Matt Estlea
Published 12 Jul 2020In this video, I finalise the fit and shape of the joinery, get everything sanded to a beautiful smooth finish, and dry fit the frames together, ready to be glued in a future episode!
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_________________________________________________________________My name is Matt Estlea, I’m a 24 year old Woodworker from Basingstoke in England and my aim is to make your woodworking less s***.
I come from 5 years tuition at Rycotewood Furniture Centre with a further 1 year working as an Artist in Residence at the Sylva Foundation. I now teach City and Guilds Furniture Making at Rycotewood as of September 2018.
If you’re interested in studying at Rycotewood, view their courses here:
www.mattestlea.com/rycotewoodI also had 5 years of experience working at Axminster Tools and Machinery where I helped customers with purchasing tools, demonstrated in stores and events, and gained extensive knowledge about a variety of tools and brands. I discontinued this at the start of 2019 to focus solely on video creation and teaching.
During the week, I film woodworking projects, tutorials, reviews and a viewer favourite ‘Tool Duel’ where I compare two competitive manufacturers tools against one another to find out which is best. I also have a Free Online Woodworking School which you should definitely check out!
www.mattestlea.com/school
I like to have a laugh and my videos are quite fast paced BUT you will learn a lot, I assure you.
Lets go make a mess.
July 14, 2020
Dry Assembly! 😮 The Picnic Bench Project
A previously unpublished photo of the 1917 Halifax explosion
I’ve posted a few items about the Halifax explosion, so Colby Cosh linking to this CBC News article caught my attention:
“The photo has the look of a very troubling dream,” Dan Conlin says as he studies an old black-and-white image.
Conlin is a transportation historian who’s spent a lifetime studying images of ships, trains and aircraft. He’s also a former curator of Halifax’s Maritime Museum of the Atlantic, which houses a large collection of materials from the 1917 Halifax Explosion.
The image he’s studying surfaced recently on Reddit with a user from Halifax, England, wondering if it was a “new” image of the 1917 disaster.
“You have these tranquil little wavelets in the foreground and some stately, anchored vessels — including a sailing ship,” Conlin said. “But in the background there are these awful, nightmarish clouds, including a horrible column that is rising into the sky. It looks like a surreal nightmare.”
When Conlin first looked at it, the crisp details of the foreground and the blurry background raised his skeptical eyebrows. “There was quite a tradition in the World War I era of faking photos by doing composite photos, where you layer one image on top of another,” he said.
One well-known photo of the explosion taken from McNabs Island was later suspected to have been doctored by a company. They seem to have added clouds for dramatic effect — and to sell more postcards.
But Conlin thinks in the nightmarish photo, it’s more likely that the clouds are moving from the force of the explosion, while the ships were untroubled by any winds. The disaster killed nearly 2,000 people and badly hurt thousands more. It levelled the Richmond district in the north end.
“It’s carnage and destruction out of Dante at the base of that cloud. People are dying and fires are starting and this awful event has hit Halifax in the distance,” he said.
“That angry cloud gives you an idea of the violence and tragedy that is unfolding even as the shutter clicks. It’s really rare and that photo, as far as I can tell, has never been published.”
The End of the World Will be Televised | The Cuban Missile Crisis I Day 07
TimeGhost History
Published 13 Jul 2020On October 22, in the world’s first televised announcement of an international military crisis, US President John F. Kennedy sets off panic and sudden fear of a third world war, with nuclear arms involved.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KaminskiColorizations:
– Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…Sources:
PX 65-105:179 from LOOK Magazine 8405-1-26Soundtracks from Epidemic Sound:
– “Cold Eyes” – Elliot Holmes
– “From the Depths” – Walt Adams
– “Juvenile Delinquent” – Elliot Holmes
– “When They Fell” – Wendel Scherer
– “Kid Me Not” – Elliot HolmesArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Then they came for the nursery rhymes
James Lileks illustrates just how easy it is to construct a case to cancel a children’s song:
At some point the mob will run out of things to cancel. All the low-hanging fruit1 will have been plucked to make smoothies for the commune. Wrongthink professors, authors, movies, newspaper columnists — easy enough. After that? Well, if you’re really going to root out systematic systemism, everything has to go. This means someone will eventually be tasked with canceling children’s songs, or recasting them for the new era. Pity the person who has to find the problematic problems in “Twinkle, Twinkle, Little Star.”
