Published on 11 May 2015
World War 1 saw several completely new technologies develop rapidly. The airplane itself was only a few years old but pioneering engineers soon saw its potential for military use. For recognisance and later as fighter or bomber, World War 1 had huge impact on aviation and warfare in general. This special episode gives you an idea about the obstacles that had to be overcome.
May 12, 2015
The Sky Was The Limit – World War 1 In The Air I THE GREAT WAR
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Tax Revenue and Deadweight Loss
Published on 27 Jan 2015
Why do taxes exist? What are the effects of taxes? We discuss how taxes affect consumer surplus and producer surplus and discuss the concept of deadweight loss at length. We’ll also look at a real-world example of deadweight loss: taxing luxury yachts in the 1990s.
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Step aside, Sun Tzu, Heinlein’s Starship Troopers is the new guide to warfare
In Popular Mechanics, Joe Pappalardo makes the claim that Robert Heinlein’s 1959 novel Starship Troopers is replacing Sun Tzu’s Art of War due to its greater relevance to 21st century warfare:
It’s not just generals and soldiers who keep the The Art of War in print. Businessmen, coaches, and lawyers all seem to get something out of Sun Tzu’s 6th century military tome — memorizing and repeating passages that speak to the tactics and strategy of success, whether that’s on Wall Street or in a war zone.
But for all its long-lasting cultural influence, the book is limited by its lack of specifics. “Know your enemy” and “win without fighting” are all well and good, but such axioms don’t really help today’s GI prepare to deploy with a robotic squadmate or decide what information to place on a digital head’s-up display. Modern warriors, surrounded by sophisticated gear and nuanced rules of engagement, need to meditate on the balance between technology and soldier, man and machine, civilian and veteran. For that kind of wisdom, they must go to military science fiction — and one great book in particular.
Robert A. Heinlein’s Starship Troopers, published in 1959, is aging remarkably well. The tome chronicles the early military career of Johnnie Rico, who fights alien arachnids while clad in a heavily armed exoskeleton. The troopers drop from orbit one by one to wreak havoc on whatever target the Sky Marshal deems worthy of the attention. It’s a cool adventure novel with a soldier’s eye view that doubles a treatise on modern warrior culture, the limits of military technology, and the awful glories of fighting infantry. There’s a reason military academies like West Point recommend cadets read the book.
Like Sun Tzu’s masterpiece, Heinlein’s abounds with quotable axioms. You may not hear overly intense car salesman quoting from Starship Troopers anytime soon, but here are six reasons why the book is a practical guide to 21st century warfare.
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Jeffrey Taylor says the left has Islam all wrong
An interesting article in Salon:
Whatever her views on other matters are, Pamela Geller is right about one thing: last week’s Islamist assault on the “Draw Muhammad” cartoon contest she hosted in Texas proves the jihad against freedom of expression has opened a front in the United States. “There is,” she said, “a war on free speech and this violent attack is a harbinger of things to come.” Apparently undaunted, Geller promises to continue with such “freedom of speech” events. ISIS is now threatening to assassinate her. She and her cohorts came close to becoming victims, yet some in the media on the right and the center-right have essentially blamed her for the gunmen’s attack, just as far too many, last January, surreptitiously pardoned the Kouachi brothers and, with consummate perfidy to human decency, inculpated the satirical cartoonists they slaughtered, saying “Charlie Hebdo asked for it.”
No.
[…]
One must, though, call out New York Times columnist Nicholas Kristof for backing up Affleck on the same show, and, later, in an editorial. Kristof, after all, should know better. He trades in words and ideas, and his acceptance of the fraudulent term “Islamophobia” contributes to the generalized befuddlement on the left about the faith in question and whether negative talk about it constitutes some sort of racism, or proxy for it. It patently does not. Unlike skin color, faith is not inherited and is susceptible to change. As with any other ideology, it should be subject to unfettered discussion, which may include satire, ridicule and even derision. The First Amendment protects both our right to practice the religion of our choosing (or no religion at all) as well as our right to speak freely, even offensively, about it.
One must, however, recoil in stupefaction and disgust at the consortium of prominent writers who just signaled de facto capitulation to the Enforcers of Shariah. I’m referring, of course, to the recent decision of 204 authors to sign a letter dissociating themselves from PEN’s granting the Toni and James C. Goodale Freedom of Expression Courage Award to the brave, talented surviving artists of Charlie Hebdo. (Disclosure: I have friends among Charlie Hebdo’s staff.) The authors objecting did so out of concern, according to their statement, for “the section of the French population” – its Muslims – “that is already marginalized, embattled, and victimized, a population that is shaped by the legacy of France’s various colonial enterprises.” A “large percentage” of these Muslims are “devout,” contend the writers, and should thus be spared the “humiliation and suffering” Charlie Hebdo’s cartoons allegedly caused them.
Europe’s colonial past and the United States’ current (endless) military campaigns in the Islamic world, as well as prejudice against nonwhites in Europe, have predisposed many to see, with some justification, Muslims as victims. But apart from the blundering wrongheadedness of the PEN writers’ dissent (Charlie Hebdo’s undeniable courage won them the award, not their artwork) and putting aside the question of whether France’s Muslims are necessarily “devout” (French law prohibits religion-based polling, so who could know?), or uniformly “humiliated” by Charlie Hebdo, or necessarily “embattled,” one thing transpires with arresting clarity from the authors’ declaration: Among the left, the confusion surrounding Islam and how we should relate to it imperils the free speech rights without which no secular republic can survive. We have to clear this up, and fast.
There is no legitimate controversy over why the Kouachi brothers targeted Charlie Hebdo. They murdered not to redress the social grievances or right the historical wrongs the PEN authors named. They explicitly told us why they murdered — for Islam, to avenge the Prophet Muhammad. Progressives who think otherwise need to face that reality. Put another way, the Kouachi brothers may have suffered racial discrimination and even “marginalization,” yet had they not been Muslims, they would not have attacked Charlie Hebdo. They would have had no motive.
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QotD: When advertising becomes propaganda
The problem with the posters in the airport was that they resembled the political propaganda of a totalitarian regime, insinuating what could not be dissented from without some danger or personal inconvenience. I do not mean to say that we now live in such a regime in the most literal sense, that we have already to fear the midnight knock on the door, but rather that the posters contribute to a miasma of untruth, the kind of untruth that is becoming socially dangerous, or at least embarrassing, to point out. For if you do dissent from such a slogan you will be immediately cast into the social Gehenna where the reactionaries are sent, whose cries of outrage can be dismissed merely by virtue of who they are. If you say that science does not need women, you will be taken to mean that you think that women should be confined to children, kitchen, and church, and that you are an advocate of the burqa (though actually I would make it compulsory for young English women in the center of English towns and cities on Friday and Saturday nights, though only for aesthetic, not for moral or religious, reasons).
Not to be able to answer back to perceived untruths: such is the powerlessness that can eventually drive people to espouse the worst causes.
Theodore Dalrymple, “A Miasma of Untruth”, Taki’s Magazine, 2014-06-29.
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