Overly Sarcastic Productions
Published Apr 6, 2018Now that Caesar’s assassins are out of the picture, which would-be dictator will defeat the other to become the sole-ruler of Rome? In today’s episode of “How Long Before There’s Another Civil War?”: Not a lot … honestly not a very long time … BUT THEN WE GET THE ROMAN EMPIRE WOOOOOOOOO~~~
June 24, 2024
History Summarized: Augustus Versus Antony
May 4, 2024
Shakespeare Summarized: Antony and Cleopatra
Overly Sarcastic Productions
Published Dec 2, 2016Hey, remember almost exactly three years ago when I summarized Julius Caesar? Published on December 1st, even? A coincidence I totally planned when I spontaneously decided to do this video today?
February 19, 2024
QotD: Cleopatra VII Philopator
This week on the blog we’re going to talk about Cleopatra or to be more specific, we’re going to talk about Cleopatra VII Philopator, who is the only Cleopatra you’ve likely ever heard of, but that “seven” after her name should signal that she’s not the only Cleopatra.1 One of the trends in scholarship over the years towards larger than life ancient historical figures – Caesar, Alexander, Octavian, etc. – has been attempts to demystify them, stripping away centuries of caked-on reception, assumptions and imitation to ask more directly: who was this person, what did they do and do we value those sorts of things?2
Cleopatra, of course, has all of that reception layered on too. In antiquity and indeed until the modern era, she was one of the great villains of history, the licentious, wicked foreign queen of Octavian’s propaganda. More recently there has been an effort to reinvent her as an icon of modern values, perhaps most visible lately in Netflix’ recent (quite poorly received) documentary series. A lot of both efforts rely on reading into gaps in the source material. What I want to do here instead is to try to strip some of that away, to de-mystify Cleopatra and set out some of what we know and what we don’t know about her, with particular reference to the question I find most interesting: was Cleopatra actually a good or capable ruler?
Now a lot of the debate sparked by that Netflix series focused on what I find the rather uninteresting (but quite complicated) question of Cleopatra’s heritage or parentage or – heaven help us – her “race”. But I want to address this problem too, not because I care about the result but because I am deeply bothered by how confidently the result gets asserted by all sides and how swiftly those confident assertions are mobilized into categories that just aren’t very meaningful for understanding Cleopatra. To be frank, Cleopatra’s heritage should be a niche question debated in the pages of the Journal of Juristic Papyrology by scholars squinting at inscriptions and papyri, looking to make minor alterations in the prosopography of the Ptolemaic dynasty, both because it is highly technical and uncertain, but also because it isn’t an issue of central importance. So we’ll get that out of the way first in this essay and then get to my main point, which is this:
Cleopatra was, I’d argue, at best a mediocre ruler, whose ambitious and self-interested gambles mostly failed, to the ruin of herself and her kingdom. This is not to say Cleopatra was a weak or ineffective person; she was very obviously highly intelligent, learned, a virtuoso linguist, and a famously effective speaker. But one can be all of those things and not be a wise or skillful ruler, and I tend to view Cleopatra in that light.
Now I want to note the spirit in which I offer this essay. This is not a take-down of the Netflix Queen Cleopatra documentary (though it well deserves one and has received several; it is quite bad) nor a take-down of other scholars’ work on Cleopatra. This is simply my “take” on her reign. There’s enough we don’t know or barely know that another scholar, viewing from another angle, might well come away with a different conclusion, viewing Cleopatra in a more positive light. This is, to a degree, a response to some of the more recent public hagiography on Cleopatra, which I think air-brushes her failures and sometimes tries a bit too hard to read virtues into gaps in the evidence. But they are generally gaps in the evidence and in a situation where we are all to a degree making informed guesses, I am hardly going to trash someone who makes a perfectly plausible but somewhat differently informed guess. In history there are often situations where there is no right answer – meaning no answer we know to be true – but many wrong answers – answers we know to be false. I don’t claim to have the right answer, but I am frustrated by seeing so many very certain wrong answers floating around the public.
