Andrew Doyle reviews Tim Curry’s new autobiography Vagabond:
Tim Curry, Nell Campbell, Richard O’Brien and Patricia Quinn in The Rocky Horror Picture Show (1975)
Tim Curry is a shapeshifter. I have a childhood memory of the moment I learned that the demon in Legend (1985), the villain in Annie (1982), the butler in Clue (1985) and the cross-dressing alien scientist in The Rocky Horror Picture Show (1975) were all played by the same man. It was quite the revelation.
Curry’s protean talents have meant that as a personality he has forever remained mysterious. He rarely gives interviews – only grudgingly whenever there is a movie to promote – and fans have therefore tended to project onto this reclusive figure the persona that best fits their expectations or desires. When more insistent fans have formed an emotional bond with the Tim Curry of their imaginations, he has on occasion been forced to put them right. “I’m just a person,” he says, “and I’m not your person”.
Fans will therefore be delighted at the publication of Curry’s memoir, Vagabond, which offers fascinating snapshots from his life. The approach is episodic, with chapters devoted to particular projects in his career. As such, Curry offers us morsels in lieu of a meal. Those who are hoping for salacious anecdotes about his love life will be disappointed, because – as he rightly points out – “specifics about my affairs of the heart or the bedroom are – respectfully – none of your fucking business”. Instead, we have a wonderfully compelling account of Curry’s origins and how his philosophy of life has informed his craft.
Tim Curry as Wadsworth in Clue and King Arthur in Spamalot
His vagabond status has been well earned. As the child of a military father, he was forever on the move, and it is easy to see how these early experiences shaped his capacity to embody such a wide breadth of humanity. His first accolade came early when he was awarded the prize for the “Most Beautiful Baby in Hong Kong”. His family relocated roughly every eighteen months for the first eleven years of his life, which is why he tells us that “mutability felt like a part of my DNA”. It was the ideal apprenticeship for his future vocation.
Writing in 1817, William Hazlitt called actors the “motley representatives of human nature” who “show us all that we are, all that we wish to be, and all that we dread to be”. For his part, Curry sees the actor as the vagabond of his book’s title. “How can you trust somebody, or truly know somebody, who appears as a king one day and a jester the next? What does it mean when neither role is the true identity of the person, and when that very person might be gone the next day?” In this, he could be paraphrasing Hazlitt’s description of actors as “today kings, tomorrow beggars”, and how “it is only when they are themselves, that they are nothing”.
