Quotulatiousness

February 5, 2020

Free speech and social media

In Spiked, Brendan O’Neill says that even people who say racist things should not be censored on social media:

Katie Hopkins is a racist. Anyone who hadn’t already gleaned that from her dalliances with the vile race-baiters of Generation Identity types or her use of the word “cockroaches” in a column about immigrants will surely see it now following the speech she made at a phoney awards ceremony in Prague. Internet pranksters invited Hopkins to accept the Campaign to Unite the Nation Trophy (CUNT), during which Hopkins made a speech filled with racist epithets. She mocked Pakistani speech patterns. She compared Asians to epileptics. She described Muslims as retards who rape their mothers. She said that if you shout “Mohammed” in a British playground, thousands of “fucking” kids will come running, and “you don’t want any of them”. Vile, hateful stuff.

And yet Hopkins should not be banned. She should not be thrown off social media. Censorship is not the right solution to any problem, including prejudicial or hateful commentary. Last week, Hopkins, to the delight of the illiberal liberals who make up the commentariat and cultural elite in the UK, had her Twitter account suspended. Reportedly at the behest of Countdown host and campaigner against anti-Semitism Rachel Riley, and the chief exec of the Centre for Countering Digital Hate, Imran Ahmed, Twitter erased all of Hopkins’ tweets and prevented her from accessing her account. People are celebrating this as a victory of decency over hatred; in truth, it is a victory of corporate power over freedom of speech.

[…]

That’s the thing: once you empower Twitter and other capitalist-founded platforms to decree who may speak and who may not, you are green-lighting a sweeping, global system of censorship. Both right-wing libertarians and left-wing radicals, ironically, say the same thing in response to this concern. They say, “Well, Twitter and the rest are private companies, so surely they have the right to say who can and cannot use their services”. It is predictable that the myopic libertarian right would so cavalierly elevate powerful corporations’ property rights over the free-speech rights of individuals – but to hear leftists do that is alarming. Clearly, their woke intolerance, their urge to censor everyone they disagree with, has now gone so far that they will happily empower unaccountable capitalists over ordinary people and give a nod of approval to the corporate control of public discussion.

And then there is the more difficult part of this discussion. Even if Hopkins had said genuinely racist things on Twitter – as she did in her Prague speech and has also done elsewhere – still she should not be censored. One of the many great things about freedom of speech is that it allows us to see what people really think. And that is empowering. It means that the rest of us – the potential audience to an individual’s speech – can use our intelligence and our principle to counter that speech, to criticise it, to ridicule it, to prove it wrong. Freedom of speech doesn’t only empower the speaker. It also empowers the audience. It allows us to exercise our moral judgement. Censorship, in contrast – whether it’s state censorship or corporate censorship – is fundamentally infantilising. It insults us and demeans us by blocking words and images on our behalf, as if we were children. It weakens our moral muscles and intellectual savvy by discouraging us from ever thinking for ourselves. Well, why should we, when wise people in government or Silicon Valley will think for us?

Katie Hopkins should be reinstated on Twitter. Not because she has anything of value to say, but for these three reasons. 1) Everyone, even objectionable people, must have the right to express themselves. That is the entire nature of freedom of speech. If we limit free speech, for any reason whatsoever, then it isn’t free speech at all. It is licensed speech, something gifted to us by officialdom or capitalism so long as we say things they find acceptable. 2) We, the audience, must have the right to hear all ideas and to decide for ourselves if they are good or bad. Anything else is just pure, foul paternalism that turns us from thinking citizens into overgrown children who must be protected from difficult ideas. 3) Corporate censorship is as bad as state censorship. Calling on powerful people or rich people to police the parameters of acceptable thought, and to expel anyone who says something bad, is a catastrophically erroneous thing to do. Trust people, not power; prefer freedom over control.

Submarine Warfare WW1 vs WW2 – Differences & Commonalities

Filed under: Britain, Germany, History, Military, WW1, WW2 — Tags: , , , — Nicholas @ 04:00

Military History Visualized
Published 15 Nov 2016

A comprehensive view that compares submarine warfare in the First and Second World Wars. Due to the lack of a submarine warfare in the Pacific in World War 1, the Pacific isn’t covered at all, but there will be an episode on it in the future.

Military History Visualized provides a series of short narrative and visual presentations like documentaries based on academic literature or sometimes primary sources. Videos are intended as introduction to military history, but also contain a lot of details for history buffs. Since the aim is to keep the episodes short and comprehensive some details are often cut.

» HOW YOU CAN SUPPORT MILITARY HISTORY VISUALIZED «
(A) You can support my channel on Patreon: https://www.patreon.com/join/mhv

(B) Alternatively, you can also buy “Spoils of War” (merchandise) in my online shop: https://www.redbubble.com/people/mhvi…

» SOURCES & LINKS «

Milner, Marc: “The Atlantic War, 1939-1945”; in: Cambridge History of the Second World War, Volume 1

Blair, Clay: Hitler’s U-Boat War – The Hunters 1939-1942

Owen, David: Anti-Submarine Warfare – An Illustrated History

Germany & The Second World War – Volume VI

Germany & The Second World War – Volume II

Breemer, Jan S.: “Defeating the U-boat. Inventing Antisubmarine Warfare”. Naval War College Newport Papers 36
https://www.usnwc.edu/getattachment/e…

Das Deutsche Reich und der Zweite Weltkrieg – Band VI.

