Quotulatiousness

September 12, 2010

Taking the term “Space Opera” too literally

Filed under: Media — Tags: , , , — Nicholas @ 00:49

Get your tickets now for the first opera to be performed entirely in Klingon:

Die-hard “Star Trek” fans may want to dust off their Klingon dictionaries and take a transporter to Europe for the debut of the first opera ever to be completely sung in the invented science fiction language.

The opera, called “u,” kicks off a three-day run at the Zeebelt Theater today in The Hague, Netherlands. The title “u” is the Klingon word for “universe” or “universal.”

Tickets for the performances were still available as of Friday morning, according to Reuters.

Klingon, which is spoken by members of the fictional “Star Trek” warrior race of the same name, has evolved into a significant pop culture phenomenon since the American science fiction TV series first hit the airwaves in the late 1960s.

Fans worldwide adopted the alien dialect and made it one of the most popular constructed languages, opera organizers said.

October 20, 2009

More “tech the tech” talk from J.J. Abrams

Filed under: Media — Tags: , , — Nicholas @ 09:37

You felt that the “chance” meeting between the new Kirk and the old Spock was more like a run through the infinite improbability drive than a sensible plot point? Wait . . . it gets more improbable:

When Star Trek arrives on Blu-ray and DVD Nov. 17, extras like deleted scenes and commentary will answer some lingering questions. Abrams said the DVD includes a scene cut from the film that features Spock Prime (Nimoy) dropping some logic about the unlikely chance meeting.

“In the scene, Spock explains that (the encounter of Kirk and Spock Prime) is a result of the universe trying to restore balance after the time line is changed,” Abrams said. “They acknowledged the coincidence as a function of the universe to heal itself.”

Abrams said he cut that scene because he liked the mystery the chance meeting provided — and the idea that Kirk and Spock are destined to be friends. (Another DVD mini-feature, titled “The Shatner Conundrum,” will tackle the absence of William Shatner, the original Captain Kirk, from Abrams’ movie, according to io9.com.)

October 19, 2009

The fantasy economic world of Star Trek

Filed under: Economics, Media — Tags: , , — Nicholas @ 07:32

Dmitry Chernikov looks at the nonsensical economic “system” of the Star Trek universe:

Similarly, we never see Quark, who owns a bar on the space station, get paid for dispensing his drinks; at least, I don’t recall ever seeing that. For a guy obsessed with latinum (now there’s your sound money—latinum-standard; and in another episode we learn that gold is worthless compared to latinum) this is a problem, especially given that the Federation military employees on the station don’t receive any wages. Once again, the necessary obscurity of how Quark’s business worked (because it obviously cannot work) seems rather annoying. So the conundrum remains. And even for the Ferengi, all business and consumer transactions appear to be performed with cash, that is, actual bars of latinum. They apparently have no stock market (the litmus test for whether a society is capitalist or socialist), no electronic asset transfers, no banking system (banks have two distinct roles, often unfortunately confused under the present fiat money regime: they are (1) warehouses storing valuable property, such as gold coins, a function called deposit banking; and (2) intermediaries between lenders and borrowers, called loan banking), no insurance companies, nothing. There are no big corporations, no brand names, no advertising (on the absence of any kind of commercial mass media see below), no private retail outlets, no Internet shopping. There aren’t even latinum coins, for goodness’ sake! And if not the Ferengi, then who else?

Note that the Ferengi are, of course, the classic stereotype of the Jews, as propounded by Nazi and Soviet propaganda: ugly; crass, materialistic, and base; grasping and scheming; and treacherous. But, in the case of Quark, not entirely without redeeming qualities, particularly when he cooperates with the ruling regime on the station. That is, quite despite his perverse nature, there exists within Quark’s ignoble little soul a weak aspiration to be like the far more noble humans. What a grotesque and utterly false parody of a typical businessman (and Jews, to boot) within a system of natural liberty and free enterprise! In the unhampered market economy the “superior men,” the better-off, the elite or the society’s “natural aristocracy,” are drawn into service to the common man. Entrepreneurs become rich because the masses, the “poor,” rush to outbid each other on the products offered to them for sale. If they fail to satisfy the consumers’ wants, they will forfeit their wealth and their vocation as entrepreneurs and be demoted into the rank of laborers. Personal wealth in a free society is thus a consequence of previous success in serving consumers.

