Quotulatiousness

March 11, 2021

Simple Table with Hand-Cut Joinery (Part 1)

Filed under: Tools, Woodworking — Tags: , , , — Nicholas @ 06:00

Rex Krueger
Published 10 Mar 2021

Building a beautiful table with hand-tools is simpler than you think.

Build an Adjustable Jointer Plane:
Video: https://youtu.be/DeWrLfOnyhs​
Plans: https://www.rexkrueger.com/store/plan…

Shooting Board Build:
Video: https://youtu.be/JbpwDufvzSo
Plans: https://www.rexkrueger.com/store/adva…​
(These are my plans AND James’ plans, both for just $5).

Marking Gauge:
Video: https://youtu.be/tm7AFpc02gA
Plans: https://www.rexkrueger.com/store/plan…​

Build my English Joiner’s Bench:
Video: https://youtu.be/zcq1LQq08lk​
Plans: https://www.rexkrueger.com/store/plan…

No vise; no problem: Viseless Workholding:
Video: https://youtu.be/kzv27STMnvY​
Plans: https://www.rexkrueger.com/store/plan…​

Joiners’s Bench Playlist: https://youtube.com/playlist?list=PLR…​
Complete Joiner’s Bench Plan Bundle (40 pages, full color, only $10): https://bit.ly/2QZls9T

Mortise Chopping Technique:
Video: https://youtu.be/oa0x1kAroHw​
Crown Mortise Chisel (affiliate): https://amzn.to/3axkXOm​

Rex on Creativity Podcast:
Soundcloud: https://soundcloud.com/thecreativityp…​
Youtube: https://www.youtube.com/watch?v=__3DE…​

Garland Split-Head Mallet (affiliate): https://amzn.to/3bkAUrx
(This is the “Size 3”, which I like, but it’s probably a bit big for some people. I bet the more compact Size 2 is also a good choice and a bit more manageable: https://amzn.to/3rqbUoy​).

Sign up for Fabrication First, my FREE newsletter: http://eepurl.com/gRhEVT

Wood Work for Humans Tool List (affiliate):
*Cutting*
Gyokucho Ryoba Saw: https://amzn.to/2Z5Wmda
Dewalt Panel Saw: https://amzn.to/2HJqGmO
Suizan Dozuki Handsaw: https://amzn.to/3abRyXB
(Winner of the affordable dovetail-saw shootout.)
Spear and Jackson Tenon Saw: https://amzn.to/2zykhs6
(Needs tune-up to work well.)
Crown Tenon Saw: https://amzn.to/3l89Dut
(Works out of the box)
Carving Knife: https://amzn.to/2DkbsnM
Narex True Imperial Chisels: https://amzn.to/2EX4xls
(My favorite affordable new chisels.)
Blue-Handled Marples Chisels: https://amzn.to/2tVJARY
(I use these to make the DIY specialty planes, but I also like them for general work.)

*Sharpening*
Honing Guide: https://amzn.to/2TaJEZM
Norton Coarse/Fine Oil Stone: https://amzn.to/36seh2m
Natural Arkansas Fine Oil Stone: https://amzn.to/3irDQmq
Green buffing compound: https://amzn.to/2XuUBE2

*Marking and Measuring*
Stockman Knife: https://amzn.to/2Pp4bWP
(For marking and the built-in awl).
Speed Square: https://amzn.to/3gSi6jK
Stanley Marking Knife: https://amzn.to/2Ewrxo3
(Excellent, inexpensive marking knife.)
Blue Kreg measuring jig: https://amzn.to/2QTnKYd
Round-head Protractor: https://amzn.to/37fJ6oz

*Drilling*
Forstner Bits: https://amzn.to/3jpBgPl
Spade Bits: https://amzn.to/2U5kvML

*Work-Holding*
Orange F Clamps: https://amzn.to/2u3tp4X
Screw Clamp: https://amzn.to/3gCa5i8

Get my woodturning book: http://www.rexkrueger.com/book

Follow me on Instagram: @rexkrueger

Boris as a latter-day Prince Rupert of the Rhine?

