Quotulatiousness

July 26, 2019

“Attero Dominatus” – The Battle of Berlin – Sabaton History 025 [Official]

Filed under: Germany, History, Media, Military, Russia, WW2 — Tags: , , , — Nicholas @ 06:00

Sabaton History
Published on 25 Jul 2019

The Sabaton song “Attero Dominatus” is about the Soviet advance on Berlin in the last months of World War Two. As the Soviets approach Berlin, two commanders, General Zhukov and General Konev, try their best to be the one to take the centre of the German capital. Meanwhile, thousands of Germans are raped or murdered by the Soviets in retaliation to the atrocities that the Germans committed in the east.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to Attero Dominatus (where “Attero Dominatus” is featured):
CD: http://bit.ly/AtteroDominatusStore
Spotify: http://bit.ly/AtteroDominatusSpotify
Apple Music: http://bit.ly/AtteroDominatusAppleMusic
iTunes: http://bit.ly/AtteroDominatusiTunes
Amazon: http://bit.ly/AtteroDominatusAmzn
Google Play: http://bit.ly/AtteroDominatusGooglePlay

Check out the official videoclip for “Attero Dominatus” here: https://www.youtube.com/watch?v=eNlRq…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

Sources:
Colored portrait of W. Wenck by Ruffneck88
Ministry of Defence of the Russian Federation
Photos of Helmuth Weidling from ww2gallery on Flickr

© Raging Beaver Publishing AB, 2019 – all rights reserved.

The young Boris Johnson at Oxford

Filed under: Britain, Education, Politics — Tags: , , — Nicholas @ 05:00

Toby Young recounts his first encounter with the new Prime Minister of the United Kingdom at Oxford in 1983:

Boris Johnson, Secretary of State for Foreign and Commonwealth Affairs at an informal meeting of the Foreign Affairs Council on 15 February 2018.
Photo by Velislav Nikolov via Wikimedia Commons.

I first set eyes on Boris Johnson in the autumn of 1983 when we went up to Oxford at the same time. I knew who he was since my uncle Christopher was an ex-boyfriend of his mother’s and he had told me to keep an eye out for him, but I still wasn’t prepared for the sight (and sound) of him at the dispatch box of the Oxford Union. This was the world famous debating society where ambitious undergraduates honed their public-speaking skills before embarking on careers in politics or journalism, and Boris was proposing the motion.

With his huge mop of blond hair, his tie askew and his shirt escaping from his trousers, he looked like an overgrown schoolboy. Yet with his imposing physical build, his thick neck and his broad, Germanic forehead, there was also something of Nietzsche’s Übermensch about him. You could imagine him in lederhosen, wandering through the Black Forest with an axe over his shoulder, looking for ogres to kill. This same combination — a state of advanced dishevelment and a sense of coiled strength, of an almost tangible will to power — was even more pronounced in his way of speaking.

He began to advance an argument in what sounded like a parody of the high style in British politics — theatrical, dramatic, self-serious — when — a few seconds in — he appeared to completely forget what he was about to say. He looked up, startled — Where am I? — and asked the packed chamber which side he was supposed to be on. “What’s the motion, anyway?” Before anyone could answer, a light bulb appeared above his head and he was off, this time in an even more orotund, florid manner. Yet within a few seconds he’d wrong-footed himself again, this time because it had suddenly occurred to him that there was an equally compelling argument for the opposite point of view. This endless flipping and flopping, in which he seemed to constantly surprise himself, went on for the next 15 minutes. The impression he gave was of someone who’d been plucked from his bed in the middle of the night and then plonked down at the dispatch box of the Oxford Union without the faintest idea of what he was supposed to be talking about.

I’d been to enough Union debates at this point to know just how mercilessly the crowd could punish those who came before them unprepared. That was particularly true of freshmen, who were expected to have mastered all the arcane procedural rules, some of them dating back to the Union’s founding in 1823. But Boris’s chaotic, scatter-brained approach had the opposite effect. The motion was deadly serious — “This House Would Reintroduce Capital Punishment” — yet almost everything that came out of his mouth provoked gales of laughter. This was no ordinary undergraduate proposing a motion, but a Music Hall veteran performing a well-rehearsed comic routine. His lack of preparedness seemed less like evidence of his own shortcomings as a debater and more a way of sending up all the other speakers, as well as the pomposity of the proceedings. You got the sense that he could easily have delivered a highly effective speech if he’d wanted to, but was too clever and sophisticated — and honest — to enter into such a silly charade. To do what the other debaters were doing, and pretend he believed what was coming out of his mouth, would have been patronising. Everyone else was taking the audience for fools, but not him. He was openly insincere and, in being so, somehow seemed more authentic than everyone else.

To say I was impressed would be an understatement. A few years before arriving at Oxford I had watched the television adaptation of Brideshead Revisited, Evelyn Waugh’s Oxford novel, and had been expecting to meet the modern-day equivalents of Sebastian Flyte and Anthony Blanche: larger-than-life, devil-may-care aristocrats delivering bon mots in between sips of champagne and spoonfuls of caviar. But the reality was very different: warm beer, stale sandwiches and second-hand opinions. Lots of spotty students, all as gauche as me. Less like an Oscar Wilde play than a Mike Leigh film.

