World War Two
Published 17 Nov 2022Hitler forces Himmler to betray his promise of independence for the Baltic states, despite giving the Waffen-SS 40,000 of their young men. Ion Antonescu of Romania decides to save the remaining Romanian Jews to save his own ass.
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Between 2 Wars: https://www.youtube.com/playlist?list…Source list: http://bit.ly/WW2sources
Archive footage: Screenocean/Reuters – https://www.screenocean.com
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Marek Kamiński
Community Management: Ian Sowden
Written by: Spartacus Olsson & Joram Appel
Research by: Joram Appel
Edited by: Karolina Dołęga
Artwork and color grading by: Mikołaj Uchman
Sound design by: Marek Kamiński
Colorizations by:
Mikołaj Uchman
Spartacus Olsson
Daniel Weiss
Dememorabilia – https://www.instagram.com/dememorabilia/
Norman Stewart – https://oldtimesincolor.blogspot.com/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.manImage sources:
Yad Vashem: 4613/525, 951, 90EO3, R4613/1094, 4086/2
Imperial War Museums: C 3921, TR 1093
Bundesarchiv
National Archives Nara
Narodowe Archiwum Cyfrowe
Picture of the HASAG – Pelcery labor camp sourced at United States Holocaust Memorial Museum, courtesy of Lola TanzerSoundtracks from Epidemic Sound:
“Break Free” – Fabien Tell
“Document This 1” – Peter Sandberg
“Dragon King” – Jo Wandrini
“First Responders” – Skrya
“Guilty Shadows 4” – Andreas Jamsheree
“Last Point of Safe Return” – Fabien Tell
“March Of The Brave 10” – Rannar Sillard
“Never Forget” – Fabien Tell
“Not Safe Yet” – Gunnar Johnsen
“Rememberance” – Fabien Tell
“Spy Game” – Jon SumnerA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 hours ago (edited)
I’ve gotten the question how we get such exact numbers, and information about some of the single events of the Holocaust. In this episode the buried manuscripts of Auschwitz give us a glimpse into the hard, meticulous work that has gone into that research by thousands of people in the past nine decades. Millions, literally millions of pieces of information have been compiled, researched, and cross referenced to get as close to the truth as we possibly can.The sources are a compilation of the surviving German records, captured intelligence from the war, testimonies, cross referenced records from occupied countries — like tax records and death certificates, forensic findings from the sites, and much more. The findings have been compiled into databases, reference works, articles, and books ever since the investigations began already during the war. For instance; for Auschwitz there is a “bible” that contains all the data that exists day by day: the Chronicle of Auschwitz 1939-1945, by Danuta Czech, the late deputy director of the Auschwitz museum. She spent two decades tracking down every number she could. It’s one of the major reference works that all of us who research in this field use.
This effort continues, and we improve our collective understanding of the events a little bit more every year — it’s literally detective work, researching the biggest mass murder in known human history. Our part in that is to present as much of that as we can to a wider audience. Even at that surface level it means going through an immense amount of disparate information about millions of lost souls — and while that is excruciating and heart wrenching, that is also why it’s so important; documenting their deaths, every death, means that their memory is preserved, and honored. It means that the perpetrators ultimately fail in their goal to eradicate the identity of their victims.
Never Forget
Spartacus
