World War Two
Published 17 Dec 2020Following the German declaration of war on America on the 11th of December 1941, Britain gained an invaluable ally. Securing a joint military command between the new partnership will be central to its success, the question is, how can this be achieved?
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Markus Linke
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel Weiss
Adrien Fillon – https://www.instagram.com/adrien.colo…
Mikołaj UchmanSources:
IWM A 14040, TR153, H 10306, ME(RAF) 5052, A 16709Soundtracks from Epidemic Sound:
Max Anson – “Ancient Saga”
Johannes Bornlof – “Magnificent March 3”
Howard Harper-Barnes – “London”
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 18, 2020
The Warlords of the United Nations – WW2 Special
“Firestorm” – Strategic or Terror Bombing? – Sabaton History 098 [Official]
Sabaton History
Published 17 Dec 2020At the end of July 1943, Hamburg burned. A fleet of British heavy bombers had dropped thousands of incendiaries over the city, turning it into a hearth of unprecedented dimensions. Numerous major fires merged together into a single storm of fire. Structures combusted under the immense heat, as strong winds drove the inferno through the streets at rapid speed. Craving for more oxygen, the firestorm sucked human bodies into the flames and immediately incinerated or mummified them. Thousands of others died slowly of carbon monoxide poisoning in their shelters. By the end of the raid, 60% of Hamburg had been burned out and more than 35,000 of its inhabitants were dead. But while the Germans were shocked to disbelief, for the British the firestorm has worked as intended. And this was just the beginning.
Support Sabaton History on Patreon:
https://www.patreon.com/sabatonhistoryListen to “Firestorm” on the album The Art of War: https://music.sabaton.net/TheArtOfWar
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołęga
Sound Editor: Marek Kamiński
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comColorized by:
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Imperial War Museums: C3677,HU 63075, HU 63089, MH 27517, CL3400, MH 24747,CL3395, MH 24764, CH 6386, CH 6386, CH 6275, CH 15879, C 3371, CH 18371, C 3918, C2367, HU44269, C 4748, PST 14359, C 4973,
Bundesarchiv
National Archives NARA
Icons from the Noun Project: Arrow by 4B Icons, Bomb by P Thanga Vignesh, fire building by dDara, Skull by Muhamad UlumAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
When Movies Were Magic (3D glasses recommended)
Atun-Shei Films
Published 8 Sep 2020A brief history of early motion picture technology and artistry, from the magic lantern to Georges Méliès. Presented in glorious 3-D!!!
To fully enjoy this video, you will need a pair of red/blue anaglyph 3-D glasses. They can be acquired cheaply at a number of online vendors, and you can even make them at home by coloring sheets of clear plastic with permanent markers: https://www.wikihow.com/Make-Your-Own…
Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms
Leave a Tip via Paypal ► https://www.paypal.me/atunsheifilms (All donations made here will go toward the production of The Sudbury Devil, our historical feature film)
Buy Merch ► https://www.teespring.com/stores/atun…
#FilmHistory #MagicLantern #3D
Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/atun_shei~REFERENCES~
[1] William Godwin. Lives of the Necromancers (1834). Project Gutenberg https://www.gutenberg.org/cache/epub/…
[2] Paul Clee. Before Hollywood: From Shadow Play to the Silver Screen (2005). Houghton Mifflin, Page 12-21
[3] Chris Bennett. “The Psychedelic Phantasmagoria Shows of the 18th Century” (2018). Cannabis Culture https://www.cannabisculture.com/conte…
[4] Clee, Page 39-47
[5] Clee, Page 84-85
[6] “Dissolving View Magic Lantern Slides.” Magic Lantern World https://magiclanternist.com/2016/09/2…
[7] “A Color Photograph Pioneer Comes to Light” (2018). The European Synchrotron https://www.esrf.eu/home/news/general…
[8] Clee, Page 83
[9] Clee, Page 85-95
[10] “Freeze Frame: Eadweard Muybridge’s Photography of Motion” (2000). National Museum of American History https://americanhistory.si.edu/muybri…
[11] “Sallie Garner at a Gallop.” IMDB https://www.imdb.com/title/tt2221420/…
[12] Laurent Mannoni. “Etienne-Jules Marey: French Physiologist and Chronophotographer.” Who’s Who of Victorian Cinema https://www.victorian-cinema.net/marey
[13] Clee, Page 107-109
[14] Harald Sack. “The Kinetoscope and Edison’s Wrong Way to Invent the Cinema” (2020). SciHi Blog http://scihi.org/kinetoscope-edison/
[15] Clee, Page 127
[16] Clee, Page 139-141
[17] James Travers. “Georges Méliés Biography: Life and Films” (2017). FrenchFilms.org http://www.frenchfilms.org/biography/…
[18] Clee, Page 158-159
QotD: Hunter S. Thompson’s view of humanity
One interesting thing about Thompson […] is that much of his work could almost be assigned to the field of religious literature. This is not just because he suffered occasional demonic hallucinations under the influence of brown acid and ibogaine. Setting the drugs aside (“Not that which goeth into the mouth defileth a man; but that which cometh out of the mouth, this defileth a man”), there is a certain ascetic, unworldly quality to his work. He seems to have had a quasi-Augustinian horror of the greasy, hairy human body, and a strong distaste for squirming, brawling, lumpy, dumb man-apes in all their mass manifestations. His career-making Scanlan’s piece, “The Kentucky Derby Is Decadent and Depraved”, is really an indictment of humanity as decadent and depraved — and that remains true insofar as the subject of the piece is Thompson himself and his Hobbesian preoccupations.
Colby Cosh, “Q: Where’s Cosh?”, ColbyCosh.com, 2005-02-21