When the rage of downtrodden French peasants, living-on-the-edge city dwellers and frustrated bourgeois towards the ruling nobles and royalty final exploded into a kind of civic wildfire, there was no appeasing their collective anger. A handful of wary and fleet-footed aristocrats, or those who had made a good living out of serving the royals and the nobility fled from France in all directions. The slow and unwary made a humiliating appointment with Madame Guillotine before a contemptuous and jeering crowd, if they had not already run afoul of a mob with pikes and knives, and ropes at the foot of civic lampposts. (The fury of the French Revolution flamed so furiously that it that eventually it burned a good few leading revolutionaries themselves. As the Royalist pamphleteer Jacques Mallet Du Pan remarked pithily, “Like Saturn, the Revolution devours its children.”) For a long time, my sympathies as regards parties in the French Revolution tended to be with those who fell out with it, sympathies formed by popular literature and music: The Scarlett Pimpernel, A Tale of Two Cities, Dialogues of the Carmelites, and other tales which basically tut-tutted the madness which overcame all reason and discretion, and championed those who had the brunt of it fall on them, either justly or not. How fortunate that our own very dear revolution had been able to escape such conflagrations: Loyalists in the colonies might have suffered being tarred and feathered and ridden out of town or having to leave in an undignified rush when Yankee Doodle went to town and made their independence stick. But the jailhouse regrets of those who called up and inflamed that conflagration, even inadvertently is not my concern here.
Sgt. Mom, “Aristos a la Lanterne!”, Chicago Boyz, 2022-03-17.
