Quotulatiousness

September 30, 2013

Re-evaluating Neville Chamberlain

BBC News Magazine on the reputation of British PM Neville Chamberlain:

…this derogatory reference reflects the continuing potency of a well-established conventional wisdom assiduously propagated by Chamberlain’s detractors after his fall from the premiership in May 1940. As Churchill is once supposed to have quipped, “Poor Neville will come badly out of history. I know, I will write that history”.

In his influential account The Gathering Storm, published in 1948, Churchill characterised Chamberlain as “an upright, competent, well meaning man” fatally handicapped by a deluded self-confidence which compounded an already debilitating lack of both vision and diplomatic experience. For many years, this seductive version of events remained unchallenged and unchallengeable.

[…]

The Munich agreement, which later came to symbolise the evils of appeasement, was signed 75 years ago, in the early hours of 30 September. At Munich, Britain and France acquiesced in the dismemberment of Czechoslovakia and the transfer of its Sudeten region to Germany in face of Hitler’s increasingly bellicose threats of military action. Chamberlain’s hopes that this humiliating sacrifice would satisfy Hitler’s last major territorial demand and thus avert another catastrophic war were dashed within four months.

After this monumental failure of policy Chamberlain’s name became an abusive synonym for vacillation, weakness, immoral great-power diplomacy and, above all, the craven appeasement of bullies — whatever the price in national honour. Despite his many achievements in domestic policy, therefore, ultimately Chamberlain’s reputation remains indelibly stained by Munich and the failure of his very personal brand of diplomacy.

As he confessed in the Commons at the outbreak of war, “Everything I have worked for, everything that I have hoped for, everything that I have believed in during my public life, has crashed into ruins.”

March 11, 2012

Music control freaks? The Nazis got there well before you

Filed under: Europe, Germany, History, Liberty, Media — Tags: , , , , — Nicholas @ 10:27

J.J. Gould in The Atlantic a couple of months ago, but brought to my attention by the folks at BoingBoing:

Skvorecky left no shortage of legacies to remember him by, but one of the more notable themes in his nonfiction writing is an emphasis on, as Welch puts it, “the oftentime minute similarities between applied fascism and communism.” And some of Skvorecky’s more notable variations on that theme in turn are found in his recollections and insights on the common totalitarian hatred of, among all things, jazz.

[. . .]

Anyone who finds this proposition fascinating won’t, I promise, be disappointed to read the rest of this book, or for that matter all of Talkin’ Moscow Blues: Essays About Literature, Politics, Movies, and Jazz. But maybe the single most remarkable example of 20th-century totalitarian invective against jazz that Skvorecky ever relayed was here in the intro to The Bass Saxophone, where he recalls — faithfully, he assures us (“they had engraved themselves deeply on my mind”) — a set of regulations, issued by a Gauleiter — a regional official for the Reich — as binding on all local dance orchestras during the Nazi occupation of Czechoslovakia. Get this:

  1. Pieces in foxtrot rhythm (so-called swing) are not to exceed 20% of the repertoires of light orchestras and dance bands;
  2. in this so-called jazz type repertoire, preference is to be given to compositions in a major key and to lyrics expressing joy in life rather than Jewishly gloomy lyrics;
  3. As to tempo, preference is also to be given to brisk compositions over slow ones so-called blues); however, the pace must not exceed a certain degree of allegro, commensurate with the Aryan sense of discipline and moderation. On no account will Negroid excesses in tempo (so-called hot jazz) or in solo performances (so-called breaks) be tolerated;
  4. so-called jazz compositions may contain at most 10% syncopation; the remainder must consist of a natural legato movement devoid of the hysterical rhythmic reverses characteristic of the barbarian races and conductive to dark instincts alien to the German people (so-called riffs);
  5. strictly prohibited is the use of instruments alien to the German spirit (so-called cowbells, flexatone, brushes, etc.) as well as all mutes which turn the noble sound of wind and brass instruments into a Jewish-Freemasonic yowl (so-called wa-wa, hat, etc.);
  6. also prohibited are so-called drum breaks longer than half a bar in four-quarter beat (except in stylized military marches);
  7. the double bass must be played solely with the bow in so-called jazz compositions;
  8. plucking of the strings is prohibited, since it is damaging to the instrument and detrimental to Aryan musicality; if a so-called pizzicato effect is absolutely desirable for the character of the composition, strict care must be taken lest the string be allowed to patter on the sordine, which is henceforth forbidden;
  9. musicians are likewise forbidden to make vocal improvisations (so-called scat);
  10. all light orchestras and dance bands are advised to restrict the use of saxophones of all keys and to substitute for them the violin-cello, the viola or possibly a suitable folk instrument.