Filed under: Britain, History, Politics — Tags: , , , , , — Nicholas @ 05:00

In The Critic, Graham Stewart portrays the British Prime Minister and Sir Keir Starmer, leader of Her Majesty’s loyal opposition in the House of Commons as English Civil War combatants:

King Charles I and Prince Rupert before the Battle of Naseby 14th June 1645 during the English Civil War.
19th century artist unknown, from Wikimedia Commons.

Prime Minister’s Questions distils into a single gladiatorial contest what thousands of enthusiasts in a charitable organisation called the Sealed Knot perform across the country most summers – namely the re-enactment of battles of the English Civil War.

Unsmiling, relentless, serious to the point of bringing despair to his foot-soldiers as much as his opponents, Sir Keir Starmer is a Roundhead general for our times. Nobody believes better than he that virtue and providence are his shield. This faith sustains him whilst the fickle and ungodly court of popular opinion fails to rally to his command. He believes that holding firm, doggedly probing the enemy with the long pike and short-sword will eventually prevail, no matter how long the march to victory may prove.

Facing him, the generous girth of the nation’s leading Cavalier occupies his command-post. His long, uncut hair resembling a thatch on a half-timbered cottage, Boris Johnson lands at the despatch box as if he has just fallen from his place of concealment in an oak tree, bleary and under-prepared, but confident in assertion. It might be said of him, as Sir Edward Bulwer Lytton once said of the parliamentary style of a previous Tory prime minister, Lord Derby, that Johnson is “irregularly great, frank, haughty, bold – the Rupert of debate.”

Today was one of those occasions when the prime minister did indeed resemble the dashing Prince Rupert of the Rhine. Unfortunately, it was the moment during the decisive civil war battle of Naseby when the great Cavalier commander charged his horsemen through the parliamentary lines with such momentum that they kept going and ended up spending the rest of the day plundering a distant baggage train rather than returning to determine the result of the battle.

Women’s Vote Leads to Bolshevism and Welfare | B2W: ZEITGEIST! I E.13 – Harvest 1921

Filed under: Health, History, Politics, USA — Tags: , , , , , , — Nicholas @ 04:00

TimeGhost History
Published 10 Mar 2021

This season not only marks the birth of the American welfare state, but it will also see women make great strides towards universal suffrage. But as you can imagine, none of these things come without significant opposition.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory​

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Michał Zbojna
Sound design: Marek Kamiński

Colorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…​
Mikołaj Uchman
Klimbim

Sources:
Some images from the Library of Congress

Icons from The Noun Project:
Birth by Adrien Coquet
dead by AomAm
mother by Fahmihorizon
United States Capitol by József Balázs-Hegedüs
noun_House of Representatives
House of Representatives Full by Sarah Lawrence

Soundtracks from Epidemic Sound:
“Epic Adventure Theme 3” – Håkan Eriksson
“You’re Trouble” – Rich in Rags
“I’d Rather Be Alone” – Franz Gordon
“Redefine” – Megan Wofford
“Age Of Men” – Jo Wandrini

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago
America has so far been a pretty big topic in this season, and it again takes center stage in this episode. Considering its monumental role in twentieth-century history, this is only natural. Still, we like to give an international history as possible, so it’s exciting to also introduce Sweden here. It is a small country but historically significant for a number of reasons. It is a pioneer in social democracy, a country that has consistently stayed neutral in world affairs since 1814, and last but not least, the home of Indy Neidell.

Substack is “‘incredibly dangerous and damaging’ to ‘one of the few failsafes against anti-democratic maneuvers'”

Filed under: Business, Media — Tags: , , , — Nicholas @ 03:00

At The Line, Matt Gurney discusses Substack in the light of extreme criticism by, among others, UCLA professor of information studies Dr. Sarah T. Roberts:

It wasn’t long ago that Jen Gerson and I wrote damn similar columns within days of each other. She was writing here, at The Line, and I was writing at my personal blog, Code 47. We both discussed Substack, the digital publishing company you’re reading at this very moment — The Line is currently hosted on Substack.

Or, if you prefer, Substack is a “a dangerous direct threat to traditional news media” and “a threat to journalism.”

