Quotulatiousness

August 23, 2019

Adjusting Dovetail Pins | Dovetail Box Project #6 | Free Online Woodworking School

Filed under: Tools, Woodworking — Tags: , , — Nicholas @ 06:00

Matt Estlea
Published on 22 Aug 2019
Dissent This
In this video, I will show you how to adjust the fit of dovetails if you cannot fully assemble them. There are a few issues that can cause this, all of which I will cover in this video.

To get access to all the supporting content for this lesson, watch it on my online school:
https://www.mattestlea.com/post/adjus…

Support what I do by becoming a Patron! This will help fund new tools, equipment and cover my overheads. Meaning I can continue to bring you regular, high quality, free content. Thank you so much for your support! https://www.patreon.com/mattestlea

Don’t want to commit to a monthly direct debit but still want to help out? That’s fine!
You can make a one time donation here: https://www.paypal.me/MattEstlea
You can donate us biscuits here: https://amzn.to/2WOl1UR
______________________________________________________________________________________________
BUY THE WOODWORKING BIBLE HERE:
– UK: https://goo.gl/X8ZzSF
– US: https://goo.gl/UDqWf3
– CA: https://goo.gl/31jBxj
______________________________________________________________________________________________

See what tools I use here: https://kit.com/MattEstlea
My Website: http://www.mattestlea.com
______________________________________________________________________________________________

My name is Matt Estlea, I’m a 23 year old Woodworker from Basingstoke in England and my aim is to make your woodworking less s***.

I come from 5 years tuition at Rycotewood Furniture Centre with a further 1 year working as an Artist in Residence at the Sylva Foundation. I now teach City and Guilds Furniture Making at Rycotewood as of September 2018.

I also had 5 years of experience working at Axminster Tools and Machinery where I helped customers with purchasing tools, demonstrated in stores and events, and gained extensive knowledge about a variety of tools and brands.

During the week, I film woodworking projects, tutorials, reviews and a viewer favourite ‘Tool Duel’ where I compare two competitive manufacturers tools against one another to find out which is best.

I like to have a laugh and my videos are quite fast paced BUT you will learn a lot, I assure you.

Lets go make a mess.

Reasons to expect an even weirder (and scarier) US election in 2020 than in 2016

Filed under: Media, Politics, USA — Tags: , , , , , , — Nicholas @ 05:00

At Rotten Chestnuts, Severian explains why the First World War was inevitable (because of the fecklessness of all the world leaders at the time) and then points out that the same sort of inevitability seems to be playing out in the run-up to the 2020 US elections:

Donald Trump addresses a rally in Nashville, TN in March 2017.
Photo released by the Office of the President of the United States via Wikimedia Commons.

In short, World War 1 was a massive, indescribably bloody dick-measuring contest between a few inbred yokels. To anyone who has met the Sons of Privilege,* or who is passingly familiar with the Peter Principle, this comes as no surprise. Hell, Lenin saw it, and a guy with his egg head further up his own ass you’ll never find.** All you have to do is look at the people, not the paper.

That’s where the modern political landscape gets so terrifying. Looking at the paper from the establishment Democrats’ point of view, their course of action seems obvious. And credit where it’s due, even Slow Joe Biden and Fauxcahontas are smart enough (or, more likely, have hired people who are smart enough) to see the obvious once it gets rubbed in their faces a few dozen times — Slow Joe is playing the above-it-all unifier, while Dances with Socialism has gone on a Hillary-esque “listening tour” for The Media’s benefit. Should they choose, The Media can now memory hole all the “fake Indian” stuff, and yell “racist!” at anyone who tries to dredge it back up …

… but I don’t think they’ll choose to. The human factor always wins, and the humans (using the term in its strictest biological sense) in The Media are fed up close to bursting. The mask is completely off “The Squad,” and The Media couldn’t be happier. I’m sure that, in their heart of hearts, Nancy Pelosi et al don’t have a problem with BDS, or the Green New Deal, or any of the rest of it. But flying to Israel on the taxpayer’s dime to support Palestinian terrorism just doesn’t play in Peoria, and the Establishment Dems know it. The Media, however, do not — just look at the coverage.

