Quotulatiousness

March 26, 2021

Fifty Families Murdered Every Hour – WW2 – WAH 031 – March 1942, pt. 2

Filed under: Britain, Europe, Germany, History, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 25 Mar 2021

A report on the effect of strategic bombing called the “Dehousing Paper” is spread to justify the targeting of the civilian population of Germany. In Poland, one by one, extermination camps are starting construction. This month, a new one is finished, named Belzec. Here, Jews and other minority undesirables from Poland are gassed.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski, Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Mikołaj Uchman
Daniel Weiss
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/​

Sources:
Yad Vashem 1935/15, 3016/2, 1137/217, 10094/1, A4613/1116, 3518/7,1554/1
IWM ART 15747 12, HU 56848, MH 24747, CL 2377, ME(RAF) 3703, HU 107752, C 2364, C 4748, C 4743, HU 74904
Bundesarchiv
Graphic of Vickers Wellington bomber, courtesy of Emoscopes https://commons.wikimedia.org/wiki/Fi…​
Graphic of Short Stirling bomber, courtesy of Emoscopes https://commons.wikimedia.org/wiki/Fi…​
www.auschwitz.org
www.deathcamps.org
USHMM
Picture of scratches on a wall of a gas chamber at Auschwitz, courtesy of Lasy https://commons.wikimedia.org/wiki/Fi…​
from the Noun Project: Watchtower by Eliricon

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Wendel Scherer – “Growing Doubt”
Peter Sandberg – “Document This 1”
Jon Bjork – “Disposal”
Philip Ayers – “Trapped in a Maze”
Fabien Tell – “Never Forget”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago

On the horrors of crafting this, on age restriction, and on covering Allied war crimes – by Spartacus

All episodes of War Against Humanity are difficult to make, but this was an especially harrowing episode to host. When I wrote the conclusion based on Joram’s initial draft, I was composed — it was an intellectual exercise still. That changed once I started giving the words a voice, and as you can see at the end of the episode I had difficulties keeping my composure — when I was done I cried bitterly. But that is how it is supposed to be — the totality of our creation is what brings it home, together with Joram I compile the knowledge, Miki or Karo put it into images under Wieke’s direction, and within all of that it is my job to express it in spoken language as best as I can.

Yes, it is difficult to make and it is difficult to watch — but we sincerely believe that none of us should look away lest we forget. We take upon ourselves to spend hours every week to sift through the minutiae of these events so that we can compress it into 15 minutes every two weeks. We do it not for money, not for fame, and not out of pleasure, but because it needs to be done so that others can spend less time on it than us and still see this time for what it was. It needs to be done by neither glossing over any events, nor the images as horrible as they are. This has two important purposes:
1. driving home that this really happened and
2. defeating any claims towards that we’re just making this up, or exaggerating.
Within that responsibility it is also our duty to report, without prejudice, on what the Allies did that was against human values and rights in this war. We don’t do that because there is an equivalence between events, or to create such an equivalence — we do it for the exact opposite purpose — to show the complete picture and preempt any calls for “what about the bombing of Germany and Hiroshima!?” We do it because we are dedicated to the facts, and the events must be permitted to speak for themselves.

We’re doing all of this in a time when the horrors of WW2 are ever further away in the rearview mirror, when survey after survey shows that the younger generation have little or no knowledge of how earth-shattering this war was. An indication of a growing educational gap, and in many of the countries where you are watching it has long been decided that reporting on these atrocities is of especial importance. That includes decisions to also expose younger people to the reality of it despite the graphic nature of the content. In most places these images are purposefully excepted from age restrictions that befall content made for entertainment, that is to say they do not fall under an 18+ restriction. They are regulated as PG 16 or the equivalent, in some places even PG13.

It then troubles us deeply that YouTube chooses to go against the decisions made by democratically elected bodies and restrict this content to over 18 only. It troubles us even more when this leads to the inevitable result that our viewership has dropped by 50% since they started doing that. That is a drop far above the share of our viewers that are under age, because with the restriction comes a reduction in recommendation to view — users that are not logged in and age verified don’t get notified — the content can no longer be embedded on external sites — in some countries it is blocked entirely, regardless of your age — and all of that further decreases the value of the video in YouTube’s algorithms. The result is that the War Against Humanity videos are now an echo chamber where we only reach those that already know the content.

We have spoken to YouTube to remedy this fault, but we have had no success thus far. As a result we have decided to start making a censored version of the videos that we will upload if or when they get age restricted. We already upload all of our content to https://odysee.com/@WorldWarTwo:6 but that is not a place where anyone will find our content by chance. On that note we should point out that the videos only get age-restricted because they are reported to YouTube by the community as inappropriate, offensive, or false. We take umbrage at that, because in effect this means that YouTube is helping those who would like these events to be forgotten, or even deny that they ever happened. It’s a pity; even morally wrong in my viewpoint. It leaves me despondent and the last weeks have been extraordinarily difficult for me — I have questioned my purposes and wondered why I put myself and our team through all of this, if all we’re doing is preaching to the choir. At first it left me sad, but after YouTube’s glib, bureaucratic responses I got depressed. I considered throwing in the towel, but then I would be nothing else than a coward refusing to stand for those who no longer have a voice. So, I will continue, I will resist, and we will fight against anyone that tries to silence us and the dead — because we must not look away, we must never forget.

Spartacus

It is only because of the TimeGhost Army that we can go forward in this battle — join us at https://www.patreon.com/TimeGhostHistory or at Timeghost.tv

When the science becomes problematic to the narrative

Filed under: Health, Media, Politics, Science, USA — Tags: , , , , — Nicholas @ 03:00

Alexander Riley looks at a few of those awkward points where actual “scientific” science conficts with the deeply held beliefs of the “I heart SCIENCE!” community:

… human and nature cannot so easily be pried apart. The evidence of the biological reality of the sex difference — not just in gonads and sex cells, but in personality characteristics and behavioral profiles, on average — is overwhelming, and science is daily producing more. Male and female brains are structurally different in ways that map on to the emerging neuroscientific knowledge on how brain structure affects behavior and capabilities. The feminist claim that these differences are wholly a product of socialization becomes more implausible the more we know. In societies where egalitarian gender ideology is arguably most widespread, such as in Northern Europe, there has been no disappearance of traditional sex differences in choices concerning careers. Men are still overrepresented in fields that focus on systems and objects, and women are still the overwhelming majority in fields dedicated to extensive human interaction and social services.

The radical spirit of ’90s feminism represented by [author Judith Butler’s] Gender Trouble did not stop at “deconstructing” gender in the effort to move toward a world in which gender roles are divorced from biological sex. Sex too had to be subjected to such “problematization.” Radicals used the writing of Anne Fausto-Sterling, a biologist who admitted her work was fundamentally shaped by her “1960s street-