That is the view of Dr. Sarah T. Roberts, a professor of information studies at UCLA, who unloaded on Substack (and some of those who use it) in a recent Twitter thread. You can read it here, and should, but for our purposes, Roberts argues that Substack is bad because it lets journalists who have come up through the traditional newsroom system bail on it, stop bothering with the trouble of an editor, “cash out” on the reputation they earned in newsrooms, and transform themselves from a “journalist” to that vastly lower order of life, “an opinion writer, at best.” Ouch!

Roberts makes an explicit appeal to her Twitter followers: do not pay for Substack content. Do not write for Substack. (She does carve out exceptions for purely personal blogs on trivial topics.) But Substack as a journalism venture is, in her view, “incredibly dangerous and damaging” to “one of the few failsafes against anti-democratic maneuvers … We really can’t afford to lose [journalism] right now.”

This is my summary of what she said — perhaps she’d quibble with it, which is why I’m encouraging you, all of you, to go read her original thread. Get it in her own words and judge for yourself if I’ve been fair.

Assuming I’ve passed your muster, like, yikes. Where to start?

Roberts is, of course, as entitled to her views as any one, and if she hates Substack with a fiery passion, that’s totally fine. And I think there is some truth to her argument, as Jen and I both noted in our earlier pieces: there no doubt are some people with big profiles, who built those profiles working for traditional newsrooms, who will bail on that job to go make money — maybe lots of money! — on Substack. This is a threat to legacy media organizations, who are more reliant than ever on a few key contributors, who serve not only as click magnets, but also human avatars of an outlet’s brand. Roberts’ argument is on the money here.

But the sum of what she left out of her argument is so gigantic that it practically warrants a Substack of its own.

Italy’s WW1 Heavy Machine Gun: FIAT-Revelli Modello 1914

Filed under: Europe, History, Italy, Military, Weapons, WW1, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 9 Dec 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Italy was the first major adopter of the Maxim heavy machine gun and had several hundred by 1914 — but wanted to have a domestic design in production as well. The Italian government and military put a lot of resources into the Perino machine gun, but kept it so secret that it was never properly tested and development was very slow. By the time war broke out, the Perino was clearly not ready for field use — and Maxims (along with other foreign designs) were no longer available for commercial sale as production was being taken up by warring nations. This led Italy to adopt a private design of Bethel Revelli in partnership with the FIAT company.

Adopted as the Modello 1914, Revelli’s machine gun was a delayed blowback system with a wedge under mechanical disadvantage holding the bolt closed long enough to safely cycle. Its most unique element was the 50-round mousetrap-type box magazine that used 10 independent stacks of 5 rounds each (a 100-round version was also made). This was a very complex magazine to produce, and much more delicate than the other machine gun feed systems in use at the time. The Revelli is also notable for being the only major machine gun of the period to have a circulating water jacket, operated by a small hand-cranked pump on the condensing tank.

The FIAT-Revelli would see service as both and aircraft and ground gun through World War 1, and was updated in 1935 to an air cooled pattern that would serve through World War 2. These guns are very scarce in the United States today, and I am grateful to the collector who owns this one for providing access to it!

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

QotD: Microsoft PowerPoint

Filed under: Humour, Quotations, Technology — Tags: , , , — Nicholas @ 01:00

There were plenty of irritations with life with Microsoft. I am still astonished how bad PowerPoint is from a design point of view. With these multiples, Microsoft could have hired Louise Fili or Milton Glazer, and the virtual world of the corporation would now be vastly more visual. Actually, because form is content, America would now actually be vastly more conceptual. But, no. The PowerPoint templates were clearly designed by that special someone who did Travelodge napkins and match books in the 1960s. Talk about a difference that makes a difference! Talk about critical path dependency! PowerPoint reproduced Microsoft’s limitations, and helped to install them in the American mind.

Still, PowerPoint was an improvement on the Lotus equivalent. I forget what this was called but it was so utterly unpredictable that I discovered belatedly that presentations would not be forthcoming unless you got a group of people to lay their hands on the printer and chant in Latin. (This was not in the manual, unless it was cunningly secreted there in invisible ink, perhaps on the page that read “this page left deliberately blank.”)

Grant McCracken, “Brands that bind … and when they slide”, This Blog Sits at the, 2005-03-10

Powered by WordPress