In many ways, “Minoan” Crete seemed like a Freudian paradise. Here the archaeologists unearthed colourful frescoes of naked-breasted women participating in the dangerous “bull-vaulting” game, whilst statuettes of bare-breasted goddesses, holding writhing snakes in each hand, emerged from various parts of the island. Evans spoke glowingly of a pacifist matriarchy that flourished before the coming of the warlike and patriarchal Greeks, and his vision was hugely influential in academic circles for at least half a century. It is a vision which has been humorously outlined by Rebecca Bradley on the dust-cover of her book, Goodbye, Mother: The Warriors of Crete: “Once upon a time, on an olive-strewn island in a wine-dark sea, beautiful people lived in peace under the rule of the Great Goddess and her matriarchal avatars. The like of their palaces was not seen again until the advent of shopping-mall architecture in the twentieth century; their artistry flowered like the saffron blossoms collected by their luscious bare-breasted maidens. This was Minoan Crete, stronghold of the Matriarchy and the Great Goddess, flower child of the ancient world — until those nasty patriarchal Mycenaeans and even nastier Dorians came along and crashed the party. Oh yes, and there’s something about a volcano on Santorini, and a few earthquakes as well, but the rot really set in when the men from the mainland took over.”
Perhaps the most prominent high priestess of the Great Goddess was Lithuanian archaeologist Marija Gimbutas (1921-1994). During the 1950s and 60s Gimbutas developed her so-called “Kurgan Thesis;” basically the idea that the archaeological marker of the arrival in Europe of Indo-European-speakers was to be found in the Bronze Age Kurgan mound burials of the Pontic Steppe, a vast region incorporating most of present-day Ukraine, southern Russia and northern Kazakhstan. Controversially, Gimbutas further claimed that these nomadic Indo-Europeans brought with them a warrior-culture dominated by male sky-gods, which supplanted earlier matriarchal and goddess-worshipping cultures. In this, she echoed ideas already expressed at great length by Robert Graves in his 1948 book The White Goddess. Over the next three decades Gimbutas developed her ideas further in a series of books, articles and lectures delivered at campuses throughout America and Europe, where she was immensely influential amongst the burgeoning women’s movement. Three major works, The Goddesses and Gods of Old Europe (1974), The Language of the Goddess (1989), and The Civilization of the Goddess (1991), presented an overview of her conclusions regarding what she saw as Europe’s primeval matriarchy.
The importance of Gimbutas in the development of the matriarchal myth, and also by extension in the development of modern radical feminism, cannot be overstated. Her archaeological experience and expertise, together with her wide knowledge of linguistics and anthropology, seemed to give academic credibility to the romantic and poetic ramblings of Arthur Evans and Robert Graves. Yet in retrospect it is hard to imagine why anyone with even a modicum of common sense could have been taken in.
There were warning signals everywhere. Right from the beginning, for example, many historians were critical of Evans’ interpretation of Minoan Crete, and a devastating blow was delivered in 1974 when German author Hans Georg Wunderlich published his Wohin der Stier Europa trug? (Where did the Bull carry Europa? published in English in 1975 as The Secret of Crete). Here Wunderlich, a trained geologist, examined the structure of the “palace” of Knossos in Crete in detail and came to the conclusion that the building could never have been a palace for the living. It was, instead, a charnel house, a massive necropolis which doubled as an arena for human sacrifice. For the happy-go-lucky “bull vaulting game”, said Wunderlich, was nothing of the sort: it was a ferocious form of human sacrifice which involved young men and women being gored and trampled to death by a sacred bull. This, said Wunderlich, was the origin of the legend of the Minotaur. Since Wunderlich’s time human sacrifice has been confirmed as an integral part of Cretan religious practice, whilst the supposed “pacifism” which Evans and others had imagined, was exposed as nonsensical.
Emmet Scott, “The Myth of the Primeval Matriarchy”, The Gates of Vienna, 2016-07-13.
