Quotulatiousness

February 1, 2023

Changing views of Gandhi

Filed under: History, India — Tags: , , , , — Nicholas @ 05:00

In UnHerd, Pratinav Anil recounts some of the changes to Gandhi’s reputation and place in Indian public memory:

Nehru with Gandhi, August 1942.
Photographer unknown, public domain image via Wikimedia Commons.

Gandhi, poor fellow, had his ashes stolen on the 150th anniversary of his birth. “Traitor”, scrawled the Hindu supremacist malcontents on a life-size cut-out of the Mahatma at the mausoleum. That was a couple of years ago, but it’s a sentiment that’s grown shriller since. Unsurprisingly. In government as in schools, in newsrooms as on social media, the founding father’s defenders are being put out of business by his detractors. His Congress Party, after 50 years of near-uninterrupted rule since independence in 1947, is now in ruins, upstaged by the Bharatiya Janata Party. Hindu supremacists have stolen the show, while India’s Muslims, Christians, and Dalits are persecuted. With the changing of the guard, Gandhi’s extravagant ideal — unity in diversity — has gone the way of his ashes.

His reputation, too, is in tatters. Last year, the National Theatre staged a play about his assassination. But The Father and the Assassin centred not on Gandhi but Godse, the man who killed him 75 years ago this week. Here is a tender portrait of a tortured soul, a blushing boy raised as a girl to propitiate the gods who had taken away his three brothers, who becomes radicalised and blames Gandhi for betraying Hindus and mollycoddling Muslims, so causing Partition. It is no accident that Godse was a card-carrying Hindu supremacist, a member of the parent organisation of the BJP, to which India’s new ruler Narendra Modi belongs. Today, statues of Godse are going up across the country just as statues of Gandhi are being pulled down across the world.

Needless to say, this is a most disturbing development. Yet the reaction of liberals, Indian as well as Western, has been no less troubling. An unthinking anti-imperialism of old has joined up with an unthinking anti-Hindu supremacism of new to beget a bastardised Gandhi. What we have is not a creature of flesh and blood, possibly a great if also flawed man, but rather a deified hero. This is the Gandhi with a saintly halo around him who greets you from Indian billboards, grins at you from rupee notes, stares down at you from his plinth on Westminster’s Parliament Square, and, in Ben Kingsley’s portrayal of him, slathered in a thick impasto of fake tan, moves you to a standing ovation.

This is the easily comestible fortune-cookie Gandhi you encounter in airport bestsellers such as Ramachandra Guha’s double-decker hagiography, and also the sartorial icon whose wire-rim glasses were emulated by Steve Jobs. There is the Gandhi of the gags, most famous for a retort he probably never made: asked what he thought of Western civilisation, the Mahatma is reported to have replied: “I think it would be a good idea.” Ba-dum ching! Then there’s the Christological Gandhi, a modern messiah turning the other cheek: “An eye for an eye leaves the whole world blind.” There’s also Gandhi the self-help guru: “Be the change that you wish to see in the world.” One could go on.

Here’s where the historian in me says, would that it were so simple. Gandhi was no liberal. And if those who sing his praises today knew a little more about Gandhi the man, rather than Gandhi the saint, their adulation would very quickly dry up. The fact is that the Mahatma hasn’t aged well. He detested democracy, defended the caste system, and had a deeply disturbing relationship with sex.

None of this should surprise us. Unlike some of the more cerebral thinkers of his cohort, figures such as Ambedkar and Periyar, Gandhi possessed a shallow mind. The product of a rather parochial education, admittedly the best that could be bought in turn-of-the-century western India, he struggled to juggle academic and conjugal demands. His precocious marriage to Kasturbai at 13 was a misalliance, perennially troubled by his suspicions of her infidelity. Not the sharpest knife in the drawer, he dropped out of Samaldas College. It was only in London, where he went to read law, that his horizons widened.

Then again, not for the better.

Surviving on Leather

Filed under: Americas, Britain, Food, History — Tags: , , , , , , — Nicholas @ 04:00

Tasting History with Max Miller
Published 31 Jan 2023
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It’s the job of the music critic to be loudly and confidently wrong as often as possible

Filed under: Britain, History, Media, USA — Tags: , , , , , — Nicholas @ 03:00

Ted Gioia points out that a lot of musical criticism does not pass the test of time … and sometimes it’s shown to be wrong before the ink is dry:

When I was in my twenties, I embarked on writing an in-depth history of West Coast jazz. At that juncture in my life, it was the biggest project I’d ever tackled. Just gathering the research materials took several years.

