Disclaimer: I haven’t seen the movie, and have no immediate plans to do so. That said, there’s a lot of discussion about the movie, its successes and its failures and how it relates to today’s issues. Over at Founding Questions, Severian felt the need to do a proper fisking of one particularly irritating take:
This is one of two Oppenheimer stories that popped up this morning. I don’t watch tv and haven’t seen a movie in the theater in decades; I doubt I’ve seen more than a handful of “new” movies in the last ten years. So I really am not the target audience for this kind of thing, but … I don’t get it. Why is this movie such a big deal? Have they decided to simply create The One Pop Culture Thing out of whole cloth?
Anyway, let’s see what they have to say:
There’s a cabal online, and even in some professional circles, arguing that Nolan has made the bombing of Hiroshima and Nagasaki a sideshow: that Oppenheimer looks away from the devastating effects of what happened on August 6 and 9 1945.
I guess this is where the Historian in me will forever override the pop culture critic. Obviously Robert Oppenheimer knew he was developing a weapon. The difference between a nuclear bomb and a regular bomb is one of degree, not kind. American firebombing had already done to dozens of Japanese cities what Oppenheimer’s nuke did to Hiroshima. Curtis LeMay knew it, too — after the war, he said that he’d have been rightfully tried for war crimes had the outcome gone the other way. I simply cannot see how this man is uniquely culpable for anything … or if he is, then Rosie the Riveter should be held accountable for every bomber that rolled off the assembly line.
Anti-nuclear groups have been similarly disappointed, with Carol Turner from the Campaign for Nuclear Disarmament telling The Guardian that “the effect of the [Hiroshima and Nagasaki] blasts was to remove the skin in a much more gory and horrible way – in [Oppenheimer] it was tastefully, artfully presented.”
That‘s your objection? That people weren’t shown getting killed in a realistic-enough manner? Jesus Christ, do you people ever listen to yourselves? That’s fucking sick. You are a loathsome excuse for a human being, Carol Turner.
Although it says much about the morals and mechanics of war, Oppenheimer isn’t a war film: it’s ultimately about the internal conflict and persecution of one individual. To painstakingly focus on the Japanese victims would have made it an entirely different film, and one at odds with the rest of Nolan’s vision. (His fellow director James Cameron, meanwhile, is said to be planning a film on the victims of Hiroshima and Nagasaki.)
“Victims”. You keep using that word.
There is currently a trend for great cultural works, such as Oppenheimer, to be denigrated if they don’t tick certain boxes, and such complaints often come from the Left. A lack of focus on victims has been a frequent criticism: it’s an argument that gets wheeled out, for example, whenever a drama is being made about serial killers. Yet I don’t think artists are obliged to do this if it doesn’t fit into their own authorial vision.
I have to admit, I’m getting that old College Town feeling right now. The one where it feels like someone dropped some low-grade acid in my coffee, and I’m hallucinating. I know what all those words mean, but put together like that they don’t make any sense at all. On the most basic level, the objection here seems to be that movies require plots. A “drama about a serial killer”, for example (“drama” … what an odd word choice), requires murders. You know, mechanically speaking. But what does “focusing” on them add? Is it any more or less awful, learning that the dead guy killed at random by a lunatic was really into soccer and had a dog and liked classic rock?
And all this is before you consider that the most vocal critics of Oppenheimer are Leftists … the very same Leftists who are determined to fight to the very last drop of Ukrainian blood, and who seem to think that giving Zelensky tactical nukes is a super idea. Reading the Left’s pronouncements on Vladimir Putin, you’d be forgiven for thinking they’d like to nuke him twice, just to be sure.
Your concern for the “victims” of Hiroshima and Nagasaki rings a little hollow, gang, when you’ve been howling for blood 24/7 on Twitter for a year and a half.
