Published on 25 May 2015
One of the countries that found its identity in the trenches of World War 1 was Canada. During the 2nd Battle of Ypres and the Battle of Vimy Ridge the Canadians and Newfoundlanders proofed their worthiness over and over again. Indy takes a special look on Canada in World War 1 and how they became one one of the feared enemies of the Germans.
May 26, 2015
Canada in World War 1 I THE GREAT WAR Special
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Ilya Somin’s new book on eminent domain
The book is being published in time to mark the tenth anniversary of the Supreme Court’s dreadful Kelo decision:
My new book, The Grasping Hand: Kelo v. City of New London and the Limits of Eminent Domain is now in print. It is the first book about the Kelo decision and the massive political backlash it generated, written by a legal scholar. The Grasping Hand is coming out just in time for the tenth anniversary of Kelo on June 23.
Here is a summary from the University of Chicago Press website (the book is also co-published by the Cato Institute):
In 2005, the Supreme Court ruled that the city of New London, Connecticut, could condemn fifteen residential properties in order to transfer them to a new private owner. Although the Fifth Amendment only permits the taking of private property for “public use,” the Court ruled that the transfer of condemned land to private parties for “economic development” is permitted by the Constitution – even if the government cannot prove that the expected development will ever actually happen. The Court’s decision in Kelo v. City of New London empowered the grasping hand of the state at the expense of the invisible hand of the market.
In this detailed study of one of the most controversial Supreme Court cases in modern times, Ilya Somin argues that Kelo was a grave error. Economic development and “blight” condemnations are unconstitutional under both originalist and most “living constitution” theories of legal interpretation. They also victimize the poor and the politically weak for the benefit of powerful interest groups, and often destroy more economic value than they create. Kelo itself exemplifies these patterns. The residents targeted for condemnation lacked the influence needed to combat the formidable government and corporate interests arrayed against them. Moreover, the city’s poorly conceived development plan ultimately failed: the condemned land lies empty to this day, occupied only by feral cats.
The Supreme Court’s unpopular ruling triggered an unprecedented political reaction, with forty-five states passing new laws intended to limit the use of eminent domain. But many of the new laws impose few or no genuine constraints on takings. The Kelo backlash led to significant progress, but not nearly as much as it may have seemed.
Despite its outcome, the closely divided 5-4 ruling shattered what many believed to be a consensus that virtually any condemnation qualifies as a public use under the Fifth Amendment. It also showed that there is widespread public opposition to eminent domain abuse. With controversy over takings sure to continue, The Grasping Hand offers the first book-length analysis of Kelo by a legal scholar, alongside a broader history of the dispute over public use and eminent domain, and an evaluation of options for reform.
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Feminist reviewer sees little to no feminist message in Mad Max: Fury Road
Disclaimer: I haven’t seen the movie myself, so I can’t say whether Eileen Jones has correctly identified the “feminist messsage” that some men’s rights activists are decrying:
Regardless of where one stands on Ensler’s feminist cred, I couldn’t see any evidence in the film of her consciousness-raising sessions. The first full shot we get of the escaping women shows them standing tall against a gorgeous sun-blasted horizon, wearing white muslin bikinis and other resort-wear, and looking exactly like supermodels posing for a Vogue shoot in the deserts of Namibia. Rose Huntington-Whiteley plays Splendid, the lead figure among the escaping band. The credentials that secured her this role are presumably her career highs as a top model, achieving the rank of a Victoria’s Secret “Angel” and a number one rating on Maxim magazine’s “Hot List” for 2011.
The other women are even less impressive performers. None can act in the least, but in addition to unmemorably pretty features, they have a broad spectrum of hair and skin colors, which is important when setting up a group Vogue shot in this enlightened age of ours.
That no primitive patriarch in his right mind would ever choose these particular women as “breeders” to keep his colony alive is immediately apparent. One of them is so thin and pale as to be almost transparent and looks as if she’ll die in a photogenic way at any second. But she could step onto any catwalk during Fashion Week, no questions asked.
Of course, Charlize Theron as Furiosa benefits from proximity to the supermodels who make her seem, by comparison, ferociously strong and a better actor than Meryl Streep. She’s tall enough to seem physically imposing, and she moves with athleticism. But she also brings with her the legacy of so many Dior perfume ads: the soft, tiny-nosed, blonde prettiness that her crew cut merely accentuates and that John Seale‘s lovely cinematography enshrines in innumerable close-ups. Just compare this example of onscreen feminism to Sigourney Weaver in Alien (1979). Weaver was six feet tall, odd, angular, smart and forceful, with highly individual, non-model looks and a remarkably ambitious actor’s resume, shot in unforgiving light and wearing a unisex worker’s uniform. In movies, we haven’t come a long way, baby.