[. . .]

Now it is obvious that the variety of goods and services available on DS9 is extremely limited. The personnel seem to be, as one, ascetic workaholics. I’ve never seen any character go shopping. I suppose that these guys are supplied with government-made standard-issue everything. This can’t be a lot of fun, don’t you think? Also, don’t misunderstand me, I love classical music, but is that all that the Federation citizens are allowed to listen to (I am referring to ST: The Next Generation, in particular)? In other words, instead of a highly developed commercial culture expected of a sophisticated multi-planet division of labor, we get almost complete conformity and uniformity. To put it another way, the characters “have no life”; they are totally devoted to the welfare of the “collective,” the collective being, of course, their superior officers. I could never understand why the Federation was so contrasted with the Borg. The Borg are very much like the Federation, only perhaps with slightly less individual freedom. (Maybe the difference is that, unlike the Borg captives, the Federation serfs love the Big Brother.)

October 13, 2009

Just fill in the technobabble later

Filed under: Media — Tags: , , — Nicholas @ 12:41

Charles Stross explains why he isn’t a Star Trek fan:

I have a confession to make: I hate Star Trek.

Let me clarify: when I was young — I’m dating myself here — I quite liked the original TV series. But when the movie-length trailer for ST:TNG first aired in the UK in the late eighties? It was hate on first sight. And since then, it’s also been hate on sight between me and just about every space operatic show on television. ST:Voyager and whatever the space station opera; check. Babylon Five? Ditto. Battlestar Galactica? Didn’t even bother turning on the TV. I hate them all.

I finally found out why:

At his recent keynote speech at the New York Television Festival, former Star Trek writer and creator of the re-imagined Battlestar Galactica Ron Moore revealed the secret formula to writing for Trek.

He described how the writers would just insert “tech” into the scripts whenever they needed to resolve a story or plot line, then they’d have consultants fill in the appropriate words (aka technobabble) later.

“It became the solution to so many plot lines and so many stories,” Moore said. “It was so mechanical that we had science consultants who would just come up with the words for us and we’d just write ‘tech’ in the script. You know, Picard would say ‘Commander La Forge, tech the tech to the warp drive.’ I’m serious. If you look at those scripts, you’ll see that.”

August 27, 2009

Now it’s Star Trek‘s turn

Filed under: Humour, Media — Tags: , , — Nicholas @ 15:59

John Scalzi returns to the well of nerd bile (see last week’s geek-disturbing here), this time he’s aiming at Star Trek:

Me: Star Wars design is so bad that people have to come up with elaborate and contrived rationales to explain it.

Star Wars Fanboy: YOU ARE SO VERY WRONG AND I WILL SHOW YOU WHY WITH THESE ELABORATE AND CONTRIVED RATIONALES.

It’s a little much to hope for (or fear) the same result two weeks in a row, but nevertheless I promised everyone I’d point and laugh at Star Trek design, so here we go. I’ll confine myself to things in the movies. There are eleven of those, so it’s not like this will be a problem.

V’Ger
In Star Trek: The Motion Picture, a Voyager space probe gets sucked into a black hole and survives (GAAAAH), and is discovered by denizens of a machine planet who think the logical thing to do is to take a bus-size machine with the processing power of a couple of Speak and Spells and upgrade it to a spaceship the size of small moon, wrap that in an energy field the size of a solar system, and then send it merrily on its way. This is like you assisting a brain-damaged raccoon trapped on a suburban traffic island by giving him Ecuador.

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