There was no Internet back then, and so I had to spend weeks and months in various libraries going through old newspapers and magazines — sometimes on microfilm (a cursed format I hope has disappeared from the face of the earth), and occasionally with physical copies.

At one juncture, I went page-by-page through hundreds of old issues of Downbeat magazine, the leading American jazz periodical founded back in 1934. And I couldn’t believe what I was reading. Again and again, the most important jazz recordings — cherished classics nowadays — were savagely attacked or smugly dismissed at the time of their initial release.

The opinions not only were wrong-headed, but they repeatedly served up exactly the opposite opinion of posterity.

Back in my twenties, I was dumbfounded by this.

I considered music critics as experts, and hoped to learn from them. But now I saw how often they got things wrong — and not just by a wee bit. They were completely off the mark.

Nowadays, this doesn’t surprise me at all. I’m painfully aware of all the compromised agendas at work in reviews — writers trying to please an editor, or impress other critics, or take a fashionable pose, or curry favor with the tenure committee, or whatever. But there is also something deeper at play in these huge historical mistakes in critical judgments, and I want to get to the bottom of it.

Let’s consider the case of the Beatles.

When the Beatles went on the road, stories like this followed them everywhere

On the 50th anniversary of Sgt. Pepper’s Lonely Hearts Club Band, the New York Times bravely reprinted the original review that ran in the newspaper on June 18, 1967. I commend the courage of the decision-makers who were willing to make Gray Lady look so silly. But it was a wise move — if only because readers deserve a reminder of how wrong critics can be.

“Like an over-attended child, ‘Sergeant Pepper’ is spoiled,” critic Richard Goldstein announced. And he had a long list of complaints. The album was just a pastiche, and “reeks of horns and harps, harmonica quartets, assorted animal noises and a 91-piece orchestra”. He mocks the lyrics as “dismal and dull”. Above all the album fails due to an “obsession with production, coupled with a surprising shoddiness in composition”. This flaw doesn’t just destroy the occasional song, but “permeates the entire album”.

Goldstein has many other criticisms — he gripes about dissonance, reverb, echo, electronic meandering, etc. He concludes by branding the entire record as an “undistinguished collection of work”, and even attacks the famous Sgt. Pepper’s cover — lauded today as one of the most creative album designs of all time — as “busy, hip, and cluttered”.

The bottom line, according to the newspaper of record: “There is nothing beautiful on ‘Sergeant Pepper’. Nothing is real and there is nothing to get hung about.”

How could he get it so wrong?

What’s the Greatest Machine of the 1980s … the FV107 Scimitar?

Filed under: Britain, History, Military, Weapons — Tags: , , , , — Nicholas @ 02:00

Engine Porn
Published 19 Jan 2015

Light, agile and very fast on all types of terrain, the fabulous Scimitar FV107 armoured reconnaissance vehicle was developed by car manufacturer Alvis, who were asked to build a fast military vehicle that was light enough to be airdropped — simply not an option for full sized battle tanks at the time, which averaged around 13 tonnes. [NR: I think they mean “light tanks” here, as MBTs of the era would have been more like 50+ tons.]

Alvis got the weight down to under 8 tonnes by using a new type of aluminium alloy and minimising armour rating in favour of speed. They built the Scimitar around a 220 horsepower, six cylinder, 4.2 litre Jaguar sports car engine with ground-breaking transmission that allowed differential power to each set of tracks. The result was a sports car of the the military world that might not be the toughest in the field, but could race its way out of trouble at speeds of up to 70 miles an hour.

What makes it great: A revolutionary armoured vehicle that brought the very best of British sports car performance to the battlefield.

Time Warp: The Scimitar was the only armoured vehicle to be used by the British Army in the Falklands War.

This short film features Chris Barrie taking the Scimitar for a spin.
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QotD: Creating a hostile working environment

Filed under: Business, Quotations — Tags: , , — Nicholas @ 01:00

I can honestly say that in my 40+ years in business life, I never saw a man who could compete with any woman in creating an atmosphere of devious backbiting, career assassination and downright unpleasantness in the workplace. And in most cases it had nothing to do with crap like sexual harassment, either (although I saw that little ploy used quite often). Women were (and are) just as willing to stab other women in the back, if it benefits them — or sometimes just out of outright spite.

Anecdote is not data, of course; but ask any ordinary working woman* whether she’d prefer to work with men, or in a female-only workplace. The response may surprise you.

    * This definition would exclude gender careerists and almost all rabid feministicals.

Kim du Toit, “Just Sayin'”, Splendid Isolation, 2022-10-26.

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