Quotulatiousness

November 26, 2009

Damning with not-so-faint damns

Filed under: Media, Technology — Tags: , , — Nicholas @ 08:11

A clearly impartial and unbiased advance review of James Cameron’s Avatar, due for release in December:

Budgeted at a reported $237m (£143m), Avatar is Cameron’s first dramatic feature since the record-breaking Titanic, back in 1997. The film is a science-fiction fantasy set on a verdant planet called Pandora and following the adventures of a US Marine played by Sam Worthington. Cameron shot the film on his own patented “fusion digital 3D camera system” and experts argue that the results take 3D techniques to a whole new level. [. . .]

The reviewer, however, begs to differ, describing the film as “alienating” and “weird”. Moreover, he/she argues that its pioneering visual technology is liable to induce nausea in the viewer. “The problem is with cutting in between 3D focus points and perspective,” the mystery critic writes. “The mind cannot adjust to it without a buffer — thus, Avatar is literally vomit inducing.”

Even the review’s praise comes with a sting in the tail. “There are some beautiful moments [in the film],” it concedes. “But overall it’s a horrible piece of shit.”

October 20, 2009

More “tech the tech” talk from J.J. Abrams

Filed under: Media — Tags: , , — Nicholas @ 09:37

You felt that the “chance” meeting between the new Kirk and the old Spock was more like a run through the infinite improbability drive than a sensible plot point? Wait . . . it gets more improbable:

When Star Trek arrives on Blu-ray and DVD Nov. 17, extras like deleted scenes and commentary will answer some lingering questions. Abrams said the DVD includes a scene cut from the film that features Spock Prime (Nimoy) dropping some logic about the unlikely chance meeting.

“In the scene, Spock explains that (the encounter of Kirk and Spock Prime) is a result of the universe trying to restore balance after the time line is changed,” Abrams said. “They acknowledged the coincidence as a function of the universe to heal itself.”

Abrams said he cut that scene because he liked the mystery the chance meeting provided — and the idea that Kirk and Spock are destined to be friends. (Another DVD mini-feature, titled “The Shatner Conundrum,” will tackle the absence of William Shatner, the original Captain Kirk, from Abrams’ movie, according to io9.com.)

October 19, 2009

The fantasy economic world of Star Trek

Filed under: Economics, Media — Tags: , , — Nicholas @ 07:32

Dmitry Chernikov looks at the nonsensical economic “system” of the Star Trek universe:

Similarly, we never see Quark, who owns a bar on the space station, get paid for dispensing his drinks; at least, I don’t recall ever seeing that. For a guy obsessed with latinum (now there’s your sound money—latinum-standard; and in another episode we learn that gold is worthless compared to latinum) this is a problem, especially given that the Federation military employees on the station don’t receive any wages. Once again, the necessary obscurity of how Quark’s business worked (because it obviously cannot work) seems rather annoying. So the conundrum remains. And even for the Ferengi, all business and consumer transactions appear to be performed with cash, that is, actual bars of latinum. They apparently have no stock market (the litmus test for whether a society is capitalist or socialist), no electronic asset transfers, no banking system (banks have two distinct roles, often unfortunately confused under the present fiat money regime: they are (1) warehouses storing valuable property, such as gold coins, a function called deposit banking; and (2) intermediaries between lenders and borrowers, called loan banking), no insurance companies, nothing. There are no big corporations, no brand names, no advertising (on the absence of any kind of commercial mass media see below), no private retail outlets, no Internet shopping. There aren’t even latinum coins, for goodness’ sake! And if not the Ferengi, then who else?

