Felix Cohen has an interesting article up at the Guardian‘s “Comment is free” section:
When I was originally sent some quotes from Pete Townshend’s John Peel lecture on Apple — which he refers to as a digital vampire — and music piracy, I was ready to fundamentally disagree with the thrust of his argument, but having taken the time to read it and parse it I’m surprised at how much sense there is. Regrettably, though, he also commits some fairly serious and unforgiveable misunderstandings of Apple and Amazon as companies, the internet and, perhaps least forgivable, the nature of creativity and the auteur as arbiter of what’s acceptable for public consumption.
[. . .]
Because I also believe that the commercial success you and your peers achieved was a brief, Burgess Shale-like period in popular culture, where the dearth of real social recommendation meant that people like John Peel, and now, sadly, Simon Cowell, imposed their tastes on swaths of youth. Peel (Cowell considerably less so) was an amazing, charismatic, much missed man who was able to tap into the zeitgeist and promote acts who wouldn’t have a chance without him. But he had his tastes and dislikes like anyone, and that’s the downfall of auteur theory; you don’t get to see outside of someone else’s perspective.
[. . .]
And, like the creatures in the Burgess Shale, we can look back and say: this brief flowering of bizarre and fantastical cultural expression was only made possible by its environment. This was what popular culture looked like when the only people who could make a real living were the top 0.0001%, while everyone else toiled in garages, college music rooms and village halls, trying everything in their power to break through. And, sadly, it ended up anodyne, populist and, well, The X Factor.
[. . .]
I’m not sorry that the period where you were able to be wined and dined by vast, terrifyingly wasteful record labels because you were paying for all of their A&R failures is over. To return to my prehistoric metaphor, the Cambrian period ended with a mass extinction event, but the period that followed allowed for the establishment of the species we see today. We should hope that creative popular culture follows a similar pattern, and that new artists and musicians will be able to be successful, widely heard, nurtured by crowd-supported services such as PledgeMusic rather than bloated A&R corporations; companies with a more human attitude to what they do and who they are doing it for.