We must also grapple with the supposedly feminist plot elements of Fury Road. The women’s escape from The Citadel is a quest to reach the matriarchal paradise where Furiosa was born. They repeat as a comforting mantra, “We’re going to the Green Place!” It’s the last stand of Mother Nature where, apparently, judging by the natives we eventually meet, no men ever lived.
It’s an extraordinary thing, in this day and age, that we still want to believe in a lot of essentializing Earth Mother nonsense about women. But apparently we do. In praising Fury Road, Eve Ensler says, “All the women in the film maintain their inherent woman-ness.”
Whatever “inherent woman-ness” is, I was afraid to find out. I dreaded getting to the “Green Place.” Would everyone be doing yoga when we got there? And communicating softly and understandingly with each other? Or perhaps tending gardens all day, then doing fertility dances by the light of the moon?
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Nice guys really do finish last
At least, that’s what this article in The Atlantic by Jerry Useem says:
At the University of Amsterdam, researchers have found that semi-obnoxious behavior not only can make a person seem more powerful, but can make them more powerful, period. The same goes for overconfidence. Act like you’re the smartest person in the room, a series of striking studies demonstrates, and you’ll up your chances of running the show. People will even pay to be treated shabbily: snobbish, condescending salespeople at luxury retailers extract more money from shoppers than their more agreeable counterparts do. And “agreeableness,” other research shows, is a trait that tends to make you poorer. “We believe we want people who are modest, authentic, and all the things we rate positively” to be our leaders, says Jeffrey Pfeffer, a business professor at Stanford. “But we find it’s all the things we rate negatively”—like immodesty—“that are the best predictors of higher salaries or getting chosen for a leadership position.”
Pfeffer is concerned for his M.B.A. students: “Most of my students have a problem because they’re way too nice.”
He tells a story about a former student who visited his office. The young man had been kicked out of his start-up by — Pfeffer speaks the words incredulously — the Stanford alumni mentor he himself had invited into his company. Had there been warning signs?, Pfeffer asked. Yes, said the student. He hadn’t heeded them, because he’d figured the mentor was too big of a deal in Silicon Valley to bother meddling in his little affairs.
“What happens if you put a python and a chicken in a cage together?,” Pfeffer asked him. The former student looked lost. “Does the python ask what kind of chicken it is? No. The python eats the chicken. And that’s what she” — the alumni mentor — “does. She eats people like you for breakfast.”
In Grant’s framework, the mentor in this story would be classified as a “taker,” which brings us to a major complexity in his findings. Givers dominate not only the top of the success ladder but the bottom, too, precisely because they risk exploitation by takers. It’s a nuance that’s often lost in the book’s popular rendering. “I’ve become the nice-guys-finish-first guy,” he told me.
Give and Take seeks to pinpoint what, exactly, separates successful givers from “doormat” givers (the subtleties of which we will return to). But it does not consider what separates successful jerks, like Steve Jobs, from failed ones like … well, Steve Jobs, who was pushed out of his start-up by the mentor he’d recruited, in 1985.
The fact is, me-first behavior is highly adaptive in certain professional situations, just like selflessness is in others. The question is, why — and, for those inclined to the instrumental, how can you distinguish between the two?
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QotD: Feminism and marriage
It’s not merely the feminist foot soldiers out in the gender fields that are prime examples of the new feminist lockstep. You see it in the theory end of the business, as well, the sincere striving for what Gandhi called “complete harmony of thought and word and deed.” Recently, Laura Bates, founder of the Everyday Sexism project, wrote an article for The Guardian in which she asked, “Can a woman who’s fought for equality and respect, against sexism and misogyny, become a bride?” Bates laments that the ritual of marriage “is riddled with patriarchal symbolism;” she notes with approval the wedding of some feminist friends in which, concerning the bridal party, “nobody’s role is dictated by their gender;” she lambasts the “sexist undertones” to be found in the traditional throwing of the bouquet; and sums up “The great name conundrum” by declaring that “changing her name erases [the bride’s] identity as a separate individual.” If you want to make a wedding even more exhausting and harried than it already is, go Full Feminist on it.
Daniel Payne, “The Many Fabricated Enemies of Feminists”, The Federalist, 2014-07-22.
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