Quotulatiousness

December 22, 2024

Canada’s founding peoples

Filed under: Britain, Cancon, History, USA — Tags: , , , , , — Nicholas @ 05:00

Fortissax contrasts Canadians and Americans ethnically, culturally, and historically. Here he discusses Anglo-Canadians and French-Canadians:

The arms of Canada include those of England, Scotland, Ireland and France in that order.

To understand Canada, you must first understand its foundations.

Canada is a breakaway society from the United States, like the United States was a breakaway society from the British Empire. You might even argue that Britain represented a thesis, America an antithesis, and Canada the synthesis.

Anglo-Canadians

Anglo-Canadians are descendants of the Loyalists from the American Revolution. They were North Americans, not British transplants, as depicted in American propaganda like Mel Gibson’s The Patriot. They shared the same pioneering and independent spirit as their Patriot counterparts. All were English “Yeoman” or free men. American history from the Mayflower to 1776 is also Canadian history. It is why both nations share Thanksgiving. Some historians have identified the American Revolution as an English civil war, and this is a fairly accurate assessment.

The United States’ founding philosophy was rooted in liberalism; it is a proposition nation based on creed over blood, shaped by Enlightenment thinkers like Edmund Burke and John Locke, now considered “conservative”. American revolutionaries embraced ideals of meritocracy, individualism, property rights, capitalism, free enterprise, republicanism, and democracy, which empowered the emerging middle class.

Anglo-Canada’s founding philosophy is British Toryism, emerging as a traditionalist and reactionary force in direct response to the American Revolution. During the revolution, many Loyalists had their private property seized or redistributed, suffered beatings in the streets, and in the worst cases, faced public executions or the infamous punishment of tar and feathering. Canadian philosopher George Grant, who is considered the father of Anglo-Canadian nationalism, traced their roots to Elizabethan-era Anglican theologian Richard Hooker.

Canada’s motto, Peace, Order, and Good Government (POGG), reflects a philosophy in stark contrast to the American ideal of life, liberty, and the pursuit of happiness. Anglo-Canadians valued God, King, and Country, emphasizing public morality, the common good, and Tory virtues like noblesse oblige — the expectation and obligation of elites to act benevolently within an organic hierarchy. While liberty was important, it was never to come at the expense of order. Canadian conservatism before the 1960s was not a variation of liberalism, as in the U.S., but a much older, European, and genuinely traditional ideology focused on community, public order, self-restraint, and loyalty to the state — values embedded in Canada’s founding documents.

Section 91 of the Constitution Act, 1867, empowers Parliament to legislate for the “peace, order, and good government” of Canada, giving rise to Crown corporations like Ontario Hydro, the CBC, and Canadian National Railway — state-owned enterprises. Canada’s tradition of mixed economic policies is often misunderstood by Americans as socialism, communism, or totalitarianism. These state-owned enterprises have historical precedents, such as state-controlled factories during Europe’s industrial revolution, often run by landed nobility. Going further back, state-owned mines in ancient Athens and Roman Empire granaries also exemplify this model, which cannot be simplistically labeled as “Islamofascist communism” — a mischaracterization of anything not aligned with liberalism by many Americans, and increasingly many populist Canadians.

It is also a lesser-known historical fact that Canada was almost ennobled into a kingdom rather than a dominion. This idea was suggested by Thomas D’Arcy McGee, a prominent Irish-Canadian politician, journalist, and one of the Fathers of Confederation. Deeply involved in the creation of Canada as a nation, McGee proposed in the 1860s that Canada could be formed as a monarchy with a hereditary nobility, possibly with a viceroyal king, likely a son of Queen Victoria and Prince Albert. He believed this would provide stability and continuity to the fledgling nation. While this idea was not realized, its influence can be seen in the entrenched elites of Canada, who, in a sense, became an unofficial aristocracy.

