Quotulatiousness

April 18, 2015

BBC radio finds two of the only people who have never seen Star Wars

Filed under: Britain, Humour, Media — Tags: , , , , , — Nicholas @ 05:00

… and one of them is Godfrey Elfwick, who runs a parody Social Justice Warrior twitter account:

Listeners of the BBC World Service’s World Have Your Say programme were treated to a bizarre analysis of the Star Wars franchise today by a caller who claimed that “Dark Raider” was a “racial stereotype” who listened to rap music and “the only female character ends up in a gold space bikini chained to a horny space slug.”

Godfrey Elfwick is a student from Sheffield who regularly fools observers with his parody Twitter account, an off-the-deep-end “social justice warrior” persona that tweets bizarrely and hilariously about racism, sexism, misogyny and other favoured topics of the political Left.

Elfwick attracted the attention of the BBC World Service today, when he tweeted that he had never seen Star Wars. A World Service presenter who was producing a segment in the wake of the recently-released trailer for Star Wars Episode VIII: The Force Awakens took the bait, inviting him onto the programme.

Because of course the BBC can’t tell the difference between an outlandish, obviously fake social-justice obsessed parody account and a normal member of the public.

Moral panics and “Shaken Baby Syndrome”

Filed under: Health, Law, Media, Politics, USA — Tags: , , — Nicholas @ 04:00

In L.A. Weekly, Amy Nicholson looks at a new documentary:

It’s never simple when science suffers a shakeup. The road to the truth is littered with fallen experts who were disgraced when they tried to disprove — or prove — the common wisdom, be it that the earth revolves around the sun or that witches float. Today’s researchers are fighting to restore logic in the debate over vaccinations, global warming, and the increasingly hazy medical condition called Shaken Baby Syndrome, whose adherents accuse, pursue and prosecute an estimated 250 parents, babysitters and other caretakers each year.

Veteran investigative journalist Susan Goldsmith has spent years examining the medical and legal industry that has arisen to promote its belief that vicious baby-shaking by enraged adults has killed thousands of infants, the subject of the new documentary, The Syndrome, researched by Goldsmith and directed by her cousin Meryl Goldsmith.

“I made a career writing about child abuse,” she says. Her child abuse investigations as a reporter for The Oregonian led to two new laws designed to better protect kids in foster care. Yet, she also sees extreme, unfounded reactions by well-meaning people when children are involved. Says Goldsmith, “When people hear ‘child abuse,’ all thinking just goes into shutdown mode.”

A diagnosis of Shaken Baby Syndrome was supposed to explain mysterious deaths in babies without bone fractures, bumps, bruises or neck injuries. How did they die? A theory arose that babies were under attack by loved ones. For decades, doctors in the U.S., and dozens of other countries were trained to look for three internal symptoms that experts claimed were proof of a powerful shaking assault on a tiny child: brain swelling, blood on the surface of the brain, and blood behind the eyes. Well-meaning doctors were instructed that these symptoms could only occur due to intense shaking — if a parent or babysitter said the child had fallen or suddenly fell ill, that was a lie.

Proponents of the theory grew so powerful in political circles, where elected officials were keen to show they supported helpless children, that laws were passed across the U.S. requiring a doctor who spotted any of the three symptom to alert authorities. Failure to report symptoms, even if a doctor found the parents’ explanation made sense, could result in fines, civil lawsuits, or even jail time.

We’ve been here before. The Syndrome rewinds back to the 1980s when the big public panic on behalf of children was Satanic Ritual Abuse, a Salem-like national frenzy in which prosecutors and juries in big cities and small towns sent daycare employees to jail for years for crimes as implausible as cutting off a gorilla’s finger while at the zoo, then flying the children over Mexico to molest them.

H/T to Amy Alkon for the link.

How the Hugo Awards became the latest front in the Culture Wars(TM)

Filed under: Gaming, Media, Politics, USA — Tags: , , — Nicholas @ 03:00

At The Federalist, Robert Tracinski talks about the expansion of the ongoing culture wars into the SF and Fantasy communities:

This is the era in which we are all being drafted in the Culture War. It doesn’t matter if you’re secular or religious, political or apolitical, frat boys or geeks, hipsters or bros. Nobody gets to be neutral or sit on the sidelines, because we’ll all be expected to make our obeisance to the latest politically correct opinion handed down to us by a Twitter mob.

By now, we know the basic ingredients of a typical skirmish in Culture War 4.0. It goes something like this: a) a leftist claque starts loudly pushing the “correct” Culture War position onto b) a field previously considered fun, innocuous, apolitical, purely personal, or recreational, and c) accusing anyone who opposes them of being a racist, sexist, bigot who relies on oppressive “privilege” to push everyone else down, while these claims are d) backed up by a biased press that swallows the line of attack uncritically and repeats it.

Any of that sound familiar? It’s just daily life for anyone on the Right, and it’s slowly becoming daily life for everybody else. Ask Comet Guy.

