Quotulatiousness

May 23, 2016

“Kiww the Wabbit” smuggled opera into middle American childhood

Filed under: Media, USA — Tags: , , , — Nicholas @ 03:00

Some actual opera stars admit that their very first exposure to opera music was through Elmer Fudd’s pursuit of Bugs Bunny in “What’s Opera, Doc?”:

Like many other singers and crew staging the 17-hour, four-opera Wagner extravaganza at the Kennedy Center, Ms. Bishop got her first taste of opera from a cartoon rabbit and his speech-impaired nemesis.

“I could sing you the entire cartoon before I knew what opera really was,” says Ms. Bishop, who performs the part of Fricka, wife of Wotan, king of the gods.

The rabbit in question is Bugs Bunny, who, in the 1957 Warner Bros. cartoon “What’s Opera, Doc?” finds himself hunted by Elmer Fudd, in the part of the hero, Siegfried.

“Kiww the wabbit! Kiww the wabbit!” Elmer, in an ill-fitting magic helmet, sings to the urgent strains of Ride of the Valkyries as he jabs his spear into a rabbit hole.

Bugs flees, dons a breast plate and blond braids, climbs atop an obese white horse, and for two minutes and a ballet interlude, fools the smitten Elmer into thinking he is Brünnhilde.

“Oh, Bwünnhilde, you’re so wovewy,” Elmer croons.

“Yes, I know it,” Bugs answers coquettishly. “I can’t help it.”

“Those of us who didn’t freak at the sight of a rabbit in a winged helmet sliding off of the back of a fat horse — we went into opera,” says Ms. Bishop, 49, who grew up in Greenville, S.C.

It’s just one of those cases of art imitating art imitating art. Generations of people in the opera world grew up spending Saturday mornings eating breakfast cereal and watching Bugs Bunny on TV sets tuned with rabbit ears. For many, “What’s Opera, Doc?” was their first glimpse of opera and Wagner. Even if it didn’t exactly inspire their careers, it planted an ear worm that made the music recognizable once they heard the real thing.

May 23, 2012

Review of Savage Continent: Europe in the Aftermath of World War II

Filed under: Europe, Germany, History, Military, Russia, WW2 — Tags: , , — Nicholas @ 10:41

Roger Moorhouse reviews the new book by Keith Lowe for History Today:

It examines Europe in the years immediately after the end of the Second World War, when the guns stopped firing. Yet, as Lowe clearly demonstrates, the absence of war is not the same as an outbreak of peace.

Savage Continent is a grim catalogue of humanity at its lowest ebb. Necessarily pointillist, given its broad scope, it ranges across much of the European continent, portraying a world where civil society and the rule of law were yet to be re-established and where revenge, antisemitism, ethnic cleansing and heightened political sensibilities gave rise to a renewed wave of inter-communal and political violence.

According to Lowe’s account, those immediate postwar years had a thoroughly unedifying air. From the Yugoslav partisans cutting off the noses of their erstwhile opponents, to antisemitic pogroms in Poland, to the massacres of Sudeten Germans in Czechoslovakia, he shows a dystopian continent in which the all-pervasive dehumanisation of the war proved difficult to reverse, provoking a hangover of violence that would last, in some places, into the 1950s.

Alongside the now rather well-documented episodes of brutality from the period, such as the Communist takeover of Eastern Europe, or the expulsion of the German populations from the same region, Lowe does well to uncover some lesser-known examples of man’s postwar inhumanity to his fellow man. The story of the Lithuanian ‘Forest Brothers’, for instance, and their brave, futile resistance to the imposition of Soviet rule, is one that deserves to be much wider known and is outlined well. Similarly the ethnic cleansing of Ukrainians in postwar Poland is rightly placed alongside better-known events, such as the Kielce pogrom and the Vertreibung (expulsion) of the Germans.

I just started reading Postwar: A History of Europe Since 1945 by Tony Judt, and he covers much of the same period of history as Lowe in the first part of his book. I’m moderately well-read on World War II, but the amount of violence and human misery in Europe for more than a decade after the war was “over” is indeed an under-covered and misunderstood aspect of that turbulent period.

Western European countries (France, Belgium, the Netherlands, Norway, and even western Germany) recovered faster in all senses because the Nazi occupiers did much less damage to the social structures in those countries. It’s rather eye-opening to find how few Nazi officials were needed to oversee the local governments in those countries: 800 in Norway, and only 1,500 in France (plus 6,000 military and civil police auxiliaries). Local governments continued to operate pretty much as they had before the war, under the control of a tiny group of German overseers. Economic demands meant the local industries were harnessed to the Nazi war effort (but largely kept under the control of their original owners).

Central and eastern European countries suffered far more disruption as the Nazi racial “logic” did not allow local governments the same relative lack of interference the western local governments got. Local industry was more frequently nationalized and run by German managers directly, not working through the original owners, and local labour was more readily drafted to work in Germany. And unlike in the west, the experiences of newly “liberated” countries in the east often started with a fresh purge of local governments, business owners, and middle class professionals.

What we’d now call “ethnic cleansing” was a frequent second act after the Soviet armies moved in: ethnic Germans were expelled, ethnic Slavs were moved into the cleared areas. Jews, Gypsies, and other groups that suffered terribly under the Nazis did not necessarily see much improvement under the Soviets. Former resistance fighters were hunted down and eliminated (except for those belonging to identified Communist movements … and not even that was guaranteed protection).

Under the circumstances, it may well be nothing short of a secular miracle that Europe recovered economically and socially so soon after the war and the post-war convulsions.

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