Quotulatiousness

February 15, 2019

“Blood of Bannockburn” – Sabaton History 002

Filed under: Britain, History, Media — Tags: , , , — Nicholas @ 06:00

Sabaton History
Published on 14 Feb 2019

Sabaton’s song “Blood of Bannockburn” is about the First War of Scottish Independence and one of its key figures, Robert the Bruce. He fought the English King Edward who invaded Scotland when Bruce’s revolutionary force forced all Scottish nobles to join his cause or lose their lands. Edward moved on Bruce’s army while they were besieging Stirling Castle, but his plans to overwhelm the Scottish was opposed by Bruce.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Watch the official lyric video for Blood of Bannockburn here: https://www.youtube.com/watch?v=Xp-Rk…

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Wieke Kapteijns
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

‘Photo young Sabaton’ ©Dalarnas museum, foto: Susanne Nyhlén – The National Portrait Gallery https://www.npg.org.uk

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
1 day ago (edited)

Hey!! We’re leaving the modern times (which instantly that answers a frequently asked question about if we’re just sticking to WW2) and will enter the Medieval Era. The 3d animated maps are made and researched by Eastory (check his channel here: https://www.youtube.com/channel/UCElybFZ60Hk1NSjgCf7I2sg). As the battle took place long ago, there is little documentation about it and there are several possible reconstructions of the events of the battle available. We had to prefer one version and proponents of others may criticise it. The most risky decision was to add the effects of land rise and make the Forth river larger as a result. This is absent from most of reconstructions, but Eastory studied some old maps and according to them the sea level in 15th and 16th centuries was far higher in the region.

Enjoy and STAY AWESOME! 🤘🤘

Dune – Origins – Extra Sci Fi – #1

Filed under: Books, Media — Tags: , — Nicholas @ 04:00

Extra Credits
Published on 12 Feb 2019

Frank Herbert’s epic novel Dune began as a photograph of the Oregon coastline — literally, the dunes themselves. From there it grew into a poem, then three books, then a serial in John W. Campbell’s Analog magazine, and then at last… a car repair manual publisher?

If you’re curious, check out our earlier episode on John W. Campbell here, a notable magazine editor in the history of science fiction: https://www.youtube.com/watch?v=Ctpvd2VvukQ

European-style passenger railways don’t scale to North American distances

Filed under: Economics, Europe, Railways, USA — Tags: , , — Nicholas @ 03:00

At PJ Media, Charlie Martin does a good job of showing why the fast, efficient passenger railways of Europe are not replicated in the US and Canada:

… the usual story is something like “the United States should have a world-class passenger train system, with high-speed rail like the French and Japanese have.” @AOC’s official-no-fake-no-just-a-draft-Republican-conspiracy-theory-why-are-you-all-being-mean? Green New Deal FAQ wanted one so good that air travel would become “unnecessary.”

Sounds great, and I love the covert “MAGA” aspect of the pitch, but it has one great big, pretty much insurmountable problem: America.

Not the country, the geography. People living on the coasts just don’t realize how big this country is. I was discussing it on Twitter with a Swiss who lives in Zürich who was telling me how great the Europeans trains are — and they really are comfortable, pretty fast, have great scenery to look at — but, well, let’s compare Colorado and Switzerland. Similar climate, mountains, pretty scenery, cranky natives who are suspicious of newcomers. But let’s go to the maps:

Colorado is 6.5 times as big, has 60 percent of the population — and, it happens, about two-thirds of the gross “national” product per capita.

Compare the lower 48 states with all of Western Europe:

The truth is, we’re in flyover country out here. The coastal clerisy don’t realize that on their five-hour flight from LAX to LGA they’re traveling 2,500 miles. Now, back in the days of the Super Chief and the 20th Century Limited, you could make that trip by train in only 76 hours, not counting changing trains in Chicago. (It takes longer on Amtrak.)

So, let’s say we could get high-speed trains for the whole trip that averaged 200 miles per hour, and could travel as the crow flies: that’s 12.5 hours.

Except of course you couldn’t because the crow is flying over some of the highest mountains in the country. You’re going to need rights of way, and you can’t use the rights of way that exist because they’re not suited for that kind of speed and they’re pretty full anyway. Also, it wouldn’t do to interrupt the existing freight lines, which actually are about as good as anywhere in the world.

Introducing the Baroque Theorbo

Filed under: Europe, History, Italy, Media — Tags: — Nicholas @ 02:00

Orchestra of the Age of Enlightenment
Published on Jan 11, 2019

“People complain a lot about the space that I take up”.

Lutenist Elizabeth Kenny explains how and why the theorbo was developed in the 17th century, what it was used for, and what it’s like to carry it around on the train.

Website: http://oae.co.uk
Twitter: https://twitter.com/theoae

QotD: The swordfight from The Princess Bride

Filed under: Media, Quotations — Tags: , , , — Nicholas @ 01:00

I cannot, however, pass by that period without noting one moment of excellence; The Princess Bride (1987). Yes, this is classic stagy Hollywood high-line, consciously referring back to precedents including the Flynn/Rathbone scene from fifty years earlier – but in this context there’s no sense of anachronism because the movie is so cheerfully vague about its time period. The swords are basket-hilted rapiers in an ornate Italo-French style that could date from 1550 to their last gasp in the Napoleonic Wars. The actors use them with joy and vigor – Elwes and Patinkin learned to fence (both left- and right-handed) for the film and other than the somersaults their fight scene was entirely them, not stunt doubles. It’s a bright, lovely contrast with the awfulness of most Hollywood sword choreography of the time and, I think, part of the reason the movie has become a cult classic.

Eric S. Raymond, “A martial artist looks at swordfighting in the movies”, Armed and Dangerous, 2019-01-13.

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