Quotulatiousness

October 19, 2021

The Wertham effect “… produces evidence-free moral panics and demands for government crackdowns”

In City Journal, John Tierney evaluates the evidence for the claims of psychological damage inflicted on young women through social media (specifically Instagram):

Contrary to what you’ve heard from the press and Congress, the internal documents leaked by former Facebook product manager Frances Haugen do not prove that that the company’s Instagram platform is psychologically scarring teenagers. But the current furor does clearly demonstrate another psychological phenomenon: the Fredric Wertham effect, named for a New York psychiatrist who, like Haugen, starred at a nationally televised Senate hearing about a toxic new media menace to America’s youth.

Wertham testified in 1954 about his book, Seduction of the Innocent, which he described as the result of “painstaking, laborious clinical study.” After reciting his scientific credentials, Wertham declared: “It is my opinion, without any reasonable doubt and without any reservation, that comic books are an important contributing factor in many cases of juvenile delinquency.”

The hearing made the front page of the New York Times, one of many publications (including The New Yorker) to give Wertham’s book a glowing review. Others featured his warnings under headlines like “Depravity for Children” and “Horror in the Nursery”. During the great comic book scare, as the historian David Hajdu calls it, churches and the American Legion organized events across the country where schoolchildren tossed comics into bonfires. Wertham’s recommendation “to legislate these books off the newsstands and out of the candy stores” inspired dozens of state and municipal laws banning or regulating comic books, and many people in the industry lost their jobs.

There was never any good evidence that comic books hurt children. Wertham’s work was a jumble of anecdotes about troubled youths and unsupported conjectures about comic books inspiring violent crimes. He fretted, as today’s Instagram critics do, that the unrealistic images of curvaceous bodies were psychologically damaging girls and claimed that superheroes were promoting everything from homosexuality (Batman and Robin, Wonder Woman) to fascism (Superman). Contemporaries like the sociologist Frederic Thrasher lambasted Wertham’s work as “prejudiced and worthless”, and it was later exposed as fraudulent.

As we’ve learned repeatedly, scientific rigor doesn’t matter to journalists and politicians eager to blame children’s problems on any new trend in media or entertainment, whether it’s television, rock and roll, Dungeons and Dragons, heavy metal music, cell phones, rap lyrics, or video games. That’s the Fredric Wertham effect, which produces evidence-free moral panics and demands for government crackdowns.

The villain du jour is Facebook, which is being compared with Big Tobacco because its own confidential research supposedly proves how dangerous its product is. The research was revealed in a Wall Street Journal article, “Facebook Knows Instagram Is Toxic for Many Teen Girls, Company Documents Show,” which cited a survey finding that 32 percent of teenage girls who were experiencing body-image issues said that Instagram made them feel worse about their problem. But most of the girls surveyed said that Instagram either had no effect (46 percent) or made them feel better (22 percent). And the issue of body image was the subject of just one of the survey’s 12 questions. On the other 11 (covering problems like loneliness, anxiety, sadness, and social comparison), the girls who said Instagram made them feel better outnumbered those who said it made them feel worse. The teenage boys in the survey skewed heavily positive on all the questions.

Places – Lost in Time: The Crystal Palace

Ruairidh MacVeigh
Published 1 Jun 2020

This is a reupload of my original Crystal Palace video, which I had to take down and do some amendments to in order to fix some technical issues.

Hello! πŸ˜€

Not to change the format so early in it’s conception, but here I present an idea I’ve had for several years now, but am proud to finally bring to fruition.

For as long as I can remember I have been fascinated by places that have either been abandoned or destroyed, not so much out of interest for how they were lost, but more the microcosm of society that revolved around them — how people interacted with them and made them more human. Specifically, places which existed in living memory or photographic record are the ones that have captured my imagination the most, as you can see how people did interact with these wondrous locations and almost put yourself in their shoes.

Therefore, without further ado, I present Episode 1 of Places — Lost in Time, with my first feature being the lavish and opulent Crystal Palace in London. This video follows the history of the two structures to share this iconic name, and how both were created through Victorian engineering feats, how they became icons of British culture, and how they eventually met their end.

All video content and images in this production have been provided with permission wherever possible. While I endeavour to ensure that all accreditations properly name the original creator, some of my sources do not list them as they are usually provided by other, unrelated YouTubers. Therefore, if I have mistakenly put the accreditation of “Unknown”, and you are aware of the original creator, please send me a personal message at my Gmail (this is more effective than comments as I am often unable to read all of them): rorymacveigh@gmail.com

The views and opinions expressed in this video are my personal appraisal and are not the views and opinions of any of these individuals or bodies who have kindly supplied me with footage and images.

If you enjoyed this video, why not leave a like, and consider subscribing for more great content coming soon.

Thanks again, everyone, and enjoy! πŸ˜€

References:
– British Library (and their respective references)
– Victoria and Albert Museum (and their respective references)
– Wikipedia (and its respective references)

Music – YouTube Audio Library

Sarah Hoyt on getting #teamheadsonpikes to trend

Filed under: Government, Politics, USA — Tags: , , , , — Nicholas @ 03:00

In the latest Libertarian Enterprise, Sarah Hoyt considers the people who are still desperately hoping that if they just vote harder, the next election will fix everything:

Normalcy bias is YUGE in America. It is a testament to the founders’ vision that after a century of attempts to wrench us away from a constitutional republic, after a massive, in the open election steal, people are still counting on elections to right this mess.

They’re right and wrong.

Look, I’m holding up my lighter with tears in my eyes, and whispering hopefully “Team heads on pikes”. Because I think a brief, brutal convulsion is our best hope to come back to ourselves as ourselves.

