Quotulatiousness

April 12, 2010

New “green” jobs to pay over $300K

Oh, wait. Sorry, that should be will cost over $300K:

The Government of Ontario recently signed a $7 billion no-bid contract with two Korean companies to supply wind and solar power to the province. Officials claim the backroom deal will boost “green” industry and job creation. But it’s hard to fathom how the additional employment can possibly be beneficial when each new manufacturing job will cost taxpayers a whopping $303,472. Nor do dramatic increases in electricity rates constitute much of a bargain.

Having failed on his pledge to shutter all coal-fired plants in the province by 2007, Ontario Premier Dalton McGuinty evidently has sought a grand green gesture that would appease the global warming alarmists. Executives of Samsung C&T Corp., in concert with the Korean Electric Power Corporation, were understandably eager to cooperate.

The agreement commits the province to buy wind and solar energy from the two companies at artificially high rates. It also extends to Samsung and Korean Power preferential access to the transmission network at the expense of independent wind power producers. As if either provision won’t adequately punish Ontarians, McGuinty also has pledged to override local zoning laws in locating new wind farms and transmission corridors.

Update, 12 February 2011: Even Premier McGuinty can only deny financial reality for so long:

Times of international turmoil are great moments for domestic governments to make important announcements they don’t want to be noticed. Especially if the announcement involves a sudden reversal in policy that could seriously embarrass the government.

So Friday afternoon was an ideal time for Ontario’s Liberal government to take a big chunk of its alternative energy program and chuck it overboard. Attention was riveted on Egypt, where spectacular events were unfolding. The perfect opportunity for Premier Dalton McGuinty to engineer yet another major reversal, while paying a minimal price among voters.

After years of touting wind projects as a critical piece of the alternative energy puzzle, the government let slip — very quietly — that offshore wind projects are no longer part of the game plan. Turns out there just isn’t enough scientific evidence that offshore wind projects do a lick of good, said Brad Duguid, the energy minister.

QotD: A new award

Filed under: Media, Quotations — Tags: , , — Nicholas @ 12:14

Nothing punctures a swollen ego so neatly as public mockery. Anti- awards like the Rotten Tomatoes and Golden Raspberry Awards for awful films, for example, perform a useful service. They keep celebrities humble and they give ordinary folks vicarious power to punish the inferior efforts of vain and stupid people who have come to believe they are special.

There should be just such an award for journalists who mangle the rules of composition. I am thinking in particular of opinion writers who are so determined to chivvy the reader into accepting a conclusion for which no evidence is available that they attempt to disguise their lack of acumen with really rotten imagery, similes, metaphors and symbolism.

I would call this anti-award the “Dowdy” in “honour” of Maureen Dowd, who would be named its inaugural recipient for creating the Worst Simile of the Year, a simile that binds together her April 11 New York Times column about the Catholic Church pedophile scandals, “Worlds Without Women.”

Barbara Kay, “Saudi Arabia is not a men’s club”, National Post, 2010-04-12

What is “the difference between the current system and slavery”?

Filed under: Law, Liberty, USA — Tags: , , , , — Nicholas @ 09:22

The Whited Sepulchre looks at a new book by Michelle Alexander, The New Jim Crow: Mass Incarceration in The Age Of Colorblindness.

We have more prisoners than any other nation — 25% of the world’s total, despite having only 6% of the world’s population. According to the Michelle Alexander interview, if we were to go back to the 1970’s-era incarceration rates, we would have to release 4 out of 5 prisoners currently doing time.

We have so many prisoners that we’re having to privatize the cages that we’re using to lock up black kids. Ordinarily, Big Gubmint likes to run everything, but this particular growth industry is beyond them. Marijuana prohibition creates tens of thousands of jobs, public and private.

[. . .]

When the prisoners are released, many of them have to pay for part of the cost of their incarceration. They often have to pay for their own parole officers, counseling sessions, etc. and after talking to ex-cons for about 10 years, I’m of the opinion that most of these counselors couldn’t counsel a 3-year-old to go the potty.

If they fail to make these payments, they’re either locked up again, or their paychecks are garnished. After all, the private prison system has to be paid, right? [. . .] Now that you have all that info, can you explain the difference between the current system and slavery?

Do you understand why the prison lobby, in its public and private form, fights so hard to preserve the system?

Updating Romeo & Juliet for the YouTube/Twitter generation

Filed under: Media, Technology — Tags: , , — Nicholas @ 09:03

The Guardian looks at a new Royal Shakespeare Company production of Romeo and Juliet:

But soft! What tweet through yonder iPhone breaks? It is the east, and @julietcap16 is the sun.

Actually, Juliet Capulet is probably offline at the moment: being only 16, she has to go to school even on her birthday, where to her indignation Twitter is banned. She’ll be back. And there’s a big party planned tonight that could change all their lives: does any of this sound at all familiar?

The Royal Shakespeare Company today joined with the cross-platform production firm Mudlark and Channel 4’s digital investment fund, 4iP, to launch Such Tweet Sorrow, a drama in real time and 4,000 tweets, very roughly based on Shakespeare’s Romeo and Juliet.

The Bard of Avon’s 1597 tragedy of flirty, street-fighting teenagers disastrously caught up in the double trauma of real love and their parents’ murderous small-town rivalries is already one of the most adapted of his works. It has been continuously reinvented as an opera, a ballet, a musical, a lesbian love story, a geriatric love story and even an ice show.

This time, Juliet is the daughter of a successful property developer. Her mother died in a car driven by the artist Montague; her father will no longer tolerate any of his works in the house, much less his son. Her brother Tybalt is well on his way to being expelled from his latest boarding school, and their older sister Jess, nicknamed Nurse, keeps well out of the way of their new stepmother.

I’m usually pretty conservative about “re-imagining” Shakespeare, but this sounds like an interesting performance.

Update, 13 April: Full story so far here.

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