Quotulatiousness

December 14, 2014

The New Republic was probably doomed anyway…

Filed under: Media — Tags: , — Nicholas @ 10:20

Let’s just say that there’s not a lot of profit for a monthly magazine with single-issue newsstand sales as low as this:

From a business standpoint, The New Republic was undoubtedly facing an uphill battle for profitability, even before last week’s events. According to the Pew Research Center and the Alliance for Audited Media, single copy sales of the magazine (considered the most objective measure of a magazine’s print appeal) have steadily declined over the past year, dropping to around 1,900 per issue.

They note that, between the first and second halves of 2013, newsstand sales fell by 57%, and fell a further 20% in the first of half of 2014.

One thousand, nine hundred readers. Per month.

Let me just give you a bit of perspective here:

Quotulatiousness daily visits - 14 December 2014

At shortly after 10 a.m. on a quiet Sunday, I’ve already had more visitors to my obscure little personal blog today than there were copies of The New Republic sold in a recent month (not counting subscriptions).

That is not a viable business.

H/T to Kathy Shaidle, who also gets more daily traffic than TNR sells in a month.

Google to Spain: “Buh-bye!”

Filed under: Business, Europe, Media — Tags: , , , — Nicholas @ 00:04

Spanish legislation imposing a special tax on Google has resulted in Google erasing Spain from their Google News business plan altogether:

Back in October, we noted that Spain had passed a ridiculously bad Google News tax, in which it required any news aggregator to pay for snippets and actually went so far as to make it an “inalienable right” to be paid for snippets — meaning that no one could choose to let any aggregator post snippets for free. Publishers have to charge any aggregator. This is ridiculous and dangerous on many levels. As we noted, it would be deathly for digital commons projects or any sort of open access project, which thrive on making content reusable and encouraging the widespread sharing of such content.

Apparently, it’s also deathly for Google News in Spain. A few hours ago, Google announced that due to this law, it was shutting down Google News in Spain, and further that it would be removing all Spanish publications from the rest of Google News. In short, Google went for the nuclear option in the face of a ridiculously bad law:

    But sadly, as a result of a new Spanish law, we’ll shortly have to close Google News in Spain. Let me explain why. This new legislation requires every Spanish publication to charge services like Google News for showing even the smallest snippet from their publications, whether they want to or not. As Google News itself makes no money (we do not show any advertising on the site) this new approach is simply not sustainable. So it’s with real sadness that on 16 December (before the new law comes into effect in January) we’ll remove Spanish publishers from Google News, and close Google News in Spain.

Every time there have been attempts to get Google to cough up some money to publishers in this or that country, people (often in our comments) suggest that Google should just “turn off” Google News in those countries. Google has always resisted such calls. Even in the most extreme circumstances, it’s just done things like removing complaining publications from Google News, or posting the articles without snippets. In both cases, publishers quickly realized how useful Google News was in driving traffic and capitulated. In this case, though, it’s not up to the publishers. It’s entirely up to the law.

Jonah Goldberg on the Gruber hearings

Filed under: Government, Media, Politics, USA — Tags: , , — Nicholas @ 00:03

In this week’s Goldberg File, Jonah Goldberg talks about the show Jonathan Gruber put on in front of some Washington political types:

I learned from Twitter this morning that Gustave Flaubert, born this day in 1821, said, “The art of writing is the art of discovering what you believe.” So, as Jay-Z says every morning he enters a music studio and as Joe Biden says every time President Obama gives him a fresh 64-pack of crayons, “Let’s make some art, bitches.”

Let’s start with Jonathan Gruber. I have to say I was disappointed by the hearings. Oh, sure, it was good theater-as-human sacrifice of the sort Washington does so well (though I am glad they stopped short of rectal rehydration).

But this was one of those moments where they really could have put the system on trial. Gruber’s consistent answer was that he’s a shabby, shallow, little man who belittles others, including the American people, to make himself look good. “I tried to make myself seem smarter by demeaning others.”

