To understand what happens next [in Dostoevsky’s Demons], it helps to have read some Turgenev. His most famous work, Fathers and Sons, is of a piece with the most lurid boomer fantasies. The basic plot is that there are some genteel Russian liberals, good New York Times readers, people with all the right views. Their kids come back from college and are espousing all this weird stuff: stuff about white fragility and transgenderism and boycotting Israel, stuff that makes their nice liberal parents extremely uncomfortable. But it’s okay, you see? The kids magnanimously realize that their parents were once cool revolutionaries too, and the parents make peace with the fact that the kids are just further out ahead than they are, and everybody feels good about themselves because if the kids have seen far, it’s only by standing on the shoulders of giants. The important thing to understand is that everything about this plot is identity validation wish-fulfillment for the boomer liberal parents (like Turgenev himself). It’s the political equivalent of that YouTube genre where Gen Z Afro-American kids rock out to Phil Collins.
The macro-structure of Demons mirrors this so closely, you can almost read the book as one long, savage parody of Fathers and Sons.1 The sunny opening section is a satire of the boomer liberals, and the big vibe shift part way in is their kids coming back from college. But that’s where things go off the rails. In this book, the next generation shares their parents’ anti-religious and anti-monarchist attitudes, but unlike in Fathers and Sons, the kids in Demons are disgusted by the hypocrisy and cowardice of their genteel liberal parents, and eager to plunge Russia into a hyper-totalitarian nightmare. The exact contours of that nightmare are something they frequently argue about and change their minds over, but they can all agree that it will need to begin with an enormous mountain of skulls, and that their town is as good a place as any to start.
Dostoevsky’s other works put individuals front and center, his stories have unbelievably rich characterization (Nietzsche once said that Dostoevsky was the greatest psychologist to ever live), because for Dostoevsky the very highest stakes, the most important questions in the world, were about the damnation or salvation of individual souls. But Demons is different: here the characters all blur together, their names are disgorged to you in a never-ending torrent, and only a few of them are distinctive in any way.2 How could Dostoevsky think these people don’t matter? It’s because they aren’t real people anymore. It’s because they’re possessed. Their brains have been scooped out and all you can see in their eyes is a writhing mass of worms. Their ideas and ideologies have hollowed them out and are wearing their skins as suits.
But what if the ideas don’t matter either? It’s easy to interpret the second half of Demons as a novel of ideas, but it really isn’t. Your first clue is that the ideas are just so goofy. There’s one guy who thinks that by killing himself he will become God (don’t ask, it’s Dostoevsky, man). Another has written a book with ten chapters, explaining how “Beginning with the principle of unlimited freedom I arrive at unlimited despotism”, and proposing a method of brainwashing for reducing ninety percent of humanity to a mindless “herd”. Yet another thinks that everything can be solved by killing one hundred million people, but laments that even with very efficient methods of execution this will take at least thirty years.3 My own favorite might be the guy who refuses to explain what his system is, but just smugly declares that since everybody is going to end up following it eventually, it’s pointless for him to explain it.
John Psmith, “REVIEW: Demons, by Fyodor Dostoevsky”, Mr. and Mrs. Psmith’s Bookshelf, 2023-07-17.
- Further evidence for this reading: the book contains a character, the great writer “Karmazinov”, who is a straightforward expy of Turgenev himself.
- That said if you do need to keep track of them, this alignment chart made by some genius on the internet is a pretty handy guide: link.
- This one probably seems less funny after the 20th century than it did when Dostoevsky wrote it.
August 18, 2025
QotD: Dostoevsky’s Demons can be read as “one long, savage parody of Fathers and Sons“
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