Quotulatiousness

December 28, 2013

Un-noticed marker of social change

Filed under: Books, History, Media, WW2 — Tags: — Nicholas @ 10:36

Ann Althouse talks about the dust-up at National Review Online, where an editor objected to something that Mark Steyn wrote and posted what I’m sure he thought was a gentle rebuff. Steyn reacted exactly the way you’d expect him to, and in the end the editor got a chance to polish up his resumé for his next position. As an addendum to the original post, she quotes from William Shirer’s The Rise and Fall of the Third Reich as a rather jarring example of how much society’s attitudes to homosexuality have changed (for the better) since the early 1960s:

The point of the Rat Pack joke — “How do you make a fruit cordial?”/ “Be nice to him.” — wasn’t that it’s funny. It’s that not too long ago junk like that was the norm. It was probably considered sweet, gentle and even gay-friendly. Steyn is paying attention to how cultural norms change. This is something I’ve been talking about too, and I am confounded by what a hard time people have understanding this subject.

[…]

ADDED: Here’s something a little different that corresponds to that Rat Pack joke, not in the realm of comedy, but in a best selling history book that was published in 1961 and got high praise in places like The New York Times Book Review and won the National Book Award. It’s William Shirer’s The Rise and Fall of the Third Reich. Listening to the audiobook, I was struck by the references to homosexuality, made in an offhandedly negative way that you’d never encounter in a book published today by a respectable publisher and an author who meant to be taken seriously. Examples:

A tough, ruthless, driving man — albeit, like so many of the early Nazis, a homosexual — [Ernst Roehm] helped to organize the first Nazi strong-arm squads which grew into the S.A., the army of storm troopers which he commanded until his execution by Hitler in 1934….

Such was the weird assortment of misfits who founded National Socialism…. The confused locksmith Drexler provided the kernel, the drunken poet Eckart some of the “spiritual” foundation, the economic crank Feder what passed as an ideology, the homosexual Roehm the support of the Army and the war veterans, but it was now the former tramp, Adolf Hitler… who took the lead….

“I know Esser is a scoundrel,” Hitler retorted in public, “but I shall hold on to him as long as he can be of use to me.” This was to be his attitude toward almost all of his close collaborators, no matter how murky their past — or indeed their present. Murderers, pimps, homosexual perverts, drug addicts or just plain rowdies were all the same to him if they served his purposes….

But the brown-shirted S.A. never became much more than a motley mob of brawlers. Many of its top leaders, beginning with its chief, Roehm, were notorious homosexual perverts. Lieutenant Edmund Heines, who led the Munich S.A., was not only a homosexual but a convicted murderer. These two and dozens of others quarreled and feuded as only men of unnatural sexual inclinations, with their peculiar jealousies, can….

No other party in Germany came near to attracting so many shady characters. As we have seen, a conglomeration of pimps, murderers, homosexuals, alcoholics and blackmailers flocked to the party as if to a natural haven. Hitler did not care, as long as they were useful to him…..

Facebook ages out

Filed under: Europe, Technology — Tags: , , , — Nicholas @ 10:12

In the Guardian, Jemima Kiss explains why European teens are finding other social networking tools to be more attractive than Facebook:

Facebook is ‘dead and buried’ to older teenagers, an extensive European study has found, as the key age group moves on to Twitter, Instagram, WhatsApp and Snapchat.

Researching the Facebook use of 16-18 year olds in eight EU countries, the Global Social Media Impact Study found that as parents and older users saturate Facebook, its younger users are shifting to alternative platforms.

“Facebook is not just on the slide — it is basically dead and buried,” wrote Daniel Miller, lead anthropologist on the research team, who is professor of material culture of University College London.

“Mostly they feel embarrassed to even be associated with it. Where once parents worried about their children joining Facebook, the children now say it is their family that insists they stay there to post about their lives.”

Teens do not care that alternative services are less functional and sophisticated, and they also unconcerned about how information about them is being used commercially or as part of surveillance practice by the security services, the research found.