Before we dive in briefly to the boring question of Cleopatra’s parentage before the much more interesting question of her conduct as a ruler, we need to be clear about the difficult nature of the sources for Cleopatra and her reign. Fundamentally we may divide these sources into two groups: there are inscriptions, coins and papyrus records from Egypt which mention Cleopatra (and one she wrote on!) but, as such evidence is wont to be, [they] are often incomplete or provided only limited information. And then there are the literary sources, which are uniformly without exception hostile to Cleopatra. And I mean extremely hostile to Cleopatra, filled with wrath and invective. At no point, anywhere in the literary sources does Cleopatra get within a country mile of a fair shake and I am saying that as someone who thinks she wasn’t very good at her job.
The problem here is that Cleopatra was the target of Octavian’s PR campaign, as it were, in the run up to his war with Marcus Antonius (Marc Antony; I’m going to call him Marcus Antonius here), because as a foreign queen – an intersecting triad of concepts (foreignness, monarchy and women in power) which all offended Roman sensibilities – she was effectively the perfect target for a campaign aimed at winning over the populace of Italy, which was, it turns out, the most valuable military resource in the Mediterranean.3 That picture – the foreign queen corrupting the morals of good Romans with her decadence – rightly or wrongly ends up coloring all of the subsequent accounts. Of course that in turn effects the reliability of all of our literary sources and thus we must tread carefully.
Bret Devereaux, “Collections: On the Reign of Cleopatra”, A Collection of Unmitigated Pedantry, 2023-05-26.
1. Or even just the seventh!
2. This is not to diminish the value of reception studies that trace the meaning a figure – or the memory of a figure – had over time. That’s a valuable but different lens of study.
3. It’s not all Octavian, mind. Cicero’s impression of Cleopatra was also sharply negative, for many of the same reasons: Cicero was hardly likely to be affable to a foreign queen who was an ally of Julius Caesar.
August 7, 2023
The Longest Year in Human History (46 B.C.E.)
Historia Civilis
Published 24 Apr 2019
(more…)
June 15, 2021
QotD: The destruction of the Great Library of Alexandria
The dramatic force of the New Atheist moral fable of the Great Library of Alexandria not only comes from the Library’s supposed size and unique nature, but also from its supposed cataclysmic and fiery end. The moral of this story has added impact if the Great Library ends in a violent catastrophe, so this is the story that tends to get told by those who use the tale as a stick with which to beat Christianity. The fact is, however, that libraries are delicate institutions and most decline slowly rather than ending in a sudden disaster, or – as in the Great Library’s case – decline slowly while suffering a series of disasters. Anyone who works in library services will tell you that the main enemy of a library’s continuation is a lack of funding. Ancient libraries in particular needed constant financial patronage from their founders and sponsors to survive. Papyrus scrolls decayed and fell apart from use, suffered damage from mice and other vermin and, in a period where artificial light tended to be from open oil lamps, were in constant danger from fires, great and small. The Mouseion, like all ancient libraries, needed a large staff to undertake the constant and unending task of repairing, replacing and recopying books and these staffs, even when made up of slaves, were expensive to maintain.
During the Mouseion‘s heyday in the third and second centuries BC the funding for this labour and the upkeep of the institution generally would have been regular and reliable. The Mouseion was, after all, one of the jewels in the crown of the Ptolemaic kingdom and it sat in the Broucheion or Royal Quarter where the Ptolemies themselves lived. By the first century BC, however, there is some indication that the prestige of the institution had begun to decline. In its first two centuries the Mouseion‘s directors were famous scholars, renowned for their intellects throughout the Greek-speaking world. By the time of the later Ptolemies, however, we find administrators, court favourites and even a former commander of the palace guard taking up the role, which seems to have become, as Lionel Casson puts it, “a political plum” to be awarded to flunkies rather than scholars. This continued under the Romans in the first century AD, with Tiberius Claudius Balbilus being awarded the post by Claudius, though he at least was something of a scholar if not a leading intellect. It is likely that the later Ptolemies began to neglect the institution and Roman imperial patronage of it was probably even less reliable.
