Quotulatiousness

December 2, 2020

The Nazis: Most Notorious Art Thieves in History – WW2 Special

Filed under: Europe, France, Germany, History, Military, WW2 — Tags: , , , , , , , — Nicholas @ 06:00

World War Two
Published 1 Dec 2020

During their occupation of large parts of Europe, the Nazis systematically looted foreign countries for art, gold and other items holding financial or cultural value. Often not for any larger purpose, but for their own, egocentric, criminal gain.

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Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Klimbim
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Spartacus Olsson

Sources:
– Bundesarchiv
– Yad Vashem: 73_1_34, 72GO8, 03_198, 73_1_23, 99co5, 186_271, 99co6, 16_28,
– United States Holocaust Memorial Museum ID EA 65940
– Rijksmuseum

Soundtracks from Epidemic Sound:
– “The Inspector 4” – Johannes Bornlöf
– “London” – Howard Harper-Barnes
– “Moving to Disturbia” – Experia
– “Break Free” – Fabien Tell
– “Remembrance” – Fabien Tell
– “Disciples of Sun Tzu” – Christian Andersen

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
1 hour ago
Throughout history, people have obsessed with hidden treasure of past thieves. There were plenty of hidden art and gold collections left behind by the Nazis, often in caves or vaults. Many were found after the war by the several Allied units tasked with locating valuables. While finding some Nazi gold stash still sounds exciting, we should not forget the story behind this loot. Writing this episode, the exciting nature of it quickly faded once I fully realised how thousands of normal people were robbed of everything they owned – including their lives. The thievery of valuables can not be seen outside of the context of Nazi racial policies and ultimately the murder of millions in the Holocaust. The top Nazis truly reconfirm their true criminal nature in this episode, not caring a bit about anything other than themselves.

Cheers,
Joram

The History of the Colosseum (In LEGO!)

Filed under: Architecture, Europe, History, Humour — Tags: , , , , — Nicholas @ 04:00

Overly Sarcastic Productions
Published 1 Dec 2020

This video is sponsored by the LEGO Group. Learn more about the LEGO Colosseum here: https://lego.build/OSP

We’d like to thank our friends at LEGO for giving us this magnificent excuse to gush over some of the most beautiful architecture in history. This type of architectural-deep-dive is a little bit out of the ordinary for us, but it was lots of fun, so please do let us know if you found it interesting, as we’d be thrilled to do more!

Our content is intended for teenage audiences and up.

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Bill C-10, An Act to amend the Broadcasting Act hijack the internet

Filed under: Bureaucracy, Cancon, Media, Technology — Tags: , , , , — Nicholas @ 03:00

At The Line, Josh Dehass outlines the benign-sounding claimed intent of Bill C-10 and the malign reality if it is implemented as written:

Bill C-10 would expand the term “broadcasters” to include online content creators. This means that after decades of a mostly regulation-free Internet, the CRTC will soon have a say in what content you can and can’t see on services like Netflix, Amazon Video and Spotify. The bill says these “broadcasters” will be required to “serve the needs and interests of all Canadians — including Canadians from racialized communities and Canadians of diverse ethnocultural backgrounds, socio-economic statuses, abilities and disabilities, sexual orientations, gender identities and expressions, and ages — and reflect their circumstances and aspirations, including equal rights, the linguistic duality and multicultural and multiracial nature of Canadian society and the special place of Indigenous peoples within that society.”

In the Globe and Mail Guilbeault helpfully translated from Newspeak: broadcasters now must create “Indigenous programming,” and possibly other forms of mandatory content by and for minority groups. Guilbeault said that the mandatory Indigenous programs are necessary to correct the “historical mistake” that Canada made when it denied Indigenous people their cultural expression. That historical mistake apparently cannot corrected solely by forcing Canadians to fund APTN and non-stop Indigenous content at CBC. Only when every private company is co-opted in the mission will the mistake be corrected.

It’s bad enough that this new law will require Canadians to pay for shows and podcasts that they’re unlikely watch. What’s really disturbing is that this new law means any large company that wants to produce artistic and cultural content online in Canada will no longer be permitted to devote their time and money exclusively to expressing the ideas that they wish [to] express. Instead, they will be forced to also express the ideas the government wishes them to express. This is compelled speech, which is the term lawyers use when the government forces you to mouth its message. This is contrary the spirit of free expression rights that the Charter of Rights and Freedoms guarantees.

The new policy might strike you as old-fashioned broadcast regulation. It isn’t. The theory behind the original Broadcast Act was that the airwaves were a finite resource, requiring the government to act as referee. Otherwise, we could end up consuming nothing but low-brow American cultural products rather than high-brow CanCon like Family Feud Canada and Hedley. This was an elitist argument, since it assumed that individual consumers weren’t capable of determining what content is in their own interests, but at least it made a little sense, because it was theoretically possible for important programming like news to get completely crowded out. The Internet, on the other hand, is effectively infinite. There’s room for everyone’s content in the online marketplace of ideas. So far, it’s worked wonderfully. Virtual nobodies can find huge audiences without big money to get started. There’s really no reason for the government to interfere.

British “Life Buoy” WWII Flamethrower

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , — Nicholas @ 02:00

Forgotten Weapons
Published 3 Oct 2017

http://www.patreon.com/ForgottenWeapons

One of the the flamethrower design styles to come out of experimentation late in World War One was the toroid type, with a donut-shaped fuel tank and a central spherical pressure bottle. The British continued development on this type of weapon between the wars, and used it in World War Two. While the early models used a hydrogen spark ignition system, this was replaced in 1942 by a cartridge flare system like the US and Japanese models.

The tank on this example is a fiberglass one, and very lightweight. This was introduced after World War Two, and this one is an experimental model.

Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:

http://armamentresearch.com/

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QotD: Old Sam Clemens, he understood

Filed under: Britain, Humour, Quotations — Tags: , , — Nicholas @ 01:00

Ah, I remember it like it was yesterday.

Shouting at my parents about how unfair it was that they insist I be home for tea, home again to go to bed, brush my teeth, turn my lights out and go to sleep, get up for school, do my homework and blah blah blah.

Their list of stupid pointless rules was bloody endless – it became perfectly obvious to me around the age of fourteen that no intelligent person should be forced to endure this draconian regime, and I let the intellectual homunculi know so in no uncertain terms.

And the lofty and pompous arrogance with which these dreary praetorians informed me, ME!, that “while I lived under their roof, I would have to live by their rules“!

I seemingly had no rights at all. I was not free.

The horror.

I resolved then and there to move out as soon as I could.

Which turned out to be about five years later, but still …

My word, how I despised them and their byzantine rules. I yearned to breathe free air and not remain beleaguered in their stale and oppressive Gulag of The Mind. I was an adult dammit, and not some little kid, to be told what I can and cannot do.

Ahem.

Funnily enough, when I returned home many years later, I was amazed to discover how much more reasonable they had become in my absence – I felt like they had really grown … spiritually (h/t Samuel Clemens)

Alex Noble, “Progressive Millennials. While We Live Under Their Roof, We Should Abide By Their Rules.”, Continental Telegraph, 2020-09-01.

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