In the end we win, they lose, but the gradual road is in the end more costly. Perhaps the butcher’s bill will be hidden. You won’t see heads on pikes and bodies on overpasses. But the squid farms on Mars, the unborn babies, the uninvented conveniences, the–more costly. Because socialism kills, either fast or slow, and the longer we play footsy with it, the more lives will be lost. In that case, probably lives that don’t exist.

And frankly, though #teamheadsonpikes might not eventuate, I still see a brief and violent convulsion in our future. Understand “violent” here does not refer to the butcher’s bill. I mean, I wouldn’t want to be the Junta and their toadies, as I think there will be a few Romanian Christmas Gift events, but MOSTLY? MOSTLY there will be a lot of retirements, if we’re lucky a few prison sentences, almost for sure a lot of people taking themselves overseas for retirement (I’m hoping the Obama posse and their cronies are dumb enough to run to China. (Looks heavenward. Lord, if I’m a very good girl for the rest of my life …) our institutions will turn over so fast you’d think they were on wheels. They might retain the name but that will be the last resemblance. People will lose all faith in government (we’re mostly there) and this bizarre idea of scientific governance will be finally put to bed with a shovel. About 100 years after it should have been, but hey.

Why do I think that? Why do I expect an uprising at all? Americans are supine and taking it and reeeeeeeee.

Will someone PLEASE get me my eyes? The cats aren’t here, but the floor is covered in dust and paint chips. That can’t be good.

Two things: Normalcy bias. As I said, most people who aren’t political animals (Party like it’s 1776, yo) are still waiting for the elections to fix everything. Hell, I’ve seen people who are political animals waiting for it. And the left is lying to itself very hard and half believes their wins are legitimate. (AH!)

And: IF there is a rebellion and the news doesn’t report it, would you know about it?

Hell, the world has been in more or less open rebellion for 5 years, and our news sits on it, like it’s their favorite thumb. And most people don’t see it, except for things like Brexit, or Trump’s election. Ask them about German farmers driving their tractors to city hall and they’ll look at you like you’re nuts.

So now?

Semiauto FAMAS F1 Rifle

Filed under: France, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 9 Aug 2016

http://www.patreon.com/ForgottenWeapons

The French FAMAS was one of the first bullpup rifles to be adopted and built in large numbers by a military power. It was adopted by France in 1978 at right about the same time as the Steyr AUG was being adopted by the Austrian military. Bullpup rifles offered a short overall length without sacrificing barrel length, an advantage that seemed quite valuable for troops who were to spend significant amounts of time in vehicles, where space is at a premium. In French service, the FAMAS was also made the formal replacement for both the MAS-49/56 rifle and the MAT-49 submachine gun, thanks to its compact nature.

The FAMAS is interesting mechanically, as it is one of very few production delayed-blowback rifle designs (the other common one being the CETME/HK series). The FAMAS uses a lever-delaying system, which allows a very simple bolt and action mechanism. The F1 model (adopted by the French Army and still in use today, making up the bulk of FAMAS production) has a 1:12″ twist to its rifling, effectively limiting it to 55 grain projectiles — and it also requires steel-cased ammunition to run reliably. The G2 variant (adopted in 1995 by the French Navy) changed to a 1:9″ twist, introduced a full-hand trigger guard, and also uses NATO standard AR15 magazines instead of the proprietary 25-round magazine of the F1.

In the late 1980s a small number of semiauto FAMAS rifles were made by St Etienne and imported into the US by Century. Most people say 100-125 rifles, although serial number suggest this may have actually been 225-250 rifles. Regardless, they are quite scarce and expensive today.

QotD: Slaves and indentured servants in early Virginia

Filed under: Americas, Britain, History, Law, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

I saw from the start that some of Nikole [Hannah-Jones]’s 1619 rubbish merely exposed her utter ignorance of her subject. The blacks whom the Virginians bought from a Portuguese slave trader in 1619 were treated like whites – that is, they were treated as indentured servants who after 10 years were freed, given some farm tools, pointed at a plot of land and left to get on with it. (Some of them got on so well that before mid-century they were buying white and black indentured servants themselves to work their expanding acreages.)

One could justly say these early-arriving blacks were not treated exactly like poor English whites who – unless convicted of a crime – had always chosen to sign their ten-year indenture, to pay for transport across the Atlantic and survival while they found their feet. The closer analogy is to some Scottish whites. More than one clan chief sold some clansmen on indentures across the Atlantic when funds were low, and in 1707 a leading Scottish parliamentarian informed his peers that there was no need for them to fix the disastrous financial situation by accepting the English payment and voting their own abolition – Scotland’s elite could keep their separate parliament and avoid national bankruptcy by selling enough poor Scots to the Americas instead.

When the Portuguese offered to sell black slaves, those 1619 Virginians could only buy them as ten-year-indentured servants. They were still wholly under English common law and Lord Mansfield’s 1770s ruling merely echoed a two-centuries earlier ruling of Elizabethan judges that English common law knew no such state as slavery. It took the Virginians decades to start even questioning this and almost a century to unlearn it fully. As late as the 1690s, a black man who petitioned the Virginia council that his white master had made him serve not for ten years but for twelve “contrarie to all right and justice“, was freed by their order. If Nikole had called it the 1705 project, I’d have thought she at least knew something about the actual faults of the country whose history she was travestying. Only positive statute law can override English common law’s aversion to slavery, said Lord Mansfield – and 1705 was the year the Virginia legislature completed providing it. I knew from the start that Nikole was not just lying about all that, not just indifferent to the truth of all that – she was also pretty clueless about it.

Niall Kilmartin, “Critical Race Theorist literally knows nothing”, Samizdata, 2021-07-16.

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