An element of Canada’s conservative origins can also be found in its use of traditional British and French heraldry. Every province, for example, has a medieval-style coat of arms, often displayed on its flag, which reinforces this connection to the old-world traditions McGee sought to preserve.

McGee’s vision was rooted in his belief in the importance of monarchical institutions and his desire to strengthen Canada’s bond with the British Crown while fostering a distinct Canadian identity. He argued that ennobling Canada would give the country legitimacy and elevate it in the eyes of Europe and the wider world.

French-Canadians

French Canada, with Quebec as its largest and most influential component, has a distinct history shaped by its French colonial roots. Quebec was primarily settled by French colonists, and its unique culture and identity have evolved over the centuries, heavily influenced by Catholicism and monarchical traditions.

The Jesuits and other Catholic organizations played a pivotal role in shaping early French Canadian society. They not only spread Christianity but also laid the foundation for Quebec’s social and cultural identity. The Jesuits, part of the Society of Jesus, were among the first Catholic missionaries to arrive in New France. Invited by Samuel de Champlain, the founder of Quebec, in 1611, they helped convert Indigenous populations to Catholicism but often remained separate from them. By 1625, they had established missions among various Indigenous nations, including the Huron, Algonquin, and Iroquois.

Unlike France, Quebec bypassed the upheavals of the French Revolution and the Reign of Terror. Isolated from the homeland, the Catholic Church in Quebec consolidated its power, and French colonists faced the threat of extinction due to their initially low numbers, particularly during the one-hundred-year war with the Iroquois. This struggle only strengthened their resolve. Over time, this foundation gave rise to Clerico-Nationalism, particularly exemplified by figures like Abbé Lionel Groulx, a theocratic monarchist and ultramontanist influenced by anti-liberal Catholic nationalist movements in France. Groulx and his contemporaries emphasized loyalty to the Pope over secular governments, and their influence was so strong that the Union Nationale government of Maurice Duplessis embodied many of their beliefs.

Attempts to secularize education in the 1860s were thwarted, as the Catholic theocracy shut them down and restored control to the Church. Quebec remained a theocracy well into the 20th century, with the Catholic Church controlling public schooling and provincial healthcare until the 1960s. For much of its history, Quebecois culture saw itself as the last bastion of the traditionalist, Catholic, monarchist Ancien Régime of the fallen Bourbon monarchy. Liberal republicanism and the French Revolution were regarded as abominations, and French-Canadians believed they were the true French.

This mindset persists today, especially regarding Quebecois French. The 400-year-old dialect, rooted in Norman French and royal court French, is still regarded by many French-Canadians as “true French”. However, Europeans often deny this claim, pointing out the influence of anglicisms and the use of joual, a working-class dialect that was deliberately encouraged by Marxist intellectuals and separatists during the Quiet Revolution of the 1960s to proletarianize the population.

Tanks Prepare for Battle! The Greatest Ever? Prokhorovka Part 2

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 21 Dec 2024

In the early hours of July 12, 1943, the Waffen SS and the Red Army are ready for battle. SS General Paul Hausser has his armoured spearheads ready to strike at Prokhorovka while Soviet commander Pavel Rotmistrov’s 5th Guards Tank Army readies his counterattack. Today, Indy walks you through the enormous armoured fleets deployed for the coming fight.
(more…)

“It’s a major award!”

Filed under: Cancon, Humour, Media — Tags: , — Nicholas @ 03:00

We’ve been fans of the movie A Christmas Story for many years, but I hadn’t heard this particular detail from winery owner Martin Malivoire’s end-of-year newsletter:

The Legacy of the Lamp!

As you may already know, in the years before I put my name on a winery, my profession was related to the motion picture industry.

In a pursuit spanning forty years, I collaborated with many great people. Few were as rewarding to work with as the late Bob Clark.

He was a seasoned and visionary film director, and it was at Bob’s suggestion that I undertook an unlikely project, one whose memory became the most enduring of my pre-winery career: the leg lamp made famous by the holiday film, A Christmas Story.

