Mark Steyn is a brave man. He doesn’t talk about his death threats or his security measures, but his public life speaks for itself. For the fifth anniversary of the Muhammad cartoon controversy, he stood on a stage in Copenhagen with the Danes who were not yet in hiding along with Lars Vilks, the Swedish cartoonist who had survived physical attacks, arson, at least three assassination plots, and an Al Qaeda hit list. Steyn returned for the tenth anniversary observance, a few months after the Charlie Hebdo massacre, but by then no cartoonists were left — they were all in hiding, including Vilks, after yet another attempt on his life.
“I’m always willing to stand with the guys in Denmark,” says Steyn. “But the reason all these left-wing Europeans end up on a stage with an eccentric right-wing Canadian like me is that no real A-list stars will agree to be there. At the tenth anniversary both the American State Department and the British Foreign Office even issued official warnings to their citizens to stay away from the Danish Parliament, where we were holding the ceremony. What kind of signal does that send? Why don’t the artists show up for these things? Why aren’t the movie stars there? When Theo Van Gogh was assassinated, no one at the Oscars had a word to say about it. They didn’t even put him in the obituary montage. And yet they congratulate themselves on their moral courage. George Clooney wears a Je suis Charlie Hebdo pin. Helen Mirren wears a brooch. But they were not with Charlie. Those guys died alone. This is gesture politics. No one would stand with them. I honour the genuine courage of Ayaan Hirsi Ali. Ayaan’s point is absolutely right — in the end you have to share the risk. Charlie Hebdo supported the Danish cartoonists, but the rest of the world didn’t. If every newspaper had published those cartoons, there would have been no point in killing anyone because there would have been too many people to kill. Instead, nobody stands with them, and so the small publication that does ends up massacred. The writer of the comic strip Doonesbury in America [Garry Trudeau] attacked the decision of PEN to honour Charlie Hebdo. Well, they were lying on the floor, bleeding and dying. I don’t think they noticed.”
The Danish cartoon controversy was actually the first moment the American press had been challenged by Islam and could do something in response — and their reaction was a spectacular failure of will and principle. In several countries around the world, it was actually against the law to publish the Danish cartoons, but many editors stepped up, published them anyway, and suffered the civil and criminal consequences. In the United States — where there was no such law — no major publication would print them.
Mark Steyn, interviewed by John Bloom, “Mark Steyn, Cole Porter and Free Speech”, Quadrant, 2017-05-11.
June 12, 2019
QotD: Militant Islam and the Western media
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