Note that the Ferengi are, of course, the classic stereotype of the Jews, as propounded by Nazi and Soviet propaganda: ugly; crass, materialistic, and base; grasping and scheming; and treacherous. But, in the case of Quark, not entirely without redeeming qualities, particularly when he cooperates with the ruling regime on the station. That is, quite despite his perverse nature, there exists within Quark’s ignoble little soul a weak aspiration to be like the far more noble humans. What a grotesque and utterly false parody of a typical businessman (and Jews, to boot) within a system of natural liberty and free enterprise! In the unhampered market economy the “superior men,” the better-off, the elite or the society’s “natural aristocracy,” are drawn into service to the common man. Entrepreneurs become rich because the masses, the “poor,” rush to outbid each other on the products offered to them for sale. If they fail to satisfy the consumers’ wants, they will forfeit their wealth and their vocation as entrepreneurs and be demoted into the rank of laborers. Personal wealth in a free society is thus a consequence of previous success in serving consumers.

[. . .]

Now it is obvious that the variety of goods and services available on DS9 is extremely limited. The personnel seem to be, as one, ascetic workaholics. I’ve never seen any character go shopping. I suppose that these guys are supplied with government-made standard-issue everything. This can’t be a lot of fun, don’t you think? Also, don’t misunderstand me, I love classical music, but is that all that the Federation citizens are allowed to listen to (I am referring to ST: The Next Generation, in particular)? In other words, instead of a highly developed commercial culture expected of a sophisticated multi-planet division of labor, we get almost complete conformity and uniformity. To put it another way, the characters “have no life”; they are totally devoted to the welfare of the “collective,” the collective being, of course, their superior officers. I could never understand why the Federation was so contrasted with the Borg. The Borg are very much like the Federation, only perhaps with slightly less individual freedom. (Maybe the difference is that, unlike the Borg captives, the Federation serfs love the Big Brother.)

October 13, 2009

Just fill in the technobabble later

Filed under: Media — Tags: , , — Nicholas @ 12:41

Charles Stross explains why he isn’t a Star Trek fan:

I have a confession to make: I hate Star Trek.

Let me clarify: when I was young — I’m dating myself here — I quite liked the original TV series. But when the movie-length trailer for ST:TNG first aired in the UK in the late eighties? It was hate on first sight. And since then, it’s also been hate on sight between me and just about every space operatic show on television. ST:Voyager and whatever the space station opera; check. Babylon Five? Ditto. Battlestar Galactica? Didn’t even bother turning on the TV. I hate them all.

I finally found out why:

At his recent keynote speech at the New York Television Festival, former Star Trek writer and creator of the re-imagined Battlestar Galactica Ron Moore revealed the secret formula to writing for Trek.

He described how the writers would just insert “tech” into the scripts whenever they needed to resolve a story or plot line, then they’d have consultants fill in the appropriate words (aka technobabble) later.

“It became the solution to so many plot lines and so many stories,” Moore said. “It was so mechanical that we had science consultants who would just come up with the words for us and we’d just write ‘tech’ in the script. You know, Picard would say ‘Commander La Forge, tech the tech to the warp drive.’ I’m serious. If you look at those scripts, you’ll see that.”

October 9, 2009

Awful book covers

Filed under: Books, Media — Tags: , , — Nicholas @ 17:50

John Scalzi has a nominee for the “Worst Book Cover by a Major Publisher” award:

Worst_book_cover_nominee

Seriously, now, DAW, wtf? I know there’s a recession on, but there must be a better class of 12-year-old you can hire to push about the “liquefy” tool in Photoshop. I get that you were aiming for “chintzy, kooky fun” but you landed on “Fourth grade class project on Lulu.com,” and that just isn’t cool, and more to the point, you should know the difference. Were I an author in this particular anthology I would be sad I couldn’t show my friends the book I was in without them asking how much it cost me to publish it. I’m frightened to show it to graphic designers I know because I don’t want to be sued for damages when it causes blood to shoot from their ears. And as a reader, I can say the cover makes a really excellent argument for owning a Kindle.