The innocuous field in which the personal is suddenly discovered to be very political might be fashion, music, toys, sports, or sex, not to mention weddings, flowers, cake-baking, and pizza.

Or video games. Or science fiction.

Which explains the latest, wide new front of the Great Social Justice War: Gamergate*, and the battle over the Hugo Awards, a prestigious annual fiction award for science fiction and fantasy writers.

Hugo nominations are not made by a cloistered group of experts. They are voted on by anyone who becomes a “supporting or attending member” of the World Science Fiction Convention, or Worldcon. This has usually meant that the voting is limited to a small pool of a few thousand die-hard science fiction fans. But in practice it means that anyone willing to shell out $40 can cast a ballot.

Science fiction has always been a fertile arena for exploration of big ideas — much more so, these days, than highbrow “literary” fiction. The use of fantastical science fiction premises allows authors to project a future in which everything is done differently, or in which human nature itself has been altered, and this leads them to ask questions about what is really natural, necessary, or essential to human life and what is merely conventional, artificial, and unnecessary. It has been remarked that “big-idea novels are more likely to have an embossed foil dragon on the cover than a Booker Prize badge.”

Clearly, all of this freewheeling exploration of ideas has got to stop.

Correlation, causation, and lobby money

Filed under: Books, Business, Health — Tags: , — Nicholas @ 02:00

Tim Harford‘s latest column on tobacco, research, and lobby money:

It is said that there is a correlation between the number of storks’ nests found on Danish houses and the number of children born in those houses. Could the old story about babies being delivered by storks really be true? No. Correlation is not causation. Storks do not deliver children but larger houses have more room both for children and for storks.

This much-loved statistical anecdote seems less amusing when you consider how it was used in a US Senate committee hearing in 1965. The expert witness giving testimony was arguing that while smoking may be correlated with lung cancer, a causal relationship was unproven and implausible. Pressed on the statistical parallels between storks and cigarettes, he replied that they “seem to me the same”.

The witness’s name was Darrell Huff, a freelance journalist beloved by generations of geeks for his wonderful and hugely successful 1954 book How to Lie with Statistics. His reputation today might be rather different had the proposed sequel made it to print. How to Lie with Smoking Statistics used a variety of stork-style arguments to throw doubt on the connection between smoking and cancer, and it was supported by a grant from the Tobacco Institute. It was never published, for reasons that remain unclear. (The story of Huff’s career as a tobacco consultant was brought to the attention of statisticians in articles by Andrew Gelman in Chance in 2012 and by Alex Reinhart in Significance in 2014.)

Indisputably, smoking causes lung cancer and various other deadly conditions. But the problematic relationship between correlation and causation in general remains an active area of debate and confusion. The “spurious correlations” compiled by Harvard law student Tyler Vigen and displayed on his website (tylervigen.com) should be a warning. Did you realise that consumption of margarine is strongly correlated with the divorce rate in Maine?

QotD: The danger of the “deadly genius” in art

Filed under: Media, Quotations — Tags: , , , — Nicholas @ 01:00

There are entire genres of art that have self-destructed in the last hundred years — become drained of vitality, driven their audiences away to the point where they become nothing more than museum exhibits or hobby-horses for snobs and antiquarians.

The three most obvious examples are painting, the literary novel and classical music. After about 1910 all three of these art forms determinedly severed the connections with popular culture that had made them relevant over the previous 250 years. Their departure left vacuums to be filled; we got modern genre literature, rock music, and art photography.

Other art forms underwent near-death experiences and survived only in severely compromised forms. Jazz, running away from its roots in honky tonks and dance halls, all but strangled on its own sophistication between 1960 and 1980; it survives today primarily as smoothed-out elevator music. Sculpture, having spent a century losing itself in increasingly meaningless abstraction, is only now feeling its way back towards a figurative vocabulary; the most interesting action there is not yet in the revival of mimetic forms but in artists who speak the vocabulary of mathematics and machine technology.

What makes an art-form self-destruct like this? Many things can contribute — hankerings for bourgeois respectability, corruption by politics, clumsy response to a competing genre. But the one we see over and over again is deadly genius.

A deadly genius is a talent so impressive that he can break and remake all the rules of the form, and seduce others into trying to emulate his disruptive brilliance — even when those followers lack the raw ability or grounding to make art in the new idiom the the genius has defined.

Arnold Schoenberg (classical music). James Joyce (literary novels). John Coltrane (jazz). Pablo Picasso (painting). Konstantin Brancusi (sculpture). These men had the knack of inventing radical new forms that made the preexisting conventions of their arts seem stale and outworn. They produced works of brilliance, taught their followers to value disruptive brillance over tradition, and in doing so all but destroyed their arts.

Eric S. Raymond, “Deadly Genius and the Back-To-Zero Problem”, Armed and Dangerous, 2004-09-24.

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