Das Deutsche Reich und der Zweite Weltkrieg – Band II.

Rahn, Werner: “Die Deutsche Seekriegsfürung 1943 bis 1945”; in: Das Deutsche Reich & der Zweite Weltkrieg, Band X/1, S. 3-276

Erster Weltkrieg – Zweiter Weltkrieg: Ein Vergleich.

U-boat losses by cause
https://web.archive.org/web/201006112…

Differences German U-Boat Design WW1 vs. WW2
https://www.reddit.com/r/AskHistorian…

» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”

“On this issue, Canada’s two solitudes could hardly be more starkly apparent”

Filed under: Cancon, Government, Liberty, Media — Tags: , , , , , — Nicholas @ 03:00

Chris Selley on the vastly different reaction from Quebec media to the Trudeau government’s notion to turn the country’s news organizations into a modern version of Joseph Goebbels’ propaganda apparatus, pumping out approved-by-the-Liberals story lines:

On Sunday, when CTV’s Evan Solomon pushed Heritage Minister Steven Guilbeault on the issue of issuing journalism licences to foreign media outlets, Guilbeault eventually just shrugged: “I’m not sure I see what the big deal is.”

Canadian Heritage Minister Steven Guilbeault, 3 February 2020.
Screencapture from CPAC video.

The minister tried to walk it back on Monday, but the fact is many of his fellow Quebecers will also struggle to discern a big deal. There is simply much more tolerance of this sort of cultural gatekeeping among francophone Quebecers than in the Rest of Canada, and the tolerance extends well into the realm of journalism.

“In reading the (report’s) 260 pages and 97 recommendations, one word comes to mind” Sunday’s editorial in La Presse gushed: “Finally!”

Opposition to government regulation of journalism is firmly entrenched not just in anglophone Canada, but across the anglosphere. When the 2011 Leveson Inquiry proposed the British government create a powerful new press regulator, nearly every major outlet rejected the idea. Fraser Nelson, editor of The Spectator, famously vowed the magazine “will not attend its meetings, pay its fines nor heed its menaces.”

The same year, Laval University professor Dominique Payette’s report into Quebec’s struggling news media recommended the government legislate a “professional journalist” designation. The province’s largest journalists’ trade organization and the Quebec Press Council happily sat down with the government to bash out a power-sharing agreement on deciding who’s a proper journalist and who isn’t.

The English-language Montreal Gazette was dead-set against the idea, but Le Devoir called it a “logical outcome.” (The power-sharing discussions eventually fell apart, and the idea died a merciful death.)

Suomi m/31: Finland’s Famous Submachine Gun

Filed under: Europe, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 12 Sep 2017

For some great firing footage and an assessment of the m/31 in practical terms, check out today’s video on InRangeTV: https://www.youtube.com/watch?v=6HJMv…

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Designed by Finland’s most notable arms inventor, Aimo Lahti, the m/31 Suomi submachine gun is an iconic weapon of the Winter War and the Continuation War. It is a first-generation submachine gun with a heavy milled receiver and very well-fitted parts — enough so that a series of vent holes were put in the end of the receiver tube to prevent air compression during the firing cycle. The gun is overall quite heavy (4.7kg / 10.4lb) and has a high rate of fire (~900 rounds/minute). It originally used 50-round quad-stack magazines and 71-round drum magazines, which allowed a shooter to exploit the high rate of fire without constantly having to change magazines.

The quad-stack magazines were eventually found to be insufficiently reliable, and were retired. The drum proved to be quite good in use, although quite awkward and bulky to carry (note that Finnish troops had no specialized pouches for these drums). The drum design would be taken by the Russians (handed over by a defecting Finnish officer, apparently) and copied for use in the Soviet PPD and PPSh submachine guns. In the 1950s, a simple double-stack 36 round magazine was developed and became most popular.

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

QotD: The decline of Jazz

Filed under: History, Media, Quotations, USA — Tags: , — Nicholas @ 01:00

The opening note of Jazz, Ken Burns’ […] series for PBS, comes from trumpeter Wynton Marsalis, who’s not playing but lecturing. “Jazz music objectifies America,” he tells us, then offers a lesson about what jazz really is. The form’s great power emerges from musicians who “negotiate their agendas with each other.” According to Marsalis (he’s Lincon Center’s artistic director for jazz), that negotiation, that handing off and passing around of inspiration — that jam — is jazz’s transcendence.

Most jazz musicians would agree. As the cliché goes, it’s one thing to do a show for your paying customers, playing what they expect and have paid to hear, but after the squares go home, you can stop blowing shit and make another kind of music altogether. Yet many musicians would also agree that, more often than not, it’s a lot more satisfying to play that personal kind of music than it is to sit and listen to it. Jazz musicians involved with each other in intimate creativity may well be negotiating their way to improvisational sublimity, but they’ve often left the audience out of the musical deal. This is a central but rarely acknowledged tension in Burns’ documentary treatment.

Charles Paul Freund, “Epic Jazz”, Reason, 2001-01-03.

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