Why do I say “unlikely”? My expertise was in Special Effects, which I designed and executed for motion pictures, television and stage. Frequently these were loud and dramatic; I engineered fires, explosions, crashes and the like. Prop-making was a little outside my usual practice, but I happily agreed to build this one for my friend.

With a jolly demeanor and a sly smile, Bob handed me a napkin, bearing a sketch of a flamboyant light fixture. The rest is history.

A suitably proportioned young woman was hastily recruited to model for a leg mold, which was no small task, as it required immersing her entire leg, from big toe to navel, in quick-setting plaster.

From the mold, we cast a series of translucent plastic lamps. Each had to be individually crafted to the specific requirements of a scene and uniquely, meticulously illuminated by our Director of Photography. Accordingly, not one of the fixtures was a complete, C.S.A. anointed, “plug-in, switch-on”, and as Ralphie reminisces, “bask in the soft glow of electric sex” lamp.

Nonetheless, the illusion was a success. The presence of the lamp brought elements of levity, the ridiculous, fantasy and nostalgia to the film, magnified by the Director himself. Bob, as narrator, gave his own warm voice to Ralphie’s childhood memories, and made them ours.

When production wrapped, the lamps had nowhere to go. I stored them in Toronto, and for years they adorned the windows of my studio. However, the film company still owned them and when I was told to dispose of these props, I complied, leaving nothing behind.

As movies go, A Christmas Story was what we call “a sleeper”. It drew modestly on release, but grew in popularity year after year, to join the ranks of modern Christmas Classics.

We did not foresee this, nor did we foresee that of all the images generated by this now-iconic movie, the leg lamp would become its most-remembered, most-cherished, and most-copied Christmas symbol, launching a huge industry of luminous celebrations and decorative reproductions.

If we had known … well, I’m certain I’m not the only one who would have rushed back to rescue those fishnet stocking-clad plastic leg lamps from a Cherry Street dumpster.

No, I do not receive any royalties, but it gives me pleasure to see how many folks today own a modern copy of our original creation.

If you’re among them, may it light this Christmas and many more to come … and if you don’t have a leg lamp of your own, I hope that by sharing this story I’ve left you with a smile.

Chocolate Bark – Holiday Gift Idea – Food Wishes

Filed under: Food — Tags: , , — Nicholas @ 02:00

Food Wishes
Published 15 Dec 2017

Learn how to make Chocolate Bark! This easy recipe is perfect for enjoying yourself, or to use as an edible holiday gift. Visit https://foodwishes.blogspot.com/2017/… for the ingredients, more information, and many, many more video recipes. I hope you enjoy this Chocolate Bark recipe!

In addition to sharing an easy, and beautiful edible holiday gift idea, I wanted to make this chocolate bark so I could test a simplified technique for tempering chocolate without a thermometer. It sounded too good to be true, but worked fairly well, which is the problem. Is fairly good, okay?

Properly tempered chocolate will snap when broken, and retain that gorgeous glossy sheen. Poorly tempered chocolate is sort of dull grey, and the texture is soft, and waxy. This was somewhere in the middle.

Using this method, you will get close to properly tempered chocolate, and you might get lucky, and actually end up with perfectly tempered chocolate, but in hindsight, since using a thermometer isn’t really hard, and the extra steps required not that strenuous, I’ll probably just do it the right way next time.

QotD: “Sparta Is Terrible and You Are Terrible for Liking Sparta”

Filed under: Education, Europe, Greece, History, Quotations — Tags: , , , — Nicholas @ 01:00

This. Isn’t. Sparta.” is, by view count, my second most read series (after the Siege of Gondor series); WordPress counts the whole series with just over 415,000 page views as I write this, with the most popular part (outside of the first one; first posts in a series always have the most views) being the one on Spartan Equality followed by Spartan Ends (on Spartan strategic failure). The least popular is actually the fifth part on Spartan Government, which doesn’t bother me overmuch as that post was the one most narrowly focused on the spartiates (though I think it also may be the most Hodkinsonian post of the bunch, we’ll come back to that in a moment) and if one draws anything out of my approach it must be that I don’t think we should be narrowly focused on the spartiates.

