Quotulatiousness

February 8, 2023

“Smoking has been a net gain for the Treasury ever since King James I started taxing it heavily in the 1600s”

Christopher Snowden asks whether we should believe the consistent claims of public health advocates on how much things they disapprove of (smoking, drinking, etc.) “cost” the taxpayer:

If smoking costs the taxpayers £173 billion, then how much does widespread forced feeding of office pastries cost?

If you say that a certain activity costs society £10 billion a year, most people would assume that if that activity disappears, society will save £10 billion a year.

They might have different ideas of what “society” means. Some will assume that the £10 billion is a cost to taxpayers while others will assume that some of the cost is borne by private individuals and businesses. But the majority will, quite reasonably, assume that the cost is to other people, i.e. those who do not participate in the activity.

And nearly everyone will assume that the £10 billion is money in the conventional sense of cash that can be exchanged for goods and services.

But when it comes to estimates from “public health” campaigners about the cost of drinking/smoking/obesity, all these assumptions would be wrong. Most of the “costs” are to the people engaged in the activity and they are not financial costs. Taxpayers would not pay less tax if they disappeared. In general, they would pay more.

Last month I mentioned an estimate of the “cost” of gambling in the UK and said:

    These studies have no merit as economic research. They are purely driven by advocacy. The hope is that the average person will wrongly assume that the costs are to taxpayers and agitate for change.

The main aim of these Big Numbers is to convince the public that heavily-taxed activities place a burden on society that exceeds the tax revenue, thereby justifying yet more taxes and prohibitions.

In the case of smoking, this has become more and more difficult. Smoking has been a net gain for the Treasury ever since King James I started taxing it heavily in the 1600s. Today, as the smoking rate dwindles and tobacco duty rises ever higher, anti-smoking campaigners have got their work cut out duping non-smokers into thinking otherwise.

Tobacco duty brings in about £12 billion a year. For years, groups like Action on Smoking and Health (ASH) used a figure of £13.74 billion as the “cost of smoking”. This came from a flimsy Policy Exchange report which included £5.4 billion as the cost of smoking breaks and £4.8 billion as the cost of lost productivity due to premature mortality. Neither of these are costs to the taxpayer. They are not even external costs, i.e. costs to non-smokers.

Last year, in a review commissioned by the Department of Health, Javed Khan came up with a figure of “around £17 billion” as the “societal cost” of smoking. This included “reduced employment levels” (£5.69 billion) and “reduced wages for smokers” (£6.04 billion). Again, these costs fall on smokers themselves and are not external costs. They are, in other words, none of the government’s business.

Last week, a report commissioned by Action on Smoking and Health (ASH) pulled out all the stops and announced that the cost of smoking to Britain was now — wait for it! — £173 billion. Go big or go home, eh?

The King of Siam’s Massaman Curry

Filed under: Asia, Food, History — Tags: , , , — Nicholas @ 04:00

Tasting History with Max Miller
Published 7 Feb 2023
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The ghastly Thirty Years’ War in Europe

In The Critic, Peter Caddick-Adams outlines the state of Europe four hundred years ago:

A war as long and as complex requires something like this to help keep the narrative somewhat understandable.

Exactly four hundred years ago, a dark shadow was slithering across mainland Europe. It stretched its bleak, cold presence into each hearth and home. Everything it touched turned to ruin. Musket and rapier, smoke and fire, ruled supreme. Nothing was immune. Animals and children starved to death, mothers and adolescent girls were abused and tortured. The lucky ones died, alongside their brothers and fathers, slain in battle. Possessions were looted, crops destroyed, barns and houses burned. There seemed no end to the evil and pestilence. Sixteen generations ago, many believed the end of the world had arrived.

This was not a tale of Middle Earth. The place was central Europe in the early 17th century. In 1618 the future Holy Roman emperor Ferdinand II, a zealous follower of the Jesuits, had attempted to restore the Catholic Church as the only religion in the Empire and exterminate any form of religious dissent. Protestant nobles in Bohemia and Austria rose up in rebellion. The conflict soon widened, fuelled by the political ambitions of adjacent powers. In Europe’s heartland, three denominations fought it out: Roman Catholicism, Lutheranism and Calvinism.

The result was an interwoven tangle of diplomatic plot twists, temporary alliances and coalitions, as princes, bishops and potentates beseeched outside powers to help. The struggle, which lasted for thirty years, boiled down to the Roman Catholic and Habsburg-led Holy Roman Empire, fighting an incongruous array of Protestant towns and statelets, aided by the anti-Catholic powers of Sweden under Gustavus Adolphus, and the United Netherlands. France and Spain also took advantage of the distractions of war to indulge in their own sub-campaigns. Britain took no formal part but was about to become embroiled in her own civil war.

The principal battleground for this collective contest of arms centred on the towns and principalities of what would become Germany, northern Italy, the Netherlands and the Czech Republic. The war devastated many regions on a scale unseen again until 1944–45. For example, at Magdeburg on the River Elbe, 20,000 of 25,000 inhabitants died, with 1,700 of its 1,900 buildings ruined. In Czech Bohemia, 40 per cent of the population perished, with 100 towns and more than a thousand villages laid waste. At Nordlingen in 1634, around 16,000 soldiers were killed in a single day’s battle. The town took three centuries for its population to return to pre-war levels. Refugees from smaller settlements swelled the many walled cities, increasing hunger and spreading disease.

Too diminutive to defend themselves, all states hired mercenaries, of whom a huge number flourished in the era, enticed by the prospect of quick wealth in exchange for proficiency with sword and musket. Employed by every antagonist, but beholden to no one, these armed brigands — regiments would be too grand a term for the uniformed thugs they were — roamed at will. With their pikes and their muskets, they plundered the countryside in search of booty, food and transport. In their wake, they left burning towns, ruined villages, pillaged farms. Lead was stripped from houses and church roofs for ammunition.

