Stoics were thoroughgoing materialists. Even the soul, the life-force, whatever you want to call it (their term was pneuma), was conceived of as a physical thing: Elemental fire. (This is another reason I wanted to start with Stoicism. You can build a fine life, and a strong community of men, with, say, Ignatius of Loyola, but since this is the Postmodern world anything overtly religious will turn off the very people who need it most. Stoicism is tailor-made for modern “atheists” (just don’t tell Marcus himself that)).
Like all materialists, then, Stoics had a real problem with things like beauty. If you’re a materialist, Beauty is either a refutation of your theory, or a tautology (“certain arrangements of atoms produce chemical reactions that our brains interpret as pleasant” is just a fancy way of saying “beautiful things are beautiful because they’re beautiful”). Back in grad school, in one of the deepest, darkest, most dungeon-like corners of the university’s book morgue, I discovered Ayn Rand’s attempt at an Objectivist aesthetics. Her conclusion, stripped of her inimitable self-congratulatory prose, is here:
At the base of her argument, Rand asserts that one cannot create art without infusing a given work with one’s own value judgments and personal philosophy. Even if the artist attempts to withhold moral overtones, the work becomes tinged with a deterministic or naturalistic message. The next logical step of Rand’s argument is that the audience of any particular work cannot help but come away with some sense of a philosophical message, colored by his or her own personal values, ingrained into their psyche by whatever degree of emotional impact the work holds for them.
Rand goes on to divide artistic endeavors into “valid” and “invalid” forms …
In other words, there’s no art, only propaganda. Looks like ol’ Marcus really missed a trick, statecraft-wise, doesn’t it?
Severian, “On Fine Writing Etc.”, Everyday Stoicism, 2020-05-04.
March 7, 2023
QotD: The Stoic view of beauty
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