In almost every exchange, Gruber fell back on language you’d expect from a stockbroker tied up in an S&M dungeon. I did it because I am a flea! A worm! I am no master of the universe, I am nothing! Punnnniissshhh meee!

All that was missing were some riding-crop and melted-candle-wax welts, and maybe a shorn scrotum. But, hey man, it’s a defense.

But it’s not a good one. You can blame your arrogance for calling the American voters stupid, but you can’t blame your arrogance for claiming that the bill was designed to hide taxes and deceive the public. If I stab someone 34 times, the jury might want to hear about my arrogance, but whether I’m arrogant or humble, it doesn’t change what I did — and apologizing for it doesn’t clarify where the body is buried.

Gruber’s strategy of emotional self-abasement was very clever because it distracted from the central arguments of fact.

[…]

As for Gruber, he said this week that he wasn’t an architect of Obamacare. And yet, for several years he let the New York Times, The New Republic, PBS, and countless other media outlets describe him as exactly that. That label was of great financial value to him. But it was probably of greater social, psychological, and professional value. And that is probably why he seems to have not once taken the time to ask them to stop calling him that. Gruber is of a class of people who take great satisfaction from the belief that they are not only smarter and better than normal Americans, but that their superiority entitles them to manipulate the public and system in whatever way they think necessary.

There’s another reason Gruber never corrected anybody when they described him as an architect of Obamacare: Because it’s true!

Which leads to another important point: Gruber’s a huge, monumental, Brobdingnagian liar.

To believe his testimony before Congress is to believe that on one occasion after another, he baldly lied over and over again to his peers, colleagues, students, and friends. Darrell Issa sort of gets at this here at the end of Gowdy’s interrogation when he asks Gruber, “Did anybody come up to you and tell you that what you were saying was inappropriate?”

That’s an interesting question and tells you a lot about the sovereign contempt the expert class has for the American people. But a better question would be, “Why didn’t anybody correct you on your factual claims? Or simply say ‘What you’re saying isn’t true’?” Gruber was on panels with other health-care experts. The audiences were full of people who were deeply informed about Obamacare and all its details. And yet no one said, “Hey, that’s not the way it happened.” Why? Because Gruber was telling the truth when he said they had to deceive the American people. And before you ask me what proof I have, I would like to direct you to the fact that Barack Obama deceived the American people over and over and over again when he said things like “You can keep your doctor” and “You can keep your insurance” etc. (and not one liberal journalist cheerleader for Obamacare ever felt compelled to push back on this obvious lie). Are we really so stunned that the same president might be willing to play accounting games with the CBO?

Sure maybe Gruber exaggerated his role or involvement. Maybe he embellished this or that. But you can’t exaggerate a lie; you can only exaggerate the truth. For years he told the truth to anyone who would listen, and now that it’s politically problematic he says it was all a lie.

So we’re forced to choose: Was he lying when talking to countless audiences full of peers, colleagues, and experts, or was he lying in front of Congress in order to save his team any further embarrassment and preserve a law he’s sincerely proud of (because he was an architect of it)? Personally, I think you’d have to be too stupid to beat Joe Biden at tic-tac-toe to think the “real” Gruber testified before Congress this week. But whichever side you come down on this question, one thing has been established: He’s a huge liar.

New BBC historical TV series as accurate as possible … except for the codpieces being “too small”

Filed under: Britain, History, Media — Tags: , — Nicholas @ 00:02

Apparently, the fear was that US TV audiences would be shocked by authentic sized boasting pieces:

They may have been the crowning glory for any right-thinking Tudor gentleman, but it appears the traditional codpiece may be a little too much for American television viewers.

The stars of Wolf Hall, the BBC’s new period drama based on the novels of Hilary Mantel, have disclosed they have been issued with “smaller”-than average codpieces, out of respect for viewers’ sensibilities.

Mark Rylance, who stars as Thomas Cromwell in the forthcoming BBC series, said programme-makers had decided on “very small codpieces” which had to be “tucked away”.