Left to right:
The Defenestration of Prague (23 May, 1618), The death of Gustavus Adolphus at Lützen (16 November, 1632), Dutch warships prior to the Battle of the Downs (21 October, 1639), and The Battle of Rocroi (19 May, 1643).
Collage by David Dijkgraaf via Wikimedia Commons.

When in the winter of 1634 Swedish mercenaries were refused food and wine by the inhabitants of Linden, a tiny Bavarian settlement, they raped and looted their way through the village, leaving it uninhabitable. Across Europe, travellers noted the human and animal carcasses that decorated the meadows, streams polluted by the dead and rotting crops, presided over only by ravens and wolves. No respect was shown for the lifeless. Survivors stripped corpses of clothing and valuables; if lucky, the deceased were tossed into unmarked mass graves, since lost to history.

Having triggered the war, Ferdinand predeceased its end. We can never know how many died in Europe’s last major conflagration triggered by religion. Archives perished in the flames, and survivors were not interested in computations. Historians now put the death toll at between 8 and 12 million. Probably 500,000 perished in battle, with the rest, mostly civilians, expiring through starvation and disease. We think these casualties may equate to as much as 20 per cent of mainland Europe’s population and perhaps one-third of those in modern Germany, bringing the Thirty Years’ War a potency similar to the Black Death or either world war. The region did not recover for at least three generations.

Economic activity, land use and ownership altered terminally. When the exhausted powers finally met in October 1648 at Osnabrück and Münster in the German province of Westphalia to end the directionless slaughter, of whom self-serving militias were the only beneficiaries, Europe’s balance of power had shifted tectonically. Fresh rules of conflict and the legitimacy of a new network of 300 sovereign states, independent from a Holy Roman Emperor or a Pope, marked the struggle as a watershed moment, leading to the Enlightenment and an era that disappeared only with Napoleon.

Hand Planing Awkward Grain | Paul Sellers

Filed under: Tools, Woodworking — Tags: , , , — Nicholas @ 02:00

Paul Sellers
Published 21 Oct 2022

We are often taught to plane in one direction or the other, planing along the grain, but some grain is better planed across the long axis to counter reverse grain caused by the roots of knots in the wood. This goes against the grain with many woodworkers, and yet it can be a perfect solution to get a really good surface.

I am not saying it works every time but more often than you might think; it puts you in the driving seat when wood seems to defy conventional means of planing.
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QotD: How do the “great works of art” become “great”?

Filed under: History, Media, Quotations — Tags: , — Nicholas @ 01:00

In 1993, a psychologist, James Cutting, visited the Musée d’Orsay in Paris to see Renoir’s picture of Parisians at play, “Bal du Moulin de la Galette”, considered one of the greatest works of Impressionism. Instead, he found himself magnetically drawn to a painting in the next room: an enchanting, mysterious view of snow on Parisian rooftops. He had never seen it before, nor heard of its creator, Gustave Caillebotte.

That was what got him thinking.

Have you ever fallen for a novel and been amazed not to find it on lists of great books? Or walked around a sculpture renowned as a classic, struggling to see what the fuss is about? If so, you’ve probably pondered the question Cutting asked himself that day: how does a work of art come to be considered great?

The intuitive answer is that some works of art are just great: of intrinsically superior quality. The paintings that win prime spots in galleries, get taught in classes and reproduced in books are the ones that have proved their artistic value over time. If you can’t see they’re superior, that’s your problem. It’s an intimidatingly neat explanation. But some social scientists have been asking awkward questions of it, raising the possibility that artistic canons are little more than fossilised historical accidents.

Cutting, a professor at Cornell University, wondered if a psychological mechanism known as the “mere-exposure effect” played a role in deciding which paintings rise to the top of the cultural league. In a seminal 1968 experiment, people were shown a series of abstract shapes in rapid succession. Some shapes were repeated, but because they came and went so fast, the subjects didn’t notice. When asked which of these random shapes they found most pleasing, they chose ones that, unbeknown to them, had come around more than once. Even unconscious familiarity bred affection.

Back at Cornell, Cutting designed an experiment to test his hunch. Over a lecture course he regularly showed undergraduates works of Impressionism for two seconds at a time. Some of the paintings were canonical, included in art-history books. Others were lesser known but of comparable quality. These were exposed four times as often. Afterwards, the students preferred them to the canonical works, while a control group of students liked the canonical ones best. Cutting’s students had grown to like those paintings more simply because they had seen them more.

Cutting believes his experiment offers a clue as to how canons are formed. He points out that the most reproduced works of Impressionism today tend to have been bought by five or six wealthy and influential collectors in the late 19th century. The preferences of these men bestowed prestige on certain works, which made the works more likely to be hung in galleries and printed in anthologies. The kudos cascaded down the years, gaining momentum from mere exposure as it did so. The more people were exposed to, say, “Bal du Moulin de la Galette”, the more they liked it, and the more they liked it, the more it appeared in books, on posters and in big exhibitions. Meanwhile, academics and critics created sophisticated justifications for its pre-eminence. After all, it’s not just the masses who tend to rate what they see more often more highly. As contemporary artists like Warhol and Damien Hirst have grasped, critical acclaim is deeply entwined with publicity. “Scholars,” Cutting argues, “are no different from the public in the effects of mere exposure.”

Ian Leslie, “The Mona Lisa Effect”, The Ruffian, 2022-10-29 (originally published in Intelligent Life in 2014.

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