“What appears to be the most seminal moment in a young person’s decision to leave Facebook was surely that dreaded day your mum sends you a friend request,” wrote Miller.

QotD: Dance

Filed under: Humour, Media, Quotations — Tags: , , , , , — Nicholas @ 09:48

Those Puritans who snort against the current dances are quite right when they argue that the tango and the shimmie are violently aphrodisiacal, but what they overlook is the fact that the abolition of such provocative wriggles would probably revive something worse, to wit, the Viennese waltz. The waltz never quite goes out of fashion; it is always just around the corner; every now and then it comes back with a bang. And to the sore harassment and corruption, I suspect, of chemical purity, the ideal of all right-thinkers. The shimmie and the tango are too gross to be very dangerous to civilized human beings; they suggest drinking beer out of buckets; the most elemental good taste is proof enough against them. But the waltz! Ah, the waltz, indeed! It is sneaking, insidious, disarming, lovely. It does its work, not like a college-yell or an explosion in a munitions plant, but like the rustle of the trees, the murmur of the illimitable sea, the sweet gurgle of a pretty girl. The jazz-band fetches only vulgarians, barbarians, idiots, pigs. But there is a mystical something in “Weiner Blut” or “Kiinstler Leben” that fetches even philosophers.

The waltz, in fact, is magnificently improper the art of tone turned bawdy. I venture to say that the compositions of one man alone, Johann Strauss II, have lured more fair young creatures to lamentable complaisance than all the hypodermic syringes of all the white slave scouts since the fall of the Western Empire. There is something about a waltz that is simply irresistible. Try it on the fattest and sedatest or even upon the thinnest and most acidulous of women, and she will be ready, in ten minutes, for a stealthy kiss behind the door nay, she will forthwith impart the embarrassing news that her husband misunderstands her, and drinks too much, and cannot appreciate Maeterlinck, and is going to Cleveland, 0., on business to-morrow …

H.L. Mencken, “The Allied Arts: Tempo di Valse”, Prejudices: Second Series, 1920.

Reasons a true-to-the-text version of The Hobbit wouldn’t work

Filed under: Books, Media — Tags: , , — Nicholas @ 09:41

Actually, Dr. J says a more faithful movie would stink (note that there are mild spoilers in the quoted section and bigger spoilers in the full post):

I love J.R.R. Tolkien’s The Hobbit. I read it for the first time when I was six years old and have returned to it many times over the years. I still have a soft spot in my heart for the cheesy cartoon version of the story that Rankin/Bass did when I was a kid. I’ve shoved the book into each of my children’s hands as soon as I thought his reading skills could handle it.

So I can understand it when writers I respect, such as Daniel Larison at the American Conservative, express a sense of horror at Peter Jackson’s film adaptations of the beloved book, particularly the second film, The Desolation of Smaug, which is now in theaters. The criticisms abound. Why did Jackson think he could turn a 200-page children’s book into three lengthy films? Why does he have Gandalf wandering around mountain tombs and an old, ruined fortress, settings that appear nowhere in the book? Why did he put Legolas in the film when the elf does not appear in the book? Why does Bard the bowman get a complicated back story that’s absent in the book? Why does Smaug chase the dwarves around the halls of Erebor when they never even confronted each other in the book? (Are you noticing a pattern here?)

What appears to be the common desire of these critics is for Jackson to have made a simpler Hobbit with the story told in one or (at most) two films and with a script that hews closely to the text of the original book. As something of a Tolkien purist myself, I completely understand this wish. However, although I disagree with some of Jackson’s decisions (particularly the elf/dwarf romance in the Desolation of Smaug), I have to come to his defense on his overall approach to these films. In fact, I’m certain that the “faithful film adaptation” of the 1937 Hobbit these critics seem to want would in fact turn out to be awful, or at least fall far short of Tolkien’s ultimate vision. Here are five reasons why:

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