I’m also quite confident that Nancy et al are even, in their heart of hearts, ok with “Antifa” shooting at cops and firebombing ICE offices. Nancy, after all, came up in the heyday of Jim Jones’s San Francisco, so she’s no stranger to political violence. But The Media absolutely cream themselves over “revolutionaries.” They’ve kept this stuff under wraps so far — Nancy et al have convinced them it’ll hurt Donald Trump more than it will hurt them if they keep it bottled up — but every single person in The Media had xhzhyr first wet dream about Che Guevara. I doubt they can keep it in their pants too much longer, especially if — as seems all but certain — “Antifa” commits some gaudy, gross atrocity in the 2020 campaign season.

Nor can we discount the human factor regarding Normals. Every day brings a new insult — Twitter colluding with China to suppress democratic protests in Hong Kong while all-but-openly banning anyone to the right of Mao; gender-and-race-swapping comic book characters; anything and everything to throw sand in Normals’ faces. If Trump’s victory in 2016 was The Great Fuck You, I can’t even imagine what it’ll look like in 2020, after four more years of this stuff ramped up way past 11.

It’s not looking good, but since the idiots in charge have never even thought about looking up from the paper, the whole thing is going to catch them completely unprepared. Forget “that’s how you got Trump;” this is how you get the Somme.

* they’re like the Sons of Anarchy, but effete and usually gay.
** though he basically just stole the idea from Hobson, who, though a goofy love-the-worlder, was actually a pretty smart guy.

The Bullnose Plane | Paul Sellers

Filed under: Tools, Woodworking — Tags: , , , — Nicholas @ 04:00

Paul Sellers
Published on 22 Aug 2019

The Bullnose plane is not a tool which would be classed as an “essential”, but it is certainly one which is worthy of an honourable mention. Though its best use is as a refining plane for rebates, Paul often reaches for it for a variety of tasks, such as removing internal arrises on drawers and box-type parts. In this video Paul demonstrates the plane’s adaptable functionality. Once set up, the plane can be a joy to use when perfecting work and would be a great addition to any tool collection.

Want to learn more about woodworking? See https://woodworkingmasterclasses.com or https://commonwoodworking.com for step-by-step videos, guides and tutorials. You can also follow Paul’s latest ventures on his woodworking blog at https://paulsellers.com/

Loving “science”

Filed under: Media, Politics, Religion, Science, USA — Tags: , , — Nicholas @ 03:00

At Rotten Chestnuts, Severian explains the differences between how ordinary people view science and many progressives “f*cking love” science:

For the benefit of younger readers: If you think Lefties Fucking Love Science(TM) now, you have no idea of the torrid affair they carried on with it back when the USSR was still a going concern. Karl Marx, of course, pretended that his sub-Hegelian flatulence was the only truly scientific world view, and his disciples have been playing along ever since. “The facts have a liberal bias,” you’d routinely be informed, by people who spent $200 to have their chakras cleansed by a Navajo shaman once every two months.

I can’t think of a better illustration of what I call (for lack of a better term) the Left’s grammar problem. Lefties tend to get nouns and verbs mixed up. “Science,” for instance. I’m not going to go all Vox Day here and start making up words, but when normal people say “science,” we generally mean it as a verb:

    “Science” is what scientists do; it’s shorthand for “applying the scientific method.”

This is why, when we’re presented with a startling new find from the white coat guys — that the polar ice caps have all melted, say — we ask to see the lab work. If it’s really science, then we should be able to replicate the experiment ourselves. Or, at the very least, you should be able to show us the satellite photos…

Which nicely highlights the Left’s notion of “science.” To them, it’s a noun:

    “Science” is a fixed body of knowledge; upon which “scientists” operate the way theologians work on the Bible.

What “scientists” do in the Left’s world, then, is what normal people call “hermeneutics.” This is why the bizarre phrase “the science is settled!” makes sense to Leftists. You don’t get to see God’s lab work, after all, and you’re not allowed to make up new Scriptures. To them, an ordinary person challenging a “scientist” on a point of “science” is like a layman challenging the Pope on a point of theology.

