Nigel Biggar on the Yasukuni-jinja in the Imperial Gardens in Toyko, where the Japanese shrine to their war dead also celebrates fourteen convicted WW2 war criminals:
If ever you find yourself in the centre of Tokyo, make your way to the north-west corner of the Imperial Gardens, and turn left. A few minutes will bring you to the Yasukuni-jinja, Japan’s most controversial site. This is the national shrine to the war-dead, whose two and half million resident “glorious souls” include fourteen Class A war criminals.
A hundred yards to the right of the main shrine stands a museum, the Yushukan. Upon entering it, a visitor finds himself immediately face to face with a locomotive.
Now, when an Anglo-Saxon puts together Japan, Second World War, and locomotive, he arrives at one thing only: the “Burma Railway”. This is the railway that was hacked through the Burmese jungle partly by Allied prisoners-of-war, who were treated as slave labour and perished in their thousands. Over 12,000 Westerners died — about one in five — alongside perhaps 90,000 Asians.
So our Anglo-Saxon visitor beholds the locomotive with a mixture of disbelief, rising horror, and curiosity. He approaches the machine, looking for an explanatory text. Finding it, he learns that this locomotive is one of ninety that ran along the Burma Railway. He also learns the name of the military unit responsible for the railway’s construction. But of the Allied prisoners, the slave-labour, and the number of their deaths he learns nothing at all.
The Burma Railway wasn’t Auschwitz, either in genocidal intent or in murderous scale. But it was similar in its cruel contempt for human life. So the experience of confronting this Tokyo locomotive is analogous to stepping into a museum in Berlin and being confronted by one of the trains that shipped Jews to Auschwitz, and then reading an explanation that omits any mention of its cargo or the nature of its destination. If there were such a museum in Berlin, I’d have found it.
When our Anglo-Saxon ventures deeper into the Yushukan, he eventually discovers the exhibition on the 1930s and World War Two in the Far East. And here he learns that Japan’s imperial expansion was in fact a war of liberation, waged on behalf of subjugated Asian peoples, against Western colonial domination. And he learns that, even though Japan lost the war militarily, she won it politically, since the example of her early victories over the French in Vietnam, the Americans at Pearl Harbor, and the British at Singapore helped to inspire anti-colonial movements worldwide and so succeeded in ridding the world of European empires.
He also learns that what is known outside Japan as “the Rape of Nanking” (1937-8) is referred to demurely in the museum as “the Chinese incident”. And that whereas the “Rape of Nanking” is reckoned to have involved the indiscriminate massacre by Japanese troops of about 300,000 Chinese civilians, “the Chinese incident” only involved the severe treatment of Chinese troops who had violated the laws of war by disguising themselves in civilian clothes.