In the immediate moment of August, 2019 I opted to write the series – as I note at the beginning – in response to two dueling articles in TNR and a subsequent (now lost to the ages and only imperfectly preserved by WordPress’ tweet embedding function) Twitter debate between Nick Burns (the author of the pro-Sparta side of that duel) and myself. In practice however the basic shape of this critique had been brewing for a lot longer; it formed out of my own frustrations with seeing how Sparta was frequently taught to undergraduates: students tended to be given Plutarch’s Life of Lycurgus (or had it described to them) with very little in the way of useful apparatus to either question his statements or – perhaps more importantly – extrapolate out the necessary conclusions if those statements were accepted. Students tended to walk away with a hazy, utopian feel about Sparta, rather than anything that resembled either of the two main scholarly “camps” about the polis (which we’ll return to in a moment).

That hazy vision in turn was continually reflected and reified in the popular image of Sparta – precisely the version of Sparta that Nick Burns was mobilizing in his essay. That’s no surprise, as the Sparta of the undergraduate material becomes what is taught when those undergrads become high school teachers, which in turn becomes the Sparta that shows up in the works of Frank Miller, Steven Pressfield and Zack Snyder. It is a reading of the sources that is at once both gullible and incomplete, accepting all of the praise without for a moment thinking about the implications; for the sake of simplicity I’m going to refer to this vision of Sparta subsequently as the “Pressfield camp”, after Steven Pressfield, the author of Gates of Fire (1998). It has always been striking to me that for everything we are told about Spartan values and society, the actual spartiates would have despised nearly all of their boosters with sole exception of the praise they got from southern enslaver-planter aristocrats in the pre-Civil War United States. If there is one thing I wish I had emphasized more in “This. Isn’t. Sparta.” it would have been to tell the average “Sparta bro” that the Spartans would have held him in contempt.

And so for years I regularly joked with colleagues that I needed to make a syllabus for a course simply entitled, “Sparta Is Terrible and You Are Terrible for Liking Sparta”. Consequently the TNR essays galvanized an effort to lay out what in my head I had framed as “The Indictment Against Sparta”. The series was thus intended to be set against the general public hagiography of Sparta and its intended audience was what I’ve heard termed the “Sparta Bro” – the person for whom the Spartans represent a positive example (indeed, often the pinnacle) of masculine achievement, often explicitly connected to roles in law enforcement, military service and physical fitness (the regularity with which that last thing is included is striking and suggests to me the profound unseriousness of the argument). It was, of course, not intended to make a meaningful contribution to debates within the scholarship on Sparta; that’s been going on a long time, the questions by now are very technical and so all I was doing was selecting the answers I find most persuasive from the last several decades of it (evidently I am willing to draw somewhat further back than some). In that light, I think the series holds up fairly well, though there are some critiques I want to address.

One thing I will say, not that this critique has ever been made, but had I known that fellow UNC-alum Sarah E. Bond had written a very good essay for Eidolon entitled “This is Not Sparta: Why the Modern Romance With Sparta is a Bad One” (2018), I would have tried to come up with a different title for the series to avoid how uncomfortably close I think the two titles land to each other. I might have gone back to my first draft title of “The Indictment Against Sparta” though I suspect the gravitational pull that led to Bond’s title would have pulled in mine as well. In any case, Sarah’s essay takes a different route than mine (with more focus on reception) and is well worth reading.

Bret Devereaux, “Collections: This. Isn’t. Sparta. Retrospective”, A Collection of Unmitigated Pedantry, 2022-08-19.

Powered by WordPress