Sterling S11: Donkey in a Thoroughbred Race

Filed under: Britain, History, Military, Technology, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published on 26 Jun 2019

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

In the 1960s, the Sterling company began to worry about the prospects of continued sales of the Sterling (Patchett) SMG, especially in light of new competitors like the H&K MP5. Its chief design engineer, Frank Waters, created the S11 as a gun to replace the classic Sterling. The S11 was based on a simple stamped/folded steel receiver, and was intended to have a lower unit cost than the Sterling. It kept the excellent Patchett magazine, but had a barrel and sights offset to the left side, and offered two separate bayonet lugs – one for the No5 rifle and one for the L1A1/FAL.

Unfortunately for Sterling, it was determined that the tooling cost would have made the S11 actually more expensive than the existing guns, whose tooling costs had been long since covered. Also, the S11 was just not a very good or very reliable design – a “donkey in a thoroughbred race” to quote one Sterling manager. This one prototype was the only example ever made, and the project was shelved in 1967 in favor of expanding into more civilian models of the original Sterling.

Many thanks to the Royal Armouries for allowing me to film and disassemble this one of a kind submachine gun! The NFC collection there – perhaps the best military small arms collection in Western Europe – is available by appointment to researchers:

https://royalarmouries.org/research/n…

You can browse the various Armouries collections online here:

https://royalarmouries.org/collection/

Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754

QotD: The ego of Salvador Dali

Filed under: Books, Europe, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

Orwell’s press card portrait, 1943

[Dali’s] aberrations are partly explicable. Perhaps they are a way of assuring himself that he is not commonplace. The two qualities that Dali unquestionably possesses are a gift for drawing and an atrocious egoism. “At seven”, he says in the first paragraph of his book, “I wanted to be Napoleon. And my ambition has been growing steadily ever since.” This is worded in a deliberately startling way, but no doubt it is substantially true. Such feelings are common enough. “I knew I was a genius”, somebody once said to me, “long before I knew what I was going to be a genius about.” And suppose that you have nothing in you except your egoism and a dexterity that goes no higher than the elbow; suppose that your real gift is for a detailed, academic, representational style of drawing, your real métier to be an illustrator of scientific textbooks. How then do you become Napoleon?

There is always one escape: into wickedness. Always do the thing that will shock and wound people. At five, throw a little boy off a bridge, strike an old doctor across the face with a whip and break his spectacles — or, at any rate, dream about doing such things. Twenty years later, gouge the eyes out of dead donkeys with a pair of scissors. Along those lines you can always feel yourself original. And after all, it pays! It is much less dangerous than crime. Making all allowance for the probable suppressions in Dali’s autobiography, it is clear that he had not had to suffer for his eccentricities as he would have done in an earlier age. He grew up into the corrupt world of the nineteen-twenties, when sophistication was immensely widespread and every European capital swarmed with aristocrats and rentiers who had given up sport and politics and taken to patronising the arts. If you threw dead donkeys at people, they threw money back. A phobia for grasshoppers — which a few decades back would merely have provoked a snigger — was now an interesting “complex” which could be profitably exploited. And when that particular world collapsed before the German Army, America was waiting. You could even top it all up with religious conversion, moving at one hop and without a shadow of repentance from the fashionable salons of Paris to Abraham’s bosom.

That, perhaps is the essential outline of Dali’s history. But why his aberrations should be the particular ones they were, and why it should be so easy to “sell” such horrors as rotting corpses to a sophisticated public — those are questions for the psychologist and the sociological critic. Marxist criticism has a short way with such phenomena as Surrealism. They are “bourgeois decadence” (much play is made with the phrases “corpse poisons” and “decaying rentiers class”), and that is that. But though this probably states a fact, it does not establish a connection. One would still like to know why Dali’s leaning was towards necrophilia (and not, say, homosexuality), and why the rentiers and the aristocrats would buy his pictures instead of hunting and making love like their grandfathers. Mere moral disapproval does not get one any further. But neither ought one to pretend, in the name of “detachment”, that such pictures as Mannequin rotting in a taxicab are morally neutral. They are diseased and disgusting, and any investigation ought to start out from that fact.

George Orwell, “Benefit of Clergy: Some Notes on Salvador Dali”, Saturday Book for 1944, 1944.

Powered by WordPress