It’s not that hard. Take the first line: The very idea that stars are supposed to twinkle locks them into a societally prescribed mode of behavior. Expecting a star to twinkle is like telling a strange woman on the subway to smile. Strong, troublemaking stars explode! The very idea that we want “little” stars to engage in performative “twinkling” negates the life experience of massive gas giants like Betelgeuse. In fact “twinkling” itself strips the star’s identity and expresses it through the eyes of the beholder, who mistakes the effect of the atmosphere on star observation for the star’s true nature.
Okay, now we’re getting somewhere. Whew! Turns out there’s a lot to unpack.
How I wonder what you are.
Well, you wouldn’t if there weren’t racism in STEM that kept people out, but no, that’s not right. STEM is bad because it uses the Western empirical model to determine “facts.” Better: The speaker’s questions about the star arise from the suppression of the rich history of Arab astrological knowledge. So it’s a lesson in the ways Islamophobia prevents a greater understanding of the world. Next!
Up above the world so high, like a diamond in the sky . . .
Hold on, hold on … okay, got it. The star’s remoteness is a metaphor for the entrenched power system and encourages a sense of powerlessness. The choice of a “diamond” is intentional, reminding the child of the commodification of natural resources and the brutal economies of the industries that extract them …
1. Just this morning, I saw a call to cancel the expression “low-hanging fruit” because it might remind people of lynching.
British EM-2: The Best Cold War Battle Rifle that Never Was
Forgotten Weapons
Published 12 Jul 2017Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:
http://armamentresearch.com/british-j…
The EM-2 was the rifle that the British pushed for NATO trials in 1950. It was a rifle well ahead of its time in several areas — as a select-fire bullpup rifle, it was intended to replace both the infantry rifle and the submachine gun. Its .280 caliber cartridge was designed with combat ranges of 600 yards and less, acknowledging the reality that engagements beyond even 300 yards were extremely rare, and not important enough to base rifle design on. It was also designed to use primarily optical sights, long before this concept would be embraced elsewhere. Unfortunately, the potential of the EM-2 was lost to the political decision that compatibility with American ordnance choices was a more significant benefit than an improved infantry rifle.
Mechanically, the EM-2 is heavily based on the German G43 flapper-locking system. It uses a long stroke gas piston in place of the G43’s short stroke one, though. To help account for the slower handling of a bullpup configuration, the EM-2 would both lock open when its magazine was empty and also automatically close the bolt and chamber a round when a fresh magazine was inserted. The safety was much like that of the M1 Garand, and the selector lever was of the push-through type like on the German Sturmgewehr.
The optic on the EM-2 is quite tiny, and offers no magnification. Its purpose is to reduce the two-element sight picture of traditional iron sights to a single plane that can be more quickly and easily placed on the target.
In total, only 55 EM-2 rifles were manufactured, including the paratrooper model in this video and a number of 7.62mm NATO examples made as a last ditch effort to remain competitive in NATO trials. Where most failed prototype rifles were rejected for very legitimate technical shortcomings, the EM-2 is (I believe) a prime example of an outstanding weapon that fell victim to politics unrelated to its actually qualities.
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QotD: The threat of galloping Karenism
One of the least appealing aspects of the American character is the residual Puritanism that still compels a certain percentage of our countrymen, women and others, to nag, pester, and generally annoy the rest of us by trying to make us conform to their stick-up-the-Lieu vision of propriety. These people – these obnoxious Karens, for lack of a better FCC-compliant term – are delighted by the Chinese Bat Biter grippe and the opportunity it presents for them to try to impose their arbitrary will upon the rest of us. These mewling Mussolinis need to be slapped back, verbally if not physically, but as long as we are under this lockdown, they will not stop. They live for this, the chance to dictate to and control us, and the problem is some of them have positions of power.
This is yet another reason – as if the failure of the “We’re all gonna die!” model and the mass economic devastation the Twitter blue checks ignore were not reasons enough – that we need to be focusing on coming out of this Wuhan flu funk. If would be a pity if pangolin licking not only killed thousands of our most vulnerable citizens but also our will to resist petty tyrants who presume to scold us for such crimes as worshipping our God, seeing our families, and buying tomato seeds.
This is not to say that the Chinese coronavirus pandemic is fake or unserious, nor that we should ignore it and pretend that it’s just another flu. It is to say that there is more going on now than a respiratory ailment. There’s an economic ailment that most of us are painfully aware of, and there is a freedom ailment, where the Karens in everyday life and in the corridors or power are taking advantage of this crisis to let their fascist flag fly.
Kurt Schlichter, “The Rise of Karen-ism Means This Lockdown Nonsense Needs To End Soon”, Townhall.com, 2020-04-12.