World War Two
Published 21 Aug 2022The aerial bombing of Germany takes a new turn but continues to fail to bring long-term results. In occupied Greece and Poland, over a thousand children are murdered by the Nazis.
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Archive footage: Screenocean/Reuters – https://www.screenocean.com
Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Marek Kamiński
Community Management: Ian Sowden
Written by: Spartacus Olsson, Joram Appel
Research by: Joram Appel
Edited by: Karolina Dołęga
Artwork and color grading by: Mikołaj Uchman
Sound design by: Marek Kamiński
Colorizations by: Mikołaj Uchman, Daniel Weiss, Spartacus OlssonImage sources:
Imperial War Museums: FRE 7872, FRE 7734, FRE 4772, FRE 4896, FRE 7716, S15 34, C 3750, C 3747, MH 4728, TR 1093
Yad Vashem: 2CO1, 14202799, 14234246
Bundesarchiv
National Archives NARASoundtracks from Epidemic Sound:
“Force Matrix” – Jon Bjork
“Guilty Shadows 4” – Andreas Jamsheree
“Last Point of Safe Return” – Fabien Tell
“Never Forget” – Fabien Tell
“Not Safe Yet” – Gunnar Johnsen
“Ominous” – Philip Ayers
“Please Hear Me Out STEMS INSTRUMENTS” – Philip Ayers
“Potential Redemption” – Max Anson
“Rememberance” – Fabien Tell
“Symphony of the Cold-Blooded” – Christian Andersen
“Weapon of Choice” – Fabien TellA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago (edited)Join the TimeGhost Army: https://bit.ly/WAH_074_PI
I really struggled with the closing of this episode. I gave it several tries, wrote at least three versions that I threw in the proverbial dustbin. I mean what do you say about killing little kids? Somehow it defies commentary. Finally at two in the morning I gave in to what was going through my mind, and what I felt in my heart — all those days of lives that will never happen. It’s tricky to end that way, to transition over the break from documentary prose to more poetic language is always hard. A proper poem needs much more work than I have at hand. Still, when reading it back the next morning, I felt it was the only thing that I could do here … make an account of their loss, of our loss as humanity. Futures unfulfilled that we miss every day without knowing it ourselves.