December 28, 2011

“Truth and love must prevail over lies and hatred”

Filed under: Europe, History, Liberty — Tags: , , , — Nicholas @ 00:06

Matt Welch returns to Prague for Václav Havel’s funeral:

It’s a safe bet that in the history of state funerals, no former president has been sent off to the Absolute Horizon by not one but at least three different live, nationally televised rock songs about heroin.

Such was Václav Havel’s genre-straddling life and thoroughgoing conception of freedom that it seemed as natural as tartar sauce on fried cheese to bookend a portentous, Dvořák-haunted National Requiem Mass in Central Europe’s oldest Gothic cathedral with a loose-limbed, hash-scented rock and roll celebration at the Czech Republic’s most storied music venue, all while the non-VIPs on the streets of Prague (and their counterparts outside the capital) lent the most dignity of all to the three-day National Mourning by creating ad-hoc candlelit shrines in whatever patches of cobblestone reminded them of the man who made them most proud to be Czechs.

It was a remarkable memorial, one that — like Havel himself — could not have happened in any other city or country. Yet the celebration offered enough bread crumbs for non-Czechs to stumble upon the promise of forgotten political alchemies lurking just outside our daily view. I was there to pay my respects; here are some observations and pictures.

December 18, 2011

Vaclav Havel has died, aged 75

Filed under: Books, Europe, Government, History, Liberty — Tags: , , , — Nicholas @ 11:43

Matt Welch has a post at Hit & Run quoting his profile of Havel from 2003:

Like Orwell, Havel was a fiction writer whose engagement with the world led him to master the nonfiction political essay. Both men, in self-described sentiment, were of “the left,” yet both men infuriated the left with their stinging criticism and ornery independence. Both were haunted by the Death of God, delighted by the idiosyncratic habits of their countrymen, and physically diminished as a direct result of their confrontation with totalitarians (not to mention their love of tobacco). As essentially neurotic men with weak mustaches, both have given generations of normal citizens hope that, with discipline and effort, they too can shake propaganda from everyday language and stand up to the foulest dictatorships.

Unlike Orwell, Havel lived long enough to enjoy a robust third act, and his last six months in office demonstrated the same kind of restless, iconoclastic activism that has made him an enemy of ideologues and ally of freedom lovers for nearly five decades.

April 13, 2010

Another interesting use of Twitter

Filed under: Britain, History, Military, WW2 — Tags: , , — Nicholas @ 09:53

The brief log entries at RAF Duxford, a Royal Air Force airfield in Cambridgeshire, will move from the historical Operations Record Book to Twitter to mark the 70th anniversary of the Battle of Britain:

Every squadron, station and certain other units in the Royal Air Force had to complete an Operations Record Book, known as a Form 540.

Those for RAF Duxford and No 19 Squadron from 1940 show events such as patrols over Dunkirk, the problems encountered with early cannon-armed Spitfires, and the arrival of Czech pilots to form 310 Squadron.

They describe the sorties carried out by No 19 Squadron and pilots’ experiences during dogfights over south-east England.

A museum spokesman said: “This exciting new campaign will give a direct insight into Battle of Britain history, and will show how the campaign built in momentum throughout 1940.

Follow RAFDuxford1940 on Twitter.

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