Alan Moore on the origins of the Guy Fawkes mask and its role in the Anonymous protests:
When parents explained to their offspring about Guy Fawkes and his attempt to blow up Parliament, there always seemed to be an undertone of admiration in their voices, or at least there did in Northampton.
While that era’s children perhaps didn’t see Fawkes as a hero, they certainly didn’t see him as the villainous scapegoat he’d originally been intended as.
At the start of the 1980s when the ideas that would coalesce into V for Vendetta were springing up from a summer of anti-Thatcher riots across the UK coupled with a worrying surge from the far-right National Front, Guy Fawkes’ status as a potential revolutionary hero seemed to be oddly confirmed by circumstances surrounding the comic strip’s creation: it was the strip’s artist, David Lloyd, who had initially suggested using the Guy Fawkes mask as an emblem for our one-man-against-a-fascist-state lead character.
When this notion was enthusiastically received, he decided to buy one of the commonplace cardboard Guy Fawkes masks that were always readily available from mid-autumn, just to use as convenient reference.
To our great surprise, it turned out that this was the year (perhaps understandably after such an incendiary summer) when the Guy Fawkes mask was to be phased out in favour of green plastic Frankenstein monsters geared to the incoming celebration of an American Halloween.
It was also the year in which the term “Guy Fawkes Night” seemingly disappeared from common usage, to be replaced by the less provocative ‘bonfire night’.
At the time, we both remarked upon how interesting it was that we should have taken up the image right at the point where it was apparently being purged from the annals of English iconography. It seemed that you couldn’t keep a good symbol down.
