Quotulatiousness

January 23, 2024

Sometimes the deciding factor in success really is just “dumb luck”

Filed under: Books, Media — Tags: , , — Nicholas @ 03:00

Virginia Postrel doesn’t disparage the role of quality, but as one of her own experiences clearly illustrates, you can’t discount the sometimes disproportionate role of luck:

AI is coming along … but it ain’t there yet.
Image by Virginia Postrel, using Ideogram.ai

No amount of planning beats dumb luck. That saying, which I will always associate with the gubernatorial campaign of South Carolina’s James Edwards1, occurred to me while reading Damon Linker’s latest Substack post. His praise of Martin Gurri’s book The Revolt of the Public reminded me of a corollary: When it comes to books, no amount of intellectual quality is enough without dumb luck. It’s an absolute miracle Martin Gurri’s book, which is excellent, has become well known.

I know because I gave The Revolt of the Public a crucial boost — and I only discovered it because my own book, The Power of Glamour, was languishing in obscurity (where it remains). Frustrated with the lack of attention, I spent an evening Googling “visual persuasion” in hopes of finding smart people who might find my analysis interesting enough to mention to others. My search led me to a 2010 article for the Army War College, co-authored by Gurri, titled “Our Visual Persuasion Gap“. I sent him a note: “I read your article on the visual persuasion gap and would like to send you a copy of my book. Could you send me your mailing address? Are you related to Adam?” He responded that he preferred to think that Adam was related to him — his son — and that we should trade books.

To review: 1) I wrote a book related to visual persuasion. 2) Martin Gurri has a long-standing interest in visual persuasion. 3) Gurri wrote a book relevant to visual persuasion. 4) I knew Gurri’s son. And neither of us knew the other existed.

I was impressed by his book. So when Cato Unbound invited me to write an essay on “visual persuasion and politics” and to suggest people to write responses, I recommended him. That was in July 2014. The symposium came and went. Still The Revolt of the Public didn’t break into public consciousness, even among the kind of people who read Cato Institute publications.

Then, in December 2015, I wrote a Bloomberg Opinion column on The Revolt of the Public. I’m sure many people read the column, but only one of them mattered to the book’s public profile: Arnold Kling, who wrote about it on his blog in January 2016. The timing was perfect and Arnold proved an effective, well-connected evangelist. In 2018 Stripe Press issued an updated version in print, audio, and electronic formats. Since then, the book has become a touchstone for understanding the rise of populist movements. Agree or disagree, people trying to figure out our political moment have to consider Gurri’s analysis — which they know about because of dumb luck.


    1. Edwards, an oral surgeon by profession, was a Republican party activist who ran in the 1974 primary against the much better known General William Westmoreland. Then, as now, South Carolina did not have party registration. Any voter could vote in either primary, but if you voted in one party’s primary you couldn’t vote in the other party’s runoff election. The Democratic primary was where the action was that year, with multiple candidates. Only the most stalwart Republicans voted in that primary and they preferred the guy they knew to the celebrity general. The Democratic primary went to a runoff between young post-Watergate reformer Charles “Pug” Ravenel and old guard Congressman William Jennings Bryan Dorn. Ravenel, a South Carolina native who’d only recently moved from New York, won the runoff, only to have his candidacy disqualified for not meeting residency requirements. The Democrats put Dorn in his place, but he was a weakened candidate and voters went with Edwards, making him the first Republican governor since Reconstruction. Edwards used to have a sign with this motto, or some version of it, on his desk.

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