In the Daily Sceptic, Steven Tucker discusses the state of comedy in Britain today, in the light of the recent Green Party internal report on what members are supposed to deem funny or not funny. Not joking:
In the very same week these letters were publicised, the UK Green Party did actually launch its own internal in-depth report on what was and was not funny, with party activists receiving training informing them they should maintain detailed records of any jokes fellow members had told to them, “including dates, times [and] locations”, in case anyone later found them to be offensive – particularly if they touched upon sensitive issues like race, religion, sexuality or class. Even if the particular big fat black lesbian affected made a joke about themselves, this was still to be noted down and eliminated, as it nonetheless created “an environment in this space where derogatory jokes are allowed to happen”.
To prevent such jocular genocide occurring again in future, Greens were advised to perform an “audit” of their friendship groups to ensure they were diverse enough so that this simply would not happen: an Englishman, an Irishman and a Scotsman all walk into a pub, and nobody says anything even remotely untoward whatsoever, as diversity is clearly our strength.
Official Green Party advice on what to do if you happen to hear a joke one day. Nowhere does the option “laugh” appear
For a preview of what a future Green-led Ministry of Laughter might one day look like, we should look towards a current controversy involving the quasi-state-run BBC (Bowdlerising British Comedy), which in September decided to mark 20 years since the first broadcast of award-winning sketch-show That Mitchell and Webb Look – by cutting out several sketches, and deeming the show to be “racist”. The now samizdat sketches involved scenarios like English Civil War re-enactors getting bored and deciding to black up and recreate modern-day conflicts in the Democratic Republic of Congo, a brownface Amazonian tribe found secretly living behind flower-pots in a garden centre and a woman wearing a burka being an unsuccessful participant in a TV makeover programme.
Even more primly, the BBC also wiped or butchered entire episodes of popular children’s comedy history series Horrible Histories, as they featured jokes about sensitive topics like slavery – despite the fact they pretty obviously were not of a “Let’s bring it back!”-type perspective, but attempting to satirise the practice’s brutality.
One horrified reaction came from Graham Linehan, the cancelled Anglo-Irish comedy writer who today lives in exile in America, as nobody in the UK industry will now touch his work with a bargepole. Not only does it commit the cardinal post-2010s sin of actually being funny, Linehan’s writing is also deemed to be “transphobic”; Channel 4 refuses to re-show an old episode of his sitcom the IT Crowd, as it features a joke about a cross-dresser (see my review of his 2023 autobiography).
Writing in the Telegraph, Linehan observes that most British comedians who get their back-catalogues politically ruined these days, like Mitchell and Webb, either keep silent and go along with it for an easy life, or else actively denounce themselves in classic Soviet show-trial fashion, so as to keep raking in the cash on the panel-show circuit. Because of this cowardice, he says, “somewhere out there, the next generation of comedy writers and performers, the ones who might have pushed the form further, taken bigger risks, made the joke nobody else would touch, will quietly decide it isn’t worth it, and nobody will have to ban anything ever again”. Sounds a bit like how Islam operates in such matters, too …