He suggested allowances had been made amid concerns about the taste of modern audiences, particularly in America, who “may not know exactly what’s going on down there”.

It is one of few concessions permitted by programme-makers, who have otherwise gone to remarkable lengths to ensure historical accuracy, including trips to Shakespeare’s Globe to learn sword-fighting, lessons in etiquette and bowing, and a comprehensive study on spoons.

Mantel has given her seal of approval to the production, issuing a statement of glowing praise for how it has been adapted on screen.

Saying she was pleased programme-makers had resisted the temptation to “patronise” the Tudors to make them “cute”, she said: “My expectations were high and have been exceeded.”

When asked about the costumes in a Q&A to launch the BBC show, alongside actors Damian Lewis and Claire Foy, Rylance said they “did take a while to put on” but praised the overall effect.

“I think the codpieces are too small,” he added. “I think it was a direction from our American producers PBS [the US public service broadcaster] – they like very small codpieces which always seemed to be tucked away.”

When asked to clarify, he said: “I wasn’t personally disappointed by the codpieces: I’m a little more used to them than other people from being at the Globe for ten years.

“But I can see for modern audiences, perhaps more in America, they may not know exactly what’s going on down there.”

H/T to David Stamper for the link(s).

QotD: The voyage of the Rogue

Filed under: Britain, Humour, Quotations — Tags: , — Nicholas @ 00:01

Years ago, when I was young and inexperienced, I hired a yacht myself. Three things had combined to lead me into this foolishness: I had had a stroke of unexpected luck; Ethelbertha had expressed a yearning for sea air; and the very next morning, in taking up casually at the club a copy of the Sportsman, I had come across the following advertisement:

    TO YACHTSMEN. Unique Opportunity. Rogue, 28-ton Yawl. Owner, called away suddenly on business, is willing to let this superbly-fitted “greyhound of the sea” for any period short or long. Two cabins and saloon; pianette, by Woffenkoff; new copper. Terms, 10 guineas a week. Apply Pertwee and Co., 3A Bucklersbury.

It had seemed to me like the answer to a prayer. “The new copper” did not interest me; what little washing we might want could wait, I thought. But the “pianette by Woffenkoff” sounded alluring. I pictured Ethelbertha playing in the evening — something with a chorus, in which, perhaps, the crew, with a little training, might join — while our moving home bounded, “greyhound-like,” over the silvery billows.

I took a cab and drove direct to 3A Bucklersbury. Mr. Pertwee was an unpretentious-looking gentleman, who had an unostentatious office on the third floor. He showed me a picture in water-colours of the Rogue flying before the wind. The deck was at an angle of 95 to the ocean. In the picture no human beings were represented on the deck; I suppose they had slipped off. Indeed, I do not see how anyone could have kept on, unless nailed. I pointed out this disadvantage to the agent, who, however, explained to me that the picture represented the Rogue doubling something or other on the well-known occasion of her winning the Medway Challenge Shield. Mr. Pertwee assumed that I knew all about the event, so that I did not like to ask any questions. Two specks near the frame of the picture, which at first I had taken for moths, represented, it appeared, the second and third winners in this celebrated race. A photograph of the yacht at anchor off Gravesend was less impressive, but suggested more stability. All answers to my inquiries being satisfactory, I took the thing for a fortnight. Mr. Pertwee said it was fortunate I wanted it only for a fortnight — later on I came to agree with him — the time fitting in exactly with another hiring. Had I required it for three weeks he would have been compelled to refuse me.

The letting being thus arranged, Mr. Pertwee asked me if I had a skipper in my eye. That I had not was also fortunate — things seemed to be turning out luckily for me all round — because Mr. Pertwee felt sure I could not do better than keep on Mr. Goyles, at present in charge — an excellent skipper, so Mr. Pertwee assured me, a man who knew the sea as a man knows his own wife, and who had never lost a life.
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