Quotulatiousness

February 24, 2021

Solzhenitsyn was far from the first to warn about the evils of Soviet rule

Filed under: Books, Education, History, Politics, Russia — Tags: , , , , — Nicholas @ 05:00

Theodore Dalrymple had a discussion recently with a Marxist professor:

Krushchev, Brezhnev and other Soviet leaders review the Revolution parade in Red Square, 1962.
LIFE magazine photo by Stan Wayman.

The professor was an intelligent man, and probably cultivated too. How was it possible, in the Year of Our Lord 2021, for such a person still to believe that, until the advent of Stalin, the Russian revolution was a good thing, to be emulated or repeated elsewhere?

How could anyone of his intelligence fail to realise that, though as ever there was much wrong with the world, attempts to put everything right at once by the implementation of petty intellectual schemes are fraught with danger, and have a history of mass slaughter behind them?

I think the answer must lie in the psychology of religion: when religious faith is replaced by a philosophy that prides itself on its rationality, it soon turns religious in the worst possible sense. it becomes an atheist theocracy.

Everything was known about the Soviet Union from the first. It is simply not true that Solzhenitsyn revealed anything to the West that, in essence, was not, or could not have been, known before.

I have, in desultory fashion for a number of decades, been collecting books about Russia and the Soviet Union from just before the Revolution until the Second World War, and while it is true that many of them are laudatory, with titles that now seem hilarious to us such as The Soviet Union Fights Neurosis, a very large number books of various genres, from essays to histories to memoirs to novels and short stories, were published that exposed the viciousness of Bolshevism from the very first — a viciousness that anyone with any imagination could have anticipated from Lenin’s literary style alone.

Leninist viciousness was viciousness of a new and more thoroughgoing type that acted on the mind as a virus acts on a computer (viciousness, both actual and potential, is, alas, a constant of human history because of our flawed nature).

Solzhenitsyn was right about the difference between Macbeth, who from personal ambition killed people, but only a few, and the ideologically-motivated mass-killings of the Soviet Union and elsewhere — the difference being precisely in the effect of ideology.
But what was really different about Solzhenitsyn, apart from his literary talent, was that Western intellectuals were now prepared to believe what he said, whereas shortly before they had rejected as mere propaganda evidence of a very similar nature produced by others.

It was so startling to meet someone who still believed that a “pure” revolution could take place, and that such a person was teaching history of all things, in a reputable, or at any rate reputed, university, that, like Karl Kraus confronted by Hitler, I could think of nothing to say.

I had no idea whether he still taught undergraduates, or whether in doing so he suppressed at least some of his views (as a judge is supposed to suppress his own private opinions): but I confess that the charge against Socrates, that of corrupting youth, came into my mind.

Japan’s Biological Terror! – The Horror of Unit 731 – WW2 Special

Filed under: China, History, Japan, Military, USA, Weapons, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 23 Feb 2021

As one of the few nations during World War Two, Japan made expensive use of biological and chemical weapons, both on and off the battlefield. Unit 731 is their special bio-warfare department, which conducts testing on living human civilians.

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An antidote to the poison of modern architecture?

Filed under: Architecture, Books, History — Tags: , , — Nicholas @ 03:00

In The Critic, James Stevens Curl reviews a new work by Mark Alan Hewitt that he calls “a welcome breath of sound common sense in a field where expensive insanity seems to have ruled the roost for far too long”:

Draw in Order to See: A Cognitive History of Architectural Design
by Mark Alan Hewitt

That architecture and architectural education are in a terrible state is obvious to anybody in the field. The reasons for this catastrophe are many, but some of the primary causes have been the universal embrace of the cult of inhumane modernism devoid of ornament (“a crime”), beauty, or even fun; the arrogant ditching of history and disregard of architectural precedents; the devaluation of craftsmanship through the adoption of factory-made components; and the desensitisation of architectural students terrorised and bullied into acceptance of nonsense by means of design “juries”, and by the compulsory study of false “grand narratives” of modernism that are patently distorted.

