We were a fashionable and highly cultured party. We had on our best clothes, and we talked pretty, and were very happy — all except two young fellows, students, just returned from Germany, commonplace young men, who seemed restless and uncomfortable, as if they found the proceedings slow. The truth was, we were too clever for them. Our brilliant but polished conversation, and our high-class tastes, were beyond them. They were out of place, among us. They never ought to have been there at all. Everybody agreed upon that, later on.
We played morceaux from the old German masters. We discussed philosophy and ethics. We flirted with graceful dignity. We were even humorous — in a high-class way.
Somebody recited a French poem after supper, and we said it was beautiful; and then a lady sang a sentimental ballad in Spanish, and it made one or two of us weep — it was so pathetic.
And then those two young men got up, and asked us if we had ever heard Herr Slossenn Boschen (who had just arrived, and was then down in the supper-room) sing his great German comic song.
None of us had heard it, that we could remember.
The young men said it was the funniest song that had ever been written, and that, if we liked, they would get Herr Slossenn Boschen, whom they knew very well, to sing it. They said it was so funny that, when Herr Slossenn Boschen had sung it once before the German Emperor, he (the German Emperor) had had to be carried off to bed.
They said nobody could sing it like Herr Slossenn Boschen; he was so intensely serious all through it that you might fancy he was reciting a tragedy, and that, of course, made it all the funnier. They said he never once suggested by his tone or manner that he was singing anything funny — that would spoil it. It was his air of seriousness, almost of pathos, that made it so irresistibly amusing.
We said we yearned to hear it, that we wanted a good laugh; and they went downstairs, and fetched Herr Slossenn Boschen.
He appeared to be quite pleased to sing it, for he came up at once, and sat down to the piano without another word.
“Oh, it will amuse you. You will laugh,” whispered the two young men, as they passed through the room, and took up an unobtrusive position behind the Professor’s back.
Herr Slossenn Boschen accompanied himself. The prelude did not suggest a comic song exactly. It was a weird, soulful air. It quite made one’s flesh creep; but we murmured to one another that it was the German method, and prepared to enjoy it.
I don’t understand German myself. I learned it at school, but forgot every word of it two years after I had left, and have felt much better ever since. Still, I did not want the people there to guess my ignorance; so I hit upon what I thought to be rather a good idea. I kept my eye on the two young students, and followed them. When they tittered, I tittered; when they roared, I roared; and I also threw in a little snigger all by myself now and then, as if I had seen a bit of humour that had escaped the others. I considered this particularly artful on my part.
I noticed, as the song progressed, that a good many other people seemed to have their eye fixed on the two young men, as well as myself. These other people also tittered when the young men tittered, and roared when the young men roared; and, as the two young men tittered and roared and exploded with laughter pretty continuously all through the song, it went exceedingly well.
And yet that German Professor did not seem happy. At first, when we began to laugh, the expression of his face was one of intense surprise, as if laughter were the very last thing he had expected to be greeted with. We thought this very funny: we said his earnest manner was half the humour. The slightest hint on his part that he knew how funny he was would have completely ruined it all. As we continued to laugh, his surprise gave way to an air of annoyance and indignation, and he scowled fiercely round upon us all (except upon the two young men who, being behind him, he could not see). That sent us into convulsions. We told each other that it would be the death of us, this thing. The words alone, we said, were enough to send us into fits, but added to his mock seriousness — oh, it was too much!
In the last verse, he surpassed himself. He glowered round upon us with a look of such concentrated ferocity that, but for our being forewarned as to the German method of comic singing, we should have been nervous; and he threw such a wailing note of agony into the weird music that, if we had not known it was a funny song, we might have wept.
He finished amid a perfect shriek of laughter. We said it was the funniest thing we had ever heard in all our lives. We said how strange it was that, in the face of things like these, there should be a popular notion that the Germans hadn’t any sense of humour. And we asked the Professor why he didn’t translate the song into English, so that the common people could understand it, and hear what a real comic song was like.
Then Herr Slossenn Boschen got up, and went on awful. He swore at us in German (which I should judge to be a singularly effective language for that purpose), and he danced, and shook his fists, and called us all the English he knew. He said he had never been so insulted in all his life.
It appeared that the song was not a comic song at all. It was about a young girl who lived in the Hartz Mountains, and who had given up her life to save her lover’s soul; and he died, and met her spirit in the air; and then, in the last verse, he jilted her spirit, and went on with another spirit — I’m not quite sure of the details, but it was something very sad, I know. Herr Boschen said he had sung it once before the German Emperor, and he (the German Emperor) had sobbed like a little child. He (Herr Boschen) said it was generally acknowledged to be one of the most tragic and pathetic songs in the German language.
It was a trying situation for us — very trying. There seemed to be no answer. We looked around for the two young men who had done this thing, but they had left the house in an unostentatious manner immediately after the end of the song.
That was the end of that party. I never saw a party break up so quietly, and with so little fuss. We never said good-night even to one another. We came downstairs one at a time, walking softly, and keeping the shady side. We asked the servant for our hats and coats in whispers, and opened the door for ourselves, and slipped out, and got round the corner quickly, avoiding each other as much as possible.
I have never taken much interest in German songs since then.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
November 30, 2014
QotD: A German “comic” song
November 23, 2014
QotD: Seasickness
It is a curious fact, but nobody ever is sea-sick — on land. At sea, you come across plenty of people very bad indeed, whole boat-loads of them; but I never met a man yet, on land, who had ever known at all what it was to be sea-sick. Where the thousands upon thousands of bad sailors that swarm in every ship hide themselves when they are on land is a mystery.
If most men were like a fellow I saw on the Yarmouth boat one day, I could account for the seeming enigma easily enough. It was just off Southend Pier, I recollect, and he was leaning out through one of the port-holes in a very dangerous position. I went up to him to try and save him.
“Hi! come further in,” I said, shaking him by the shoulder. “You’ll be overboard.”
“Oh my! I wish I was,” was the only answer I could get; and there I had to leave him.
Three weeks afterwards, I met him in the coffee-room of a Bath hotel, talking about his voyages, and explaining, with enthusiasm, how he loved the sea.
“Good sailor!” he replied in answer to a mild young man’s envious query; “well, I did feel a little queer once, I confess. It was off Cape Horn. The vessel was wrecked the next morning.”
I said:
“Weren’t you a little shaky by Southend Pier one day, and wanted to be thrown overboard?”
“Southend Pier!” he replied, with a puzzled expression.
“Yes; going down to Yarmouth, last Friday three weeks.”
“Oh, ah — yes,” he answered, brightening up; “I remember now. I did have a headache that afternoon. It was the pickles, you know. They were the most disgraceful pickles I ever tasted in a respectable boat. Did you have any?”
For myself, I have discovered an excellent preventive against sea-sickness, in balancing myself. You stand in the centre of the deck, and, as the ship heaves and pitches, you move your body about, so as to keep it always straight. When the front of the ship rises, you lean forward, till the deck almost touches your nose; and when its back end gets up, you lean backwards. This is all very well for an hour or two; but you can’t balance yourself for a week.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
November 9, 2014
QotD: Railway travel
We got to Waterloo at eleven, and asked where the eleven-five started from. Of course nobody knew; nobody at Waterloo ever does know where a train is going to start from, or where a train when it does start is going to, or anything about it. The porter who took our things thought it would go from number two platform, while another porter, with whom he discussed the question, had heard a rumour that it would go from number one. The station-master, on the other hand, was convinced it would start from the local.
To put an end to the matter, we went upstairs, and asked the traffic superintendent, and he told us that he had just met a man, who said he had seen it at number three platform. We went to number three platform, but the authorities there said that they rather thought that train was the Southampton express, or else the Windsor loop. But they were sure it wasn’t the Kingston train, though why they were sure it wasn’t they couldn’t say.
Then our porter said he thought that must be it on the high-level platform; said he thought he knew the train. So we went to the high-level platform, and saw the engine-driver, and asked him if he was going to Kingston. He said he couldn’t say for certain of course, but that he rather thought he was. Anyhow, if he wasn’t the 11.5 for Kingston, he said he was pretty confident he was the 9.32 for Virginia Water, or the 10 a.m. express for the Isle of Wight, or somewhere in that direction, and we should all know when we got there. We slipped half-a-crown into his hand, and begged him to be the 11.5 for Kingston.
“Nobody will ever know, on this line,” we said, “what you are, or where you’re going. You know the way, you slip off quietly and go to Kingston.”
“Well, I don’t know, gents,” replied the noble fellow, “but I suppose some train’s got to go to Kingston; and I’ll do it. Gimme the half-crown.”
Thus we got to Kingston by the London and South-Western Railway.
We learnt, afterwards, that the train we had come by was really the Exeter mail, and that they had spent hours at Waterloo, looking for it, and nobody knew what had become of it.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
November 2, 2014
QotD: The town of Reading
We came in sight of Reading about eleven. The river is dirty and dismal here. One does not linger in the neighbourhood of Reading. The town itself is a famous old place, dating from the dim days of King Ethelred, when the Danes anchored their warships in the Kennet, and started from Reading to ravage all the land of Wessex; and here Ethelred and his brother Alfred fought and defeated them, Ethelred doing the praying and Alfred the fighting.
In later years, Reading seems to have been regarded as a handy place to run down to, when matters were becoming unpleasant in London. Parliament generally rushed off to Reading whenever there was a plague on at Westminster; and, in 1625, the Law followed suit, and all the courts were held at Reading. It must have been worth while having a mere ordinary plague now and then in London to get rid of both the lawyers and the Parliament.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
October 26, 2014
QotD: Rowing
George never went near the water until he was sixteen. Then he and eight other gentlemen of about the same age went down in a body to Kew one Saturday, with the idea of hiring a boat there, and pulling to Richmond and back; one of their number, a shock-headed youth, named Joskins, who had once or twice taken out a boat on the Serpentine, told them it was jolly fun, boating!
The tide was running out pretty rapidly when they reached the landing-stage, and there was a stiff breeze blowing across the river, but this did not trouble them at all, and they proceeded to select their boat.
There was an eight-oared racing outrigger drawn up on the stage; that was the one that took their fancy. They said they’d have that one, please. The boatman was away, and only his boy was in charge. The boy tried to damp their ardour for the outrigger, and showed them two or three very comfortable-looking boats of the family-party build, but those would not do at all; the outrigger was the boat they thought they would look best in.
So the boy launched it, and they took off their coats and prepared to take their seats. The boy suggested that George, who, even in those days, was always the heavy man of any party, should be number four. George said he should be happy to be number four, and promptly stepped into bow’s place, and sat down with his back to the stern. They got him into his proper position at last, and then the others followed.
A particularly nervous boy was appointed cox, and the steering principle explained to him by Joskins. Joskins himself took stroke. He told the others that it was simple enough; all they had to do was to follow him.
They said they were ready, and the boy on the landing stage took a boat-hook and shoved him off.
What then followed George is unable to describe in detail. He has a confused recollection of having, immediately on starting, received a violent blow in the small of the back from the butt-end of number five’s scull, at the same time that his own seat seemed to disappear from under him by magic, and leave him sitting on the boards. He also noticed, as a curious circumstance, that number two was at the same instant lying on his back at the bottom of the boat, with his legs in the air, apparently in a fit.
They passed under Kew Bridge, broadside, at the rate of eight miles an hour. Joskins being the only one who was rowing. George, on recovering his seat, tried to help him, but, on dipping his oar into the water, it immediately, to his intense surprise, disappeared under the boat, and nearly took him with it.
And then “cox” threw both rudder lines over-board, and burst into tears.
How they got back George never knew, but it took them just forty minutes. A dense crowd watched the entertainment from Kew Bridge with much interest, and everybody shouted out to them different directions. Three times they managed to get the boat back through the arch, and three times they were carried under it again, and every time “cox” looked up and saw the bridge above him he broke out into renewed sobs.
George said he little thought that afternoon that he should ever come to really like boating.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
October 19, 2014
QotD: The countryside, at night
We are creatures of the sun, we men and women. We love light and life. That is why we crowd into the towns and cities, and the country grows more and more deserted every year. In the sunlight — in the daytime, when Nature is alive and busy all around us, we like the open hill-sides and the deep woods well enough: but in the night, when our Mother Earth has gone to sleep, and left us waking, oh! the world seems so lonesome, and we get frightened, like children in a silent house. Then we sit and sob, and long for the gas-lit streets, and the sound of human voices, and the answering throb of human life. We feel so helpless and so little in the great stillness, when the dark trees rustle in the night-wind. There are so many ghosts about, and their silent sighs make us feel so sad. Let us gather together in the great cities, and light huge bonfires of a million gas-jets, and shout and sing together, and feel brave.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
October 12, 2014
QotD: Montmorency, the fox-terrier
Montmorency […] does not revel in romantic solitude. Give him something noisy; and if a trifle low, so much the jollier. To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen.
When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.”
But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all.
To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
October 4, 2014
QotD: Sea travel and food
Another fellow I knew went for a week’s voyage round the coast, and, before they started, the steward came to him to ask whether he would pay for each meal as he had it, or arrange beforehand for the whole series.
The steward recommended the latter course, as it would come so much cheaper. He said they would do him for the whole week at two pounds five. He said for breakfast there would be fish, followed by a grill. Lunch was at one, and consisted of four courses. Dinner at six — soup, fish, entree, joint, poultry, salad, sweets, cheese, and dessert. And a light meat supper at ten.
My friend thought he would close on the two-pound-five job (he is a hearty eater), and did so.
Lunch came just as they were off Sheerness. He didn’t feel so hungry as he thought he should, and so contented himself with a bit of boiled beef, and some strawberries and cream. He pondered a good deal during the afternoon, and at one time it seemed to him that he had been eating nothing but boiled beef for weeks, and at other times it seemed that he must have been living on strawberries and cream for years.
Neither the beef nor the strawberries and cream seemed happy, either — seemed discontented like.
At six, they came and told him dinner was ready. The announcement aroused no enthusiasm within him, but he felt that there was some of that two-pound-five to be worked off, and he held on to ropes and things and went down. A pleasant odour of onions and hot ham, mingled with fried fish and greens, greeted him at the bottom of the ladder; and then the steward came up with an oily smile, and said:
“What can I get you, sir?”
“Get me out of this,” was the feeble reply.
And they ran him up quick, and propped him up, over to leeward, and left him.
For the next four days he lived a simple and blameless life on thin captain’s biscuits (I mean that the biscuits were thin, not the captain) and soda-water; but, towards Saturday, he got uppish, and went in for weak tea and dry toast, and on Monday he was gorging himself on chicken broth. He left the ship on Tuesday, and as it steamed away from the landing-stage he gazed after it regretfully.
“There she goes,” he said, “there she goes, with two pounds’ worth of food on board that belongs to me, and that I haven’t had.”
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
September 27, 2014
QotD: Laziness, and its cure
In the present instance, going back to the liver-pill circular, I had the symptoms, beyond all mistake, the chief among them being “a general disinclination to work of any kind.”
What I suffer in that way no tongue can tell. From my earliest infancy I have been a martyr to it. As a boy, the disease hardly ever left me for a day. They did not know, then, that it was my liver. Medical science was in a far less advanced state than now, and they used to put it down to laziness.
“Why, you skulking little devil, you,” they would say, “get up and do something for your living, can’t you?” — not knowing, of course, that I was ill.
And they didn’t give me pills; they gave me clumps on the side of the head. And, strange as it may appear, those clumps on the head often cured me — for the time being. I have known one clump on the head have more effect upon my liver, and make me feel more anxious to go straight away then and there, and do what was wanted to be done, without further loss of time, than a whole box of pills does now.
You know, it often is so — those simple, old-fashioned remedies are sometimes more efficacious than all the dispensary stuff.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
September 20, 2014
QotD: Work
It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.
And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isn’t a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.
But, though I crave for work, I still like to be fair. I do not ask for more than my proper share.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
September 13, 2014
QotD: Scrambled eggs
Harris proposed that we should have scrambled eggs for breakfast. He said he would cook them. It seemed, from his account, that he was very good at doing scrambled eggs. He often did them at picnics and when out on yachts. He was quite famous for them. People who had once tasted his scrambled eggs, so we gathered from his conversation, never cared for any other food afterwards, but pined away and died when they could not get them.
It made our mouths water to hear him talk about the things, and we handed him out the stove and the frying-pan and all the eggs that had not smashed and gone over everything in the hamper, and begged him to begin.
He had some trouble in breaking the eggs — or rather not so much trouble in breaking them exactly as in getting them into the frying-pan when broken, and keeping them off his trousers, and preventing them from running up his sleeve; but he fixed some half-a-dozen into the pan at last, and then squatted down by the side of the stove and chivied them about with a fork.
It seemed harassing work, so far as George and I could judge. Whenever he went near the pan he burned himself, and then he would drop everything and dance round the stove, flicking his fingers about and cursing the things. Indeed, every time George and I looked round at him he was sure to be performing this feat. We thought at first that it was a necessary part of the culinary arrangements.
We did not know what scrambled eggs were, and we fancied that it must be some Red Indian or Sandwich Islands sort of dish that required dances and incantations for its proper cooking. Montmorency went and put his nose over it once, and the fat spluttered up and scalded him, and then he began dancing and cursing. Altogether it was one of the most interesting and exciting operations I have ever witnessed. George and I were both quite sorry when it was over.
The result was not altogether the success that Harris had anticipated. There seemed so little to show for the business. Six eggs had gone into the frying-pan, and all that came out was a teaspoonful of burnt and unappetizing looking mess.
Harris said it was the fault of the frying-pan, and thought it would have gone better if we had had a fish-kettle and a gas-stove; and we decided not to attempt the dish again until we had those aids to housekeeping by us.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
September 6, 2014
QotD: Rafting
We got to chatting about our rowing experiences this morning, and to recounting stories of our first efforts in the art of oarsmanship. My own earliest boating recollection is of five of us contributing threepence each and taking out a curiously constructed craft on the Regent’s Park lake, drying ourselves subsequently, in the park-keeper’s lodge.
After that, having acquired a taste for the water, I did a good deal of rafting in various suburban brickfields — an exercise providing more interest and excitement than might be imagined, especially when you are in the middle of the pond and the proprietor of the materials of which the raft is constructed suddenly appears on the bank, with a big stick in his hand.
Your first sensation on seeing this gentleman is that, somehow or other, you don’t feel equal to company and conversation, and that, if you could do so without appearing rude, you would rather avoid meeting him; and your object is, therefore, to get off on the opposite side of the pond to which he is, and to go home quietly and quickly, pretending not to see him. He, on the contrary is yearning to take you by the hand, and talk to you.
It appears that he knows your father, and is intimately acquainted with yourself, but this does not draw you towards him. He says he’ll teach you to take his boards and make a raft of them; but, seeing that you know how to do this pretty well already, the offer, though doubtless kindly meant, seems a superfluous one on his part, and you are reluctant to put him to any trouble by accepting it.
His anxiety to meet you, however, is proof against all your coolness, and the energetic manner in which he dodges up and down the pond so as to be on the spot to greet you when you land is really quite flattering.
If he be of a stout and short-winded build, you can easily avoid his advances; but, when he is of the youthful and long-legged type, a meeting is inevitable. The interview is, however, extremely brief, most of the conversation being on his part, your remarks being mostly of an exclamatory and mono-syllabic order, and as soon as you can tear yourself away you do so.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
August 30, 2014
QotD: We are slaves to our stomachs
How good one feels when one is full — how satisfied with ourselves and with the world! People who have tried it, tell me that a clear conscience makes you very happy and contented; but a full stomach does the business quite as well, and is cheaper, and more easily obtained. One feels so forgiving and generous after a substantial and well-digested meal — so noble-minded, so kindly-hearted.
It is very strange, this domination of our intellect by our digestive organs. We cannot work, we cannot think, unless our stomach wills so. It dictates to us our emotions, our passions. After eggs and bacon, it says, “Work!” After beefsteak and porter, it says, “Sleep!” After a cup of tea (two spoonsful for each cup, and don’t let it stand more than three minutes), it says to the brain, “Now, rise, and show your strength. Be eloquent, and deep, and tender; see, with a clear eye, into Nature and into life; spread your white wings of quivering thought, and soar, a god-like spirit, over the whirling world beneath you, up through long lanes of flaming stars to the gates of eternity!”
After hot muffins, it says, “Be dull and soulless, like a beast of the field — a brainless animal, with listless eye, unlit by any ray of fancy, or of hope, or fear, or love, or life.” And after brandy, taken in sufficient quantity, it says, “Now, come, fool, grin and tumble, that your fellow-men may laugh — drivel in folly, and splutter in senseless sounds, and show what a helpless ninny is poor man whose wit and will are drowned, like kittens, side by side, in half an inch of alcohol.”
We are but the veriest, sorriest slaves of our stomach. Reach not after morality and righteousness, my friends; watch vigilantly your stomach, and diet it with care and judgment. Then virtue and contentment will come and reign within your heart, unsought by any effort of your own; and you will be a good citizen, a loving husband, and a tender father — a noble, pious man.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
August 24, 2014
QotD: Hypochondria
It is a most extraordinary thing, but I never read a patent medicine advertisement without being impelled to the conclusion that I am suffering from the particular disease therein dealt with in its most virulent form. The diagnosis seems in every case to correspond exactly with all the sensations that I have ever felt.
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch — hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into — some fearful, devastating scourge, I know — and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it.
I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever — read the symptoms — discovered that I had typhoid fever, must have had it for months without knowing it — wondered what else I had got; turned up St. Vitus’s Dance — found, as I expected, that I had that too, — began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically — read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee.
I felt rather hurt about this at first; it seemed somehow to be a sort of slight. Why hadn’t I got housemaid’s knee? Why this invidious reservation? After a while, however, less grasping feelings prevailed. I reflected that I had every other known malady in the pharmacology, and I grew less selfish, and determined to do without housemaid’s knee. Gout, in its most malignant stage, it would appear, had seized me without my being aware of it; and zymosis I had evidently been suffering with from boyhood. There were no more diseases after zymosis, so I concluded there was nothing else the matter with me.
I sat and pondered. I thought what an interesting case I must be from a medical point of view, what an acquisition I should be to a class! Students would have no need to “walk the hospitals,” if they had me. I was a hospital in myself. All they need do would be to walk round me, and, after that, take their diploma.
Then I wondered how long I had to live. I tried to examine myself. I felt my pulse. I could not at first feel any pulse at all. Then, all of a sudden, it seemed to start off. I pulled out my watch and timed it. I made it a hundred and forty-seven to the minute. I tried to feel my heart. I could not feel my heart. It had stopped beating. I have since been induced to come to the opinion that it must have been there all the time, and must have been beating, but I cannot account for it. I patted myself all over my front, from what I call my waist up to my head, and I went a bit round each side, and a little way up the back. But I could not feel or hear anything. I tried to look at my tongue. I stuck it out as far as ever it would go, and I shut one eye, and tried to examine it with the other. I could only see the tip, and the only thing that I could gain from that was to feel more certain than before that I had scarlet fever.
I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
August 16, 2014
QotD: The nature of fox-terriers
I remember being in the lobby of the Haymarket Stores one day, and all round about me were dogs, waiting for the return of their owners, who were shopping inside. There were a mastiff, and one or two collies, and a St. Bernard, a few retrievers and Newfoundlands, a boar-hound, a French poodle, with plenty of hair round its head, but mangy about the middle; a bull-dog, a few Lowther Arcade sort of animals, about the size of rats, and a couple of Yorkshire tykes.
There they sat, patient, good, and thoughtful. A solemn peacefulness seemed to reign in that lobby. An air of calmness and resignation — of gentle sadness pervaded the room.
Then a sweet young lady entered, leading a meek-looking little fox-terrier, and left him, chained up there, between the bull-dog and the poodle. He sat and looked about him for a minute. Then he cast up his eyes to the ceiling, and seemed, judging from his expression, to be thinking of his mother. Then he yawned. Then he looked round at the other dogs, all silent, grave, and dignified.
He looked at the bull-dog, sleeping dreamlessly on his right. He looked at the poodle, erect and haughty, on his left. Then, without a word of warning, without the shadow of a provocation, he bit that poodle’s near fore-leg, and a yelp of agony rang through the quiet shades of that lobby.
The result of his first experiment seemed highly satisfactory to him, and he determined to go on and make things lively all round. He sprang over the poodle and vigorously attacked a collie, and the collie woke up, and immediately commenced a fierce and noisy contest with the poodle. Then Foxey came back to his own place, and caught the bull-dog by the ear, and tried to throw him away; and the bull-dog, a curiously impartial animal, went for everything he could reach, including the hall-porter, which gave that dear little terrier the opportunity to enjoy an uninterrupted fight of his own with an equally willing Yorkshire tyke.
Anyone who knows canine nature need hardly, be told that, by this time, all the other dogs in the place were fighting as if their hearths and homes depended on the fray. The big dogs fought each other indiscriminately; and the little dogs fought among themselves, and filled up their spare time by biting the legs of the big dogs.
The whole lobby was a perfect pandemonium, and the din was terrific. A crowd assembled outside in the Haymarket, and asked if it was a vestry meeting; or, if not, who was being murdered, and why? Men came with poles and ropes, and tried to separate the dogs, and the police were sent for.
And in the midst of the riot that sweet young lady returned, and snatched up that sweet little dog of hers (he had laid the tyke up for a month, and had on the expression, now, of a new-born lamb) into her arms, and kissed him, and asked him if he was killed, and what those great nasty brutes of dogs had been doing to him; and he nestled up against her, and gazed up into her face with a look that seemed to say: “Oh, I’m so glad you’ve come to take me away from this disgraceful scene!”
She said that the people at the Stores had no right to allow great savage things like those other dogs to be put with respectable people’s dogs, and that she had a great mind to summon somebody.
Jerome K. Jerome, Three Men in a Boat (to say nothing of the dog), 1889.
