Quotulatiousness

December 6, 2020

Winter is Here! The failure of Barbarossa – WW2 – 119 – December 5, 1941

World War Two
Published 5 Dec 2020

The Wehrmacht is halted by the Red Army at the gates of Moscow. Not only that, but a Red Army counteroffensive begins pushing the Germans back decisively. The Germans are also beginning to withdraw from their siege of Tobruk in North Africa. Japan, however, is advancing all over the Pacific, sending troop transports into the South China Sea, though it is unclear just whom Japan plans to attack. The Japanese are also — in top secrecy — sending a force of aircraft carriers to soon attack the American Pacific fleet at anchor at Pearl Harbor.

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Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
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Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Klimbim – https://www.flickr.com/photos/2215569…
Dememorabilia – https://www.instagram.com/dememorabilia/
Mikołaj Uchman
Jaris Almazani (Artistic Man) – https://www.instagram.com/artistic.man/

Sources:
RIA Novosti #2410
Bundesarchiv
IWM A 10499, A 6784, CH 11140
Visuotinė-lietuvių-enciklopedija
Yad Vashem 5705/34
from the Noun Project: low temperature by The Icon Z, Skull by Muhamad Ulum

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “Death And Glory 3”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point of Safe Return”
Bonnie Grace – “Imperious”
Max Anson – “Maze Heist”
Gunnar Johnsen – “Not Safe Yet”
Jon Bjork – “Force Matrix”

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A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

“As ever, our Liberal friends prefer to be judged by their pure intentions rather than their rather tattered record”

The good folks at The Line suggest that we monsters in the peanut gallery stop hurting poor Little Potato’s feeeeeeeeeelings:

Typical image search results for “Justin Trudeau socks”

What we can say is that supporters of our current government continue to insist that the prime minister and his cabinet be granted a level of benefit of the doubt that they simply have not earned. Declarations that the Liberals have botched the vaccine rollout are premature, but they are not preposterous. As ever, our Liberal friends prefer to be judged by their pure intentions rather than their rather tattered record. We at The Line have known enough true Grits in our time to believe that this isn’t an act. Liberals really do believe that so long as they mean well, they should be forgiven their failures. Indeed, the failures should be forgiven and forgotten.

And boy, can they get testy when someone declines to do them the courtesy of treating this five of a government like a nine. They’ll shriek about Harper and Ford and Kenney and American-style whatever, they’ll argue in bad faith, they’ll demand an audit of Andrew Scheer’s household expenses, they’ll shut parliament down in the middle of a national emergency to spare the boss from embarrassing questions about his latest ethical flub. In short, they’ll do anything to avoid admitting that this Liberal government has blown more than enough high-profile issues to have forfeited any right to be bummed out when someone dares wonder if they’ll do any better on vaccines.

Over the last five years, the Liberals have failed to hit their own targets on balancing the budget and cleaning up Indigenous water supplies. They failed to hit Harper’s targets on carbon reduction, failed to win a UN seat, failed to deliver promised military procurements, failed on electoral reform, failed to improve our decrepit transparency system, and failed to notice any number of outrageous policies and proposals so long as they were proffered en français, in which case they couldn’t avert their eyes fast enough.

We could go on, but the point is made. And they’ve done it all after daring to talk in their opening days of deliverology, a term that’s now a political punchline thanks to how badly Trudeau and the Gang failed to live up to the hype of their own managerial jargon.

The problem with all this failure is far bigger than the sum of its various sad parts. A government that routinely writes cheques its competence can’t cash may be in a hurry to forgive itself, but not all Canadians are as fond of Justin Trudeau as Justin Trudeau clearly is. A proven track record of failure by the state erodes public confidence in the state, and the sneering contempt Liberals have for anyone who notices the failure doesn’t help. We find it absolutely amazing how many Liberals (rightly!) decry the rise of populism without ever seeming to ponder for a New York minute what role their own manifest mediocrity has played in fuelling it. So we’ll kindly hear no more from the Liberals about the know-nothing idiocy of the woke left and the destructive buffoonery of the nationalist right until they stop doing such a shabby job with the goddamned centre.

Halifax: Canada’s Great War Casualty

Filed under: Cancon, History, Military, WW1 — Tags: , , , , — Nicholas @ 02:00

Geographics
Published 14 Jul 2020

This video is #sponsored by Squarespace.

Credits:
Host – Simon Whistler
Author – Ben Adelman
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Executive Producer – Shell Harris

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If you found this video interesting, you might also want to read my article on the Halifax Explosion here.

QotD: Mid-70s TV

Filed under: Media, Quotations, USA — Tags: , , — Nicholas @ 01:00

What was especially unfortunate (rather insidious really) about this moment was that the broadcast model of television distribution created a situation of artificial scarcity. It was not a proper competitive environment like we enjoy today. It truly was monopolistic, even if the snake did have three heads. Only a few huge corporations could afford the infrastructure for these national networks. Airspace was limited. Thus to make room for the new, the old had to be cast aside. As I happen to love all those new shows CBS introduced, I am glad they were brought into being. But how much better it would have been if the older shows could have been retained at the same time, because I also love those. TV variety, heir to vaudeville, was effectively killed dead by this historical moment, and that’s to be regretted.

[…]

But during the second half of the decade things changed. I have a good sense of when all the good shows started going wrong, but have had a harder time on figuring out why they did. As near as I can tell in most cases, the stars of the shows became too big for their britches. They won awards, they were on the covers of all the magazines, they got huge salary increases, and then they started getting creative control over their shows. I’m still somewhat at a loss as to why the actors’ mass madness took the same form all across the board, this humorless didacticism, the need to be “dramatic.” But it could be simply that there is a very funny elephant in the room. Because when I find myself asking the question, “Is it possible that actors are egotistical? Self-indulgent? Consumed with self-importance? Megalomaniacs?” Well, there’s your answer. Those qualifiers practically form part of the textbook definition of the word “actor”. They want to be taken seriously. And so, across the board, most of the stars of these shows started either transforming their characters into Christ-like saviors, or turning their programs into pulpits.

Also perhaps to a certain extent these new situation comedies attracted a different kind of star. The new breed were not the Buddy Ebsen/Lucille Ball/Jackie Gleason/Red Skelton type vaudeville clowns. Most of the new stars were college educated, had gone to drama school, been in improv and other theatre and sketch troupes, and appeared in lots of legit theatre. They didn’t just know who Shaw and Ibsen were, they had performed in such serious drama. They scorned old school comedy as “corny”; they were much more concerned with what they called “truth”. I remember reading interviews with Alan Alda in which he complained about episodes from the first season of M*A*S*H that had more farcical plots (e.g. “Tuttle” or the one where Frank Burns gets gold fever.) Fans happen to love these episodes; Alda however tends to favor dramatic episodes from the later years, but we’ll return to that.

Trav S.D., “The Insufferables, or Sanctimony in the Seventies: How Hollywood Helped Make Liberalism Unpopular”, Travalanche, 2018-03-12.

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