In a novel about political radicalism you might expect the ideas to take center stage, but here they’re treated as pure comic relief (if you’ve read The Man Who Was Thursday, the vibe is very similar). The guy who wants to kill all of humanity and the guy who wants to enslave all of humanity have some seriously conflicting objectives (and don’t forget the guy who just wants to kill himself and the guy who refuses to say what his goal is), yet they all belong to the same revolutionary society. The leader of their society takes it to an extreme, he has no specific ideas at all. His political objectives and philosophical premises are literally never mentioned, by him or by others. What he has is boundless energy, an annoying wheedling voice,1 and an infinite capacity for psychological cruelty. But all these impressive capacities are directed at nothing in particular, just at crushing others for the sheer joy of it,2 at destruction without purpose and without meaning.
Does that seem unrealistic? That ringleader was actually based on a real life student revolutionary named Sergey Nechayev, whose trial Dostoevsky eagerly followed. Nechayev wrote a manifesto called The Catechism of a Revolutionary, here’s an excerpt from that charming document:
The revolutionary is a doomed man. He has no personal interests, no business affairs, no emotions, no attachments, no property, and no name. Everything in him is wholly absorbed in the single thought and the single passion for revolution … The revolutionary despises all doctrines and refuses to accept the mundane sciences, leaving them for future generations. He knows only one science: the science of destruction … The object is perpetually the same: the surest and quickest way of destroying the whole filthy order … For him, there exists only one pleasure, one consolation, one reward, one satisfaction – the success of the revolution. Night and day he must have but one thought, one aim – merciless destruction.
The ideas don’t matter, because at the end of the day they’re pretexts for desires — the desire to dominate, the desire to obliterate the world, the desire to obliterate the self, the desire to negate.3 Just as in their parents’ generation the desire for status came first and wrapped itself in liberal politics in order to reproduce and advance itself, so in their children the desire for blood and death reigns supreme, and the radical politics serve only as a mechanism of self-justification and a lever to pull. This is not a novel about people, and it’s also not a novel about ideas. It’s a novel about desires, motives, urges, and the ways in which we construct stories to make sense of them.
John Psmith, “REVIEW: Demons, by Fyodor Dostoevsky”, Mr. and Mrs. Psmith’s Bookshelf, 2023-07-17.
- To Dostoevsky’s own surprise, when he wrote the main bad guy of the story, he turned out a very funny, almost buffoonish figure. He may be the most evil person in literature who’s also almost totally comic.
- Dostoevsky is notorious for dropping hints via the names of his characters — applied nominative determinism — and this one’s name means something like “supremacy”.
- Or as another famous book about demons once put it:
I am the spirit that negates
And rightly so, for all that comes to be
Deserves to perish wretchedly;
‘Twere better nothing would begin.
Thus everything that your terms, sin,
Destruction, evil represent —
That is my proper element.
January 25, 2026
QotD: Dostoevsky’s views on revolutionaries in Demons
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