26 « October « 2020 « Quotulatiousness

October 26, 2020

“Immigrant Song” cover in Old Norse 700 A.D – 1500 A.D

Filed under: Europe, History, Media — Tags: Bardcore, Iceland, Language, Music, Vikings — Nicholas @ 04:00

the_miracle_aligner
Published 13 Oct 2020

“Get in virgin, We’re raiding England”

Original by @Led Zeppelin: https://www.youtube.com/watch?v=RlNhD…

First off, apologies if I screwed this up because this was probably one of the hardest covers I have ever attempted (One does not simply try and emulate Robert Plant). If there were any mistakes in the pronunciations or translation too please do let me know 🙂 Thank you so much for watching guys, leave a like if ya liked it. And if you haven’t subbed yet, please consider doing so. Help me get to 100k Subs 🙂

Consider supporting the channel, I know what I do ain’t much but its honest work ❤: https://www.patreon.com/the_miracle_a…

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Big thanks to @Constantine for the instrumentals, PLEASE for the love of God go support his channel too 🙂 https://www.youtube.com/channel/UCoHA…

Big thanks to Angus Bolton for the translation and training. Twas truly a pleasure.

Source of the BG: https://in.pinterest.com/pin/29885612…

Lyrics, Courtesy of Angus (Its in Icelandic btw, I bet you don’t wanna be reading runes XD)

ís ok snœrs landi frá Komum
Af miðnótts boði,laugar vellar
Æsa hamarr
Vil drifum draka vár til noyer landum
Að vega hjrøða ok að hlakka ok söngr
Valhøl ver komum

Fram sveipum með bitinn øra
vestr strandi einn sœkjum

ís ok snœrs landi frá Komum
Af miðnótts boði, laugar vellar
Hvo mýkr síns grænar bjoðar
blóðs sögur susa megar
Af hvé dolgsstormi þegdum
síns bardgisherrar ver erum

Fram sveipum með bitinn öra
vestr strandi einn sœkjum

Svo nu fallaðyrka létta ok simða síns betra
Þvi at and-fang mega daginn vinna þar allr

#LedZeppelin #Norse #Bardcore #Skaldcore

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Kathy Shaidle tells the story of Hamilton’s 1970s cult children’s TV show

Filed under: Cancon, Humour, Media — Tags: 1970s, Children, Hamilton, Nostalgia, TV — Nicholas @ 03:00

I still have fond memories of CHCH TV’s Hilarious House of Frightenstein and Kathy Shaidle clearly does too:

The Hilarious House of Frightenstein was produced in 1971 by our one and only TV station, CHCH. This hour-long, 130-episode kids’ show combined the mid-century sensibility of Famous Monsters of Filmland with the then-hip look and sound of psychedelia: kaleidoscopic “special effects” plus Top 40 hits spun by “The Wolfman,” an affectionate rip-off of legendary DJ Wolfman Jack.

The show’s “plot” concerned a banished count’s attempts to revive his comatose monster, Brucie, but that was just a flimsy excuse to mount a fast-paced series of corny sketches, semi-serious “educational” segments, and — years before The Simpsons and Pixar — “over the kids’ heads” jokes aimed at adults who might find themselves awake at dawn, or earlier.

The part that always puzzled me as a kid was that a local southern Ontario low-budget TV show for kids had international movie star Vincent Price in it. Kathy explains how it happened:

Older and “uncool” (despite receiving the imprimatur of another rising Hollywood director, Roger Corman), Price was out of fashion.

At the same time, CHCH had a limited budget, but wanted and needed some star power for their single camera kid’s show.

Who better to host this “monster mash” than Vincent Price, still one of the all-time great horror-movie icons?

Frightenstein‘s producer tracked down Price, who agreed to work for $3000 a day, one quarter of his usual per-diem appearance rate.

He loved children, he explained simply. And the gig sounded like fun.

CHCH checked their tiny budget. They could only afford Price for four days, tops.

Four days it would have to be.

Everyone signed on the dotted line.

I’ve heard the story of what happened next from different sources, and it never ceases to warm my heart:

Price arrived at the modest TV studio, got into makeup and costume and was handed reams of doggerel poems about some crazy characters he’d never heard of before.

He’d read each piece once, put his head down, then look up at the camera’s red light and utter his lines perfectly in one take.

Next!

New makeup, new costume, same perfect delivery, hour after hour.

Finally, it was time for a break. The weary yet exhilarated crew turned off the cameras and lights.

Then they looked around and realized that Vincent Price had disappeared.

Oh well, they said to each other, what do you expect? He’s a big star and all. Plus he’s, like, 60 years old, so he probably went for a nap…

The studio door opened a few minutes later.

It was Vincent Price and a cab driver, hauling “two-fours” of beer from the nearby Brewer’s Retail.

He handed cold stubbies out to the cast and crew and regaled them with tales of old Hollywood, his days working with Karloff and Peter Lorre and Gene Tierney and Cecil B. DeMille and all the other greats he’d known.

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Classic Imperial British Revolvers: the Webley WG Army and Target

Filed under: Britain, History, Military, Weapons — Tags: Army, ForgottenWeapons, Guns, Handguns — Nicholas @ 02:00

Forgotten Weapons
Published 19 Aug 2018

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The Webley company used the “WG” (Webley Government) nomenclature in its literature starting in 1883, but the first revolver actually marketed as such was the WG Model of 1889. These revolvers were made primarily for the military market, as officers were responsible for supplying their own sidearms in the British military until 1915. The WG was a full size service revolver in .455 caliber (accepting a wide variety of .45 inch British cartridges, including the .450, .455, .476, Enfield Mk II, and Enfield MkIII). A series of refinements would be made to the design culminating in the generally-accepted standard WG pattern in 1896. These would be produced until 1902, when they were replaced by the Webley WS (Webley Service).

The two main variation of the WG were the Army and the Target. The Army typically had a bird’s-head grip and a 6 inch barrel, where the Target had a longer 7.5 inch barrel and a flared square-butt grip, as well as adjustable sights. However, Webley was happy to supply and mix of features to a customer, and many branded patterns exist. The Target pattern proved very successful for shooters at the Dublin, Glasgow, and Wimbledon matches of the period. A total of about 22,000 WG pattern revolvers were made, with the “standard” 1896 model appearing around s/n 10,000.

Contact:
Forgotten Weapons
6281 N Oracle #36270
Tucson, AZ 85704

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QotD: Living in the modern world

Filed under: Health, Media, Quotations, Technology — Tags: MentalHealth, Newspapers, SocialMedia, TV — Nicholas @ 01:00

What if … bear with me a moment … checking social media every 15 minutes keeps us in a state of constant stress & agitation without actually keeping us better informed than the old days of reading the morning paper & occasionally watching the evening news did?

Zack Stentz, Twitter, 2018-07-16.

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