In Boris, though, it was as if I’d finally encountered the “real” Oxford, the Platonic ideal. While the rest of us were works-in-progress, vainly trying on different personae, Boris was the finished article. He was an instantly recognizable character from the comic tradition in English letters: a pantomime toff. He was Sir Toby Belch in Twelfth Night demanding more cakes and ale, Bertie Wooster trying to pass himself off as Eustace H. Plimsoll when appearing in court after overdoing it on Boat Race night. Yet at the same time fizzing with vim and vinegar — “bursting with spunk,” as he once put it, explaining why he needs so many different female partners. He was a cross between Hugh Grant and a silverback gorilla.

My uncle had described him as a “genius” and as a boy he’d been regarded as something of a wunderkind. There was the occasion when he was holidaying with his family in Greece, aged 10, and asked a group of Classics professors if he could join their game of Scrabble. They indulged the precocious, blond-haired moppet, only to be beaten by him. Thinking it was a one-off, they asked him to play another round and, again, he won. On and on it went, game after game. At the prep school he attended before going to Eton, Britain’s grandest private school, he was seen as a prodigy. A schoolmaster who taught him back then told his biographer, Andrew Gimson, that he was the quickest-learner he’d ever encountered. In the staff room, the teachers would compare notes about the “fantastically able boy.”

He was without doubt the biggest man on campus — the person most likely to succeed. He made no secret of his desire to be Prime Minister one day, and not just a run-of-the-mill, common-or-garden PM, but up there with Gladstone and Disraeli. And this was a scaling back of his ambitions — as a boy he’d told his younger sister Rachel that he wanted to be “world king.” (There was an intermediate stage during his teenage years when he harboured fantasies of becoming President of the United States — something that’s technically possible, given that he was born in New York.) He was by no means the only member of the Oxford Union to express such hopes during that period, but in his case you felt it might actually happen. Unlike so many other privileged undergraduates, with their vaulting sense of entitlement, Boris’s gargantuan self-belief seemed of a piece with his outsized personality. He had an electrifying, charismatic presence of a kind I’d only read about in books before. Our mutual friend Lloyd Evans, who knew Boris better than me at Oxford, put it well. “He’s a war leader,” he told Andrew Gimson. “He is one of the two or three most extraordinary people I’ve ever met. You just feel he’s going somewhere. People just love him. They enjoy going with him and they enjoy being led.”

To get a sense of Boris Johnson’s unique charm, here’s a brilliant pastiche of some of his TV appearances, stitched together as if it was his Olympic Games Welcome during his time as Lord Mayor of London (do watch, it’s hilarious).

Drawbore – An Inside Look | Paul Sellers

Filed under: Tools, Woodworking — Tags: , , — Nicholas @ 04:00

Paul Sellers
Published on 25 Jul 2019

The drawbore is an ancient and intriguing method of holding joints together without the need for glue. However, it is hard to make this right if you don’t understand how it works. Paul has put together and then sawed in half a drawbored mortise and tenon to show how the peg works and what is needed to achieve the strength and unity of this type of joinery.

Want to learn more about woodworking? See https://woodworkingmasterclasses.com or https://commonwoodworking.com for step-by-step videos, guides and tutorials. You can also follow Paul’s latest ventures on his woodworking blog at https://paulsellers.com/

Post-Brexit, consider CANZUK

Filed under: Australia, Britain, Cancon, Economics — Tags: , , — Nicholas @ 03:00

Tom Colsey explains why in a post-Brexit world, CANZUK might be an attractive economic alternative:

One possible option would mean the island nation would initially turn away from Europe toward certain anglophone Commonwealth nations and former colonies. I talk, of course, of the promising CANZUK proposal that would see Canada, Australia, New Zealand, and the United Kingdom band together with voluntary agreements on multilateral free trade and movement, forming a bloc that would singularly hold the third largest nominal GDP in the world.

The Free Movement Proposal

What makes CANZUK unique is how viable and well-thought-out it is on every level. Unlike within the EU, the grouping would not be consolidated through impositional treaties laced with unpleasant footnotes delegating political power to a bureaucratic institution. Freedom of movement would assist meeting labor market demands across the countries, yet this would be prohibited to those with serious criminal records.

Everything the EU seemed to get wrong about forming unions under a liberal-internationalist pretense, CANZUK proposals seem to get right. They account for social attitudes and the dangers of becoming impositional, eroding national sovereignty. Free movement within the European Union had been widely reviled by the domestic population — and is part of the reason Britain now is set to leave. Yet the very same population overwhelmingly favor the same principle, alternatively implemented, across the CANZUK nations, polling outright majorities in favor in every region.

Perhaps a reason for this is that while the nations are extremely close culturally, they are also resoundingly similar socio-economically. Despite their distances, the states could have been separated at birth (of course, they do share the same monarch).

How Does it Work: Blow Forward

Filed under: History, Technology, Weapons — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published on 28 May 2019

http://www.patreon.com/ForgottenWeapons

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The blow forward system has only been used on three commercially-produced firearms: the Schwarzlose 1908, Hino-Komuro, and Mannlicher 1894 (The SIG AK-53 uses a forward barrel movement, but in conjunction with a locked breech). It offers a simple system with a theoretical extra margin of safety because the side cannot come backward off the gun, but at the cost of substantially increased felt recoil. Once the blowback system was out of patent protection, there was no convincing reason to use the blow forward mechanism.

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QotD: Preparing for war

Filed under: Government, History, Military, Quotations — Tags: — Nicholas @ 01:00

A nation that does not prepare for all the forms of war should then renounce the use of war in national policy. A people that does not prepare to fight should then be morally prepared to surrender. To fail to prepare soldiers and citizens for limited, bloody ground action, and then to engage in it, is folly verging on the criminal.

T.R. Fehrenbach, This Kind of War: A Study in Unpreparedness, 1963.

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