August 31, 2009

Frederick Pohl graduates from high school

Filed under: Books, Education, Randomness — Tags: — Nicholas @ 07:42

Fred Pohl, the long-time science fiction author (his first published piece was a poem in the October, 1937 issue of Amazing Stories, according to Wikipedia) has finally received his high school diploma:

Happens that I never graduated from high school, the reason being that I quit school as soon as I was old enough, which was 17. I had several reasons for doing that, but the one I prefer to give when asked that question is the one given by my friend John Brunner when he quit in England, at about the same age. That was, “I had to leave school, because it was interfering with my education.” (In case you wonder, I didn’t go to college, either. I did teach at several and lectured at scores if not hundreds of them, all the way from local community two-year schools to the Ivy League, in maybe a dozen different countries as well as our own, but I never attended one.)

[. . .]

I do have one problem, though. I remember matchbook ads for a correspondence school, back in the days when people still carried matchbooks, which promised that people who got a high-school diploma would get $25 more a week. The problem is I don’t know whom to bill.

August 27, 2009

Now it’s Star Trek‘s turn

Filed under: Humour, Media — Tags: , , — Nicholas @ 15:59

John Scalzi returns to the well of nerd bile (see last week’s geek-disturbing here), this time he’s aiming at Star Trek:

Me: Star Wars design is so bad that people have to come up with elaborate and contrived rationales to explain it.

Star Wars Fanboy: YOU ARE SO VERY WRONG AND I WILL SHOW YOU WHY WITH THESE ELABORATE AND CONTRIVED RATIONALES.

It’s a little much to hope for (or fear) the same result two weeks in a row, but nevertheless I promised everyone I’d point and laugh at Star Trek design, so here we go. I’ll confine myself to things in the movies. There are eleven of those, so it’s not like this will be a problem.

V’Ger
In Star Trek: The Motion Picture, a Voyager space probe gets sucked into a black hole and survives (GAAAAH), and is discovered by denizens of a machine planet who think the logical thing to do is to take a bus-size machine with the processing power of a couple of Speak and Spells and upgrade it to a spaceship the size of small moon, wrap that in an energy field the size of a solar system, and then send it merrily on its way. This is like you assisting a brain-damaged raccoon trapped on a suburban traffic island by giving him Ecuador.

July 21, 2009

How to respond to a Hugo list kvetch

Filed under: Books, Media — Tags: , — Nicholas @ 16:34

John Scalzi is in fine form:

What makes this an error is the tangential fact Mr. Roberts is a science fiction author himself. Here’s something that we in the kvetching industry like to call a “pro tip”: If you take the time to squat and pinch off a steaming ass-loaf of condescension onto the heads of the people most committed to the genre of literature you happen to write in, you may find they will remember that fact when they see your books in the stores. As in “oh, here’s the book of that guy who thinks my taste in literature sucks.” How motivated does that make the average science fiction fan to buy a book? Well, you know: How motivated would it make you?

Now, I assume Mr. Roberts didn’t intend to come across as arrogant and hectoring to his primary audience, because very few people so willfully attempt to ankle-shoot their own career, even the ones with an academic aerie such as Mr. Roberts possesses. I suspect he believed he was being stern but fair. However, I also suspect that science fiction fandom, not in fact being comprised of students who have to sit for a lecture in order to graduate, may have its own opinions on the matter. In the real world, people don’t like being told, while being gently and paternalistically patted on the head, that they’re goddamned idiots. Especially from someone who then turns around and hopes to sell them a book.

The short form of this is to say that it’s one thing to believe a book on the Hugo shortlist (or, as is the case of Mr. Roberts, all the books on the shortlist) is or are mediocre. It’s another thing entirely as a writer to criticize a reader (and someone you’d presumably like to make your reader) for his or her taste in books. The first of these is perfectly valid; taste is subjective. The second of these makes you look like a jerk to the people upon whom you presumably hope to build your career.

Which is of course perfectly fine, if that’s what you intend to do. I’d just make sure that it is, in fact, what you intend to do.

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