One of the worst of those pernicious texts was Nikolaus Pevsner’s Pioneers of the Modern Movement from William Morris to Walter Gropius (1936), the title of which should have been enough to put off anyone who knew anything about art history. The creation of an entirely spurious connection between Arts-and-Crafts practitioners like Morris and modernists like Gropius was part of a campaign to create respectable father-figures for disreputable modernism; to legitimise the unspeakable by giving it a fabricated historical pedigree.

It says a lot about the flabbiness of the architectural world that it so readily accepted not only Pevsner’s sacred cowdom, but his enthusiastic endorsement of the Modern Movement in architecture as the “new style” of the twentieth century; a “genuine style as opposed to a passing fashion”, and one, moreover, that was, as Pevsner approvingly noted, “totalitarian”, a remark that did not even arouse a frisson of anxiety among the dimwits. Elizabeth Cumming and Wendy Kaplan put it neatly in their The Arts and Crafts Movement (1991 & 2002): they observed that few “now accept the view of Nikolaus Pevsner, put forward in his influential Pioneers … of Arts and Crafts as an antecedent of modernism”. Unfortunately, that is not true of “schools of architecture” in which falsehoods are still taught, and people like C.F.A. Voysey, who hated the modernists and everything they stood for, was held by Pevsner, in the teeth of objections by Voysey himself, to have been such a “pioneer”, a libel still perpetrated to this day in recent publications.

The widespread acceptance of untruths, obvious errors, and false attributions can only be explained if some cognitive functions have been shut down. To swallow the sort of twaddle peddled by Pevsner one would need to disengage what one actually sees from one’s understanding: in other words, instead of looking at something with care and forming sensible judgements based on careful comparisons and observations, one has one’s vision impaired by peering through Bauhaus-tinted spectacles, and therefore sees what Pevsner & Co. want one to see. In other words, whole generations have been brought up, not to see with their eyes, but to look with their ears.

Hewitt’s intelligent new book argues persuasively for the advantages of drawing in helping us to see. So often, the camera and the mobile phone are used to record something, but it is true (and I speak from many years of experience), that one can really only understand a building or an artefact by drawing it.

Disney’s Best Propaganda Cartoon

Filed under: Education, Germany, History, Politics, USA, WW2 — Tags: , , — Nicholas @ 02:00

J.J. McCullough
Published 21 Nov 2020

A review of Education for Death, a WW2 propaganda film. This video was sponsored by the Great Courses Plus! Start your free trial today by clicking here: http://ow.ly/az9m30rkCKF

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During the World War II, Disney made a number of cartoons to boost public support for the Allies and denounce Germany. This one, about Little Hans, has always been my favorite.

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QotD: Margaret Thatcher

Filed under: Britain, History, Politics, Quotations — Tags: , , , , , — Nicholas @ 01:00

I know I’m supposed to hate Margaret Thatcher. I know that someone with my politics is meant to detest her as a union-busting, milk-snatching, women’s-lib-baiting, Belgrano-sinking, Section-28-devising, society-destroying nightmare. I know that when Gillian Anderson was cast as Thatcher in series four of The Crown, I should have played up a shudder of disgust at Gillian Anderson, who is good, playing Thatcher, who is bad.

But here’s the thing: I don’t hate Thatcher. It’s not that I’m a huge fan of her legacy or anything (although anyone who thinks that industrial relations were doing fine before her or that the Falklands were some kind of unjustified expedition is clearly a fantasist), it simply doesn’t matter whether I like her or not because she is just too interesting.

Thatcher wasn’t the first woman to lead a country, but unlike her predecessors, Indira Gandhi in India or Isabel Martínez de Perón in Argentina, she didn’t arrive sanctified by a political dynasty. She was, as Prince Phillip snobbily points out to the Queen in The Crown, a grocer’s daughter. In real life, such condescension came strongly from the Left. The Blow Monkeys, one of the bands involved in the Red Wedge tour to support Labour, released an album called She was only a Grocer’s Daughter in 1987; and even though several pop songs fantasised about her death, that never seemed quite as ugly as supposed defenders of the working class announcing that Thatcher was just too common to rule.

Sarah Ditum, “How Thatcher rejected feminism”, UnHerd, 2020-11-15.

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