But war has always been one of the main destroyers of libraries down the ages and the Great Library’s slow decline was marked by several sacks of the Broucheion which eventually led to the end of the Mouseion. The first and probably the most significant came in 47 BC when Julius Caesar took the side of Cleopatra in her claim on the Ptolemy’s throne and besieged her younger brother, the boy king Ptolemy XIII, in Alexandria. Caesar’s own account mentions that he burned a fleet in the docks of the city, but makes no mention of this fire destroying anything else (Civil Wars, III.11). His account was continued by his lieutenant Aulus Hirtius in his Alexandrine War and he too makes no mention of any fire damaging the city, but he does go out of his way to say “Alexandria is well-nigh fire-proof, because its buildings contain no wooden joinery and are held together by an arched construction and are roofed with rough-cast or tiling” (Alexandrine War, I.1) which could be read as an attempt at a defence against accusations of damage through fire, given his role in the siege. The earliest account of Caesar’s siege damaging Alexandria comes from a lost work by Livy via an epitome by Florus (Florus, II.13) which describes Caesar burning the area around the docks to deprive enemy archers of a position on which to fire on his troops, and this is echoed by Lucan (The Civil War, X.24). It is Plutarch who first depicts this fire destroying the Great Library in an almost casual mention that perhaps assumes this as common knowledge:
In this war, to begin with, Caesar encountered the peril of being shut off from water, since the canals were dammed up by the enemy; in the second place, when the enemy tried to cut off his fleet, he was forced to repel the danger by using fire, and this spread from the dockyards and destroyed the Great Library, and thirdly, when a battle arose at Pharos, he sprang from the mole into a small boat and tried to go to the aid of his men in their struggle, but the Egyptians sailed up against him from every side, so that he threw himself into the sea and with great difficulty escaped by swimming. (Plutarch, Caesar, 49)
Aulus Gellius’ mention of the Great Library says that the collection numbered “nearly seven hundred thousand volumes” and then adds “but these were all burned during the sack of the city in our first war with Alexandria”, referring to Caesar’s siege (Gellius, Attic Nights, VII.17). Dio Cassius gives a slightly longer account:
After this many battles occurred between the two forces both by day and by night, and many places were set on fire, with the result that the docks and the storehouses of grain among other buildings were burned, and also the library, whose volumes, it is said, were of the greatest number and excellence. (Dio Cassius, Roman History, XLII.36)
There is some debate about how literally we can take the reports that the whole Great Library was destroyed, especially given that the docks area of Alexandria were some distance from the Mouseion‘s likely location. The fact that so many writers agree that Caesar’s fire destroyed the Great Library simply can’t be ignored, however, and at the very least the fire seems to have destroyed a substantial portion of the book collection, probably stored in warehouses on the docks. It is clear that the losses were huge, as Plutarch also tells the (probably apocryphal) story of Mark Antony confiscating the whole collection of the Great Library of Pergamon and giving them to Cleopatra to replace the books lost in the fire (Plutarch, Antony, 58). While this was not the end of the Mouseion and not the end of its whole collection, writers from around the end of the reign of Caesar’s dynasty onwards tend to refer to the Great Library in the past tense and any surviving collection was probably greatly reduced after 47 BC.
Scholarship continued in the Mouseion, however, and the Roman emperors seem to have continued its funding under their patronage when the Ptolemaic dynasty came to an end with the death of Cleopatra. Claudius built a new wing or annex to the Mouseion, which was to house his works of history and see the public reading of them twice a year. But it was the calamitous third century AD that saw a succession of military disasters in Alexandria and seems to have seen the final end of the Mouseion.
In 215 AD Caracalla punished Alexandria for mockery of him with a wholesale massacre of its young men, after which his troops plundered parts of the city. It is not known if the Mouseion was sacked in this action, but John Malas records that its funding was stopped by Caracalla at this time (Delia, p. 1463). The real end probably came in 272 AD when Aurelian stormed the Broucheion with Ammianus noting “[Alexandria’s] walls were destroyed and she lost the greater part of the district called Bruchion.” (Ammianus, History, XII.15). If that sack didn’t mean the death blow for the institution, Diocletian probably finished the job when he too sacked the city in 295 AD, and it was later devastated by a major earthquake in 365 AD. The only mention of the Mouseion after this is found in a late source, the tenth century Byzantine encyclopaedia called the Suda, which describes the fourth century philosopher Theon as “the man from the Mouseion“, though it is hard to tell exactly what this means. Given that the Mouseion was most likely long gone by Theon’s time, it could be that some other successor “Mouseion” had been established and Theon studied there or it could be that “the man from the Mouseion” is stylised honorific or even a personal nickname – meaning “a scholar like one from the old days”.
The Mouseion and its library were almost certainly a memory by the late third century, destroyed in a series of calamities after a long period of decline. But what is missing from all this evidence is any howling, pyromaniacal Christian mob. If the Great Library ceased to exist in the century before Chrisitanity came to power in the Empire, how did Christians get stuck with the charge of destroying it? The answer lies not in the evidence about the Great Library, but in the history of its daughter library and annex in the Serapeum.
Tim O’Neill, “The Great Myths 5: The Destruction Of The Great Library Of Alexandria”, History for Atheists, 2017-07-02.
March 20, 2021
History RE-Summarized: The Age of Augustus
Overly Sarcastic Productions
Published 19 Mar 2021Many Romans had conquered the Republic, but nobody could keep it, until Augustus. In the half century after the assassination of Caesar, his adoptive son would fundamentally transform the Roman state: expanding it, reforming it, and bringing it under the control of one man. The Age of Augustus found Rome a Republic and left it an Empire.
This video is a Remastered, Definitive Edition of three previous videos from this channel — History Summarized: “Augustus Versus The Assassins”, “Augustus Versus Antony”, and “How Augustus Made An Empire”. This video combines them all into one narrative, fully upgrading all of the visuals and audio. If you want more Histories to be Re-Summarized, please comment and let me know!
SOURCES & Further Reading: The Age of Augustus by Werner Eck, Augustus and the Creation of the Roman Empire by Ronald Mellor, Cleopatra: A Life by Stacy Schiff, Virgil’s Aeneid, Polybius’ Histories, Livy’s Ab Urbe Condita, Plutarch’s Parallel Lives, SPQR by Mary Beard, Rome: A History in Seven Sackings by Matt Kneale, (and also my degree in Classical Studies).
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0:00 1 — Octavian V. the Assassins
07:40 2 — Octavian V. Antony
17:36 3 — Augustus as EmperorOur content is intended for teenage audiences and up.
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October 10, 2020
I AM Julius Caesar
The Study of Antiquity and the Middle Ages
Published 2 Jul 2020Politician, warrior, priest, lover.
My name is Gaius Julius Caesar and I led one of the most extraordinary lives in recorded history.
My victories over foes both foreign and domestic are still studied today. I upended the Roman Republic and became its first dictator.
I loved Cleopatra.
My brutal assassination has been synonymous with bitter betrayal for 2000 years.
New videos from The Study of Antiquity and the Middle Ages, the I AM series allows the great figures of history to introduce themselves in brief, compelling, historically-accurate episodes. Look for more I AM videos of your favorites!
I AM Julius Caesar! Welcome to the first episode of the I AM series where you live history itself through the mind, viewpoints and lives of a historical character!
See and experience the world they lived and celebrate their triumphs and feel their defeats.
This first episode is on Julius Caesar, the revolutionary who set into place the foundations of what would become the Roman Empire.
This was written, directed and created by the extraordinary professional DW Draffin! He is an audio book narrator, stage actor, and independent author.
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May 17, 2020
Cicero’s Finest Hour (44 to 43 B.C.E.)
Historia Civilis
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Suetonius, “The Life of Julius Caesar” | https://amzn.to/2xJesHH
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Nicolaus of Damascus, “The Life of Augustus” | https://amzn.to/3dlQeCg
Appian, “The Civil Wars: Book 3” | https://amzn.to/2WbJXU4
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Cassius Dio, “Roman History: Book 45” | https://amzn.to/35HC4ce
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—
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Tom Holland, “Dynasty: The Rise and Fall of the House of Caesar” | https://amzn.to/2zjG4n4
Adrian Goldsworthy, “Antony and Cleopatra” | https://amzn.to/2L8MQ1F
Anthony Everitt, “Cicero: The Life and Times of Rome’s Greatest Politician” | https://amzn.to/3bbrKKM
Tom Holland, “Rubicon” | https://amzn.to/3dombKn
Adrian Goldsworthy, “Augustus” | https://amzn.to/3fAInmD
Anthony Everitt, “Augustus: The Life of Rome’s First Emperor” | https://amzn.to/2Wf9CLH
Adrian Goldsworthy, “Caesar: Life of a Colossus” | https://amzn.to/3cfFQvUMusic:
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