“A good song should make you wanna tap your feet and get with your girl. A great song should destroy cops and set fire to the suburbs. I’m only interested in writing great songs.”
So says Tom Morello, guitarist for the Los Angeles-based band Rage Against the Machine. He and his bandmates are not simply against cops and the suburbs, of course. They also stand for the Zapatistas and the Shining Path, for freeing Mumia Abu-Jamal and Leonard Peltier, for giving California back to Mexico, and for destroying stores where rich people like themselves shop.
That’s pretty strong stuff coming from work-for-hire employees of one of the great cogs in the global capitalist machine, the megaconglomerate Sony, which wholly owns and distributes Rage’s music and even is a co-owner of the group’s publishing. Since 1992, Rage has sold nearly 7 million records, and it’s safe to say that nobody has benefitted more from that commerce than the band’s unabashedly capitalist paymaster.
Brian Doherty, “Rage On: The strange politics of millionaire rock stars”, Reason, 2000-10.
August 27, 2021
QotD: Music corporations, musicians, and hypocrisy
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