compound: https://amzn.to/2XuUBE2*Marking and Measuring*
Stockman Knife: https://amzn.to/2Pp4bWP
(For marking and the built-in awl).
Speed Square: https://amzn.to/3gSi6jK
Stanley Marking Knife: https://amzn.to/2Ewrxo3
(Excellent, inexpensive marking knife.)
Blue Kreg measuring jig: https://amzn.to/2QTnKYd
Round-head Protractor: https://amzn.to/37fJ6oz*Drilling*
Forstner Bits: https://amzn.to/3jpBgPl
Spade Bits: https://amzn.to/2U5kvML*Work-Holding*
Orange F Clamps: https://amzn.to/2u3tp4X
Screw Clamp: https://amzn.to/3gCa5i8Get my woodturning book: http://www.rexkrueger.com/book
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March 25, 2021
Four Workbench Building Mistakes (that we all make)
Hunter S. Thompson’s Fear and Loathing in Las Vegas
I first read Thompson’s Fear and Loathing in the late 1970s and being as callow and inexperienced as most teenagers, I took it for a mostly factual exploit (along with many older readers who didn’t have my excuse for gullibility). I passed the book on to one of my friends who became mildly obsessed with “Raoul Duke” and the adventures recounted in the book. I’ve long since lost touch with him, but I’m sure he’d be horribly disappointed to discover that Thompson probably imagined 90% of it:
We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like “I feel a bit lightheaded; maybe you should drive …” And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas.
From the outset, Fear and Loathing in Las Vegas is an outrageous and darkly amusing tale of two crazed men turned loose in the world’s capital of decadence. Raoul Duke and Doctor Gonzo, clearly based upon Thompson and Acosta, are carrying a veritable pharmacopoeia in the trunk of their rented car, and throughout the novel they abuse a litany of substances as they stumble through casinos, bars, and hotels terrorising staff and patrons alike. Though Duke and Gonzo are, like the real Thompson and Acosta, tasked with covering the Mint 400, their assignment is quickly lost in the carnage. Near the end of the book, Duke admits he “didn’t even know who’d won the race.”
If you are unfamiliar with Thompson’s work, you may wonder why it matters that their efforts to complete a minor assignment ended in failure. Authors like Ernest Hemingway had mined their journalistic experience for material to incorporate into their fiction, so it is hardly unusual that Thompson would find inspiration for a novel whilst covering the Mint 400. But his approach with this book went beyond mere inspiration. Throughout Fear and Loathing, reality and imagination are blurred to the extent that no one really has much idea of what really happened on their trip.
[…]
In this letter, he made the startling confession that Fear and Loathing had not merely exaggerated the debauchery that took place in Vegas, but that there had in fact been no drugs at all. Could this really be true? Was the most notorious drug book of its era really inspired by a drug-free journey?
Before we can answer that, it is important to note the chronology of events on which the book was based. Whilst the book portrays the two men tearing apart hotels and casinos over a period of several days, there were in fact two distinct trips. First, they went to cover the Mint 400 on Mach 21st–23rd, then they returned for the National District Attorneys’ Conference on Narcotics and Dangerous Drugs on April 25th–29th. Thompson simply rolled the two events together into a single narrative. The evidence suggests that, during the first trip, Thompson and Acosta drank heavily and perhaps smoked a little pot, but certainly did no serious drug-taking. The famed pharmacopeia in the trunk of their convertible was fictitious:
The trunk of the car looked like a mobile police narcotics lab. We had two bags of grass, seventy-five pellets of mescaline, five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers … and also a quart of tequila, a quart of rum, a case of Budweiser, a pint of raw ether and two dozen amyls.
As tempting as it is to believe that this existed, it was a product of Thompson’s prodigious imagination. He was, however, keen to keep his readers in the dark, hence his letter to Silberman and the inclusion of his photo on the back cover. Since childhood, he had been obsessed with appearing as an outlaw, yet real outlaws never explicitly said that’s what they were. They merely hinted at it.
Of course, Thompson’s “drug-diet” did consist of various illegal substances, which made his descriptions of their effects rather convincing, but not only did he remain mostly drug-free in Vegas, he also wrote the novel with little more than beer and tobacco in his system. Back home in Colorado, he polished his story carefully through many drafts. The result was a far more intelligent and coherent work than almost anything else he published.
It was only during the second of the two trips that they began to consume drugs, but even then their indulgence was mild when compared with Duke and Gonzo’s extravagant excesses. They had marijuana, a few pills, and possibly some mescaline, but nothing else. His descriptions of LSD came from experiments several years earlier, the parts about adrenochrome were entirely fabricated, and — surprisingly — Thompson had not yet tried cocaine by 1971.
Modern Artists: The Original Shitposters! | B2W: ZEITGEIST! I E.14 – Winter 1922
TimeGhost History
Published 24 Mar 2021The interwar era has seen an explosion of art movements all vying to offer the most revolutionary response to modern society. The competition is intense and, as we shall see, often spills over into open conflict.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…Sources:
Some images from the Library of CongressSoundtracks from Epidemic Sound:
“Epic Adventure Theme 3” – Håkan Eriksson
“Crimp” – Hysics
“Substage” – Jay Varton
“Appeased Soundscape 01” – August Wilhelmsson
“Stranger Days” – Alexandra Woodward
“Superior” – Silver Maple
“Rememberance” – Fabien Tell
“Ghost Dungeons” – Ethan Sloan
“Ancient Discoveries” – Gabriel LewisArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
The original idea for this episode came from me (Francis here, hello) stumbling across a passing reference to the 1922 trial of André Breton buried deep in a Wikipedia article. It led me down a huge rabbit hole on the history of the chaotic artists milling around in Paris, New York, Zurich, and beyond.Considering that it also takes place in the same season as the publication of Ulysses, the release of Nosferatu, the birth of Brazillian Modernism, and more, I realized that it was the perfect opportunity to dedicate an entire episode to the weird and wonderful artistic movements of the modern era. If this kind is new to you then consider this episode your introduction to the topic. Indy talks about the Cubist revolution, then Dadaism, Expressionism, and more.
In case all that seems a bit too niche for your liking then look at it this way: if you want to understand how people processed the horrors of the Great War, the rise of mass production, and modern geopolitical machinations, then diving into the art of the time is a great place to start.
Watch the video to find out why.
Boris wanted to be a new Churchill, but instead is shaping up as a cut-rate Cromwell
Bella Wallersteiner on the vast difference between Boris Johnson’s hopes for his premiership and the actual role he’s been playing:
A year has passed since the British public accepted lockdown as the best way to combat the spread of the novel coronavirus, yet we are still living under the strictures of the Coronavirus Act.
In the name of virus protection, we have experienced a level of authoritarianism not seen in this country since the time of Oliver Cromwell – restrictions on freedom of movement, forced closure of businesses, and prohibitions on weddings and funerals have challenged many of our most cherished beliefs about the limits of government power, while the ban on large gatherings means we cannot even legally protest them.
Today, as we mark the anniversary of the first lockdown, we would do well to reflect on just how compliant we have become to what were intended to be “emergency” powers.
Cheery platitudes have ranged from “we’re all in this together” and “we’ll send this virus packing” to the hopelessly inaccurate “it will all be over by Christmas”. But history tells us that governments tend to hold on to additional powers far longer than is necessary.
The Defence of the Realm Act of 1914, for example, granted the government wide-ranging powers in the name of public safety, including heavy censorship of the press and the introduction of rationing. Pub licensing laws remained in place for decades, only relaxed in November 2005.
The Second World War brought The Emergency Powers (Defence) Act 1939 which ceded immense regulatory powers to the government, including provisions “for the apprehension, trial and punishment of persons offending against the Regulations and for the detentions of persons whose detention appears to be expedient to the Secretary of State in the interest of public safety or the defence of the realm”. The Act was finally repealed on 25th March 1959, but the last of the Defence Regulations (which included the maintenance of public order) was not lifted until 31st December 1964.
The Crusade That Ruined Everything
KnowledgeHub
Published 16 Jan 2017Sign Up For One Free Month of ‘The Great Courses Plus’ http://ow.ly/uz5c307Lfvl
The Fourth Crusade was a blunder of epic proportions and ended up ruining one of the greatest empires ever seen in Western civilization. While the Crusades can be tales of knights and religious battle, this was a war of infighting, petty deals and financial debt.
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Music by Holfix: https://www.youtube.com/user/holfix
The second channel from AlternateHistoryHub. Since I can’t talk about everything on that channel, I decided to have a channel where I can? Geography, history, economics? I can talk about anything, as long as it’s knowledge!
I discuss the different parts of history and try to bring a new perspective on education taught in schools.
QotD: Lucas, the Prince of Darkness
Joe Lucas — or, more accurately, the company bearing his name — engineered electrical bits for pretty much everything emanating from the UK, and the notorious unreliability of Lucas components played a key role in tanking the British car industry in the early 1980s. Make the jump for “If Lucas made guns, wars would not start,” and other classics.
- The Lucas motto: “Get home before dark.”
- Lucas is the patent holder for the short circuit.
- Lucas — Inventor of the first intermittent wiper.
- Lucas — Inventor of the self-dimming headlamp.
- The three position Lucas switch — Dim, Flicker and Off.
- The Original Anti-Theft Device — Lucas Electrics.
- Lucas is an acronym for Loose Unsoldered Connections and Splices
Andrew Stoy, “Joe Lucas, Prince Of Darkness: British Electrical System Jokes”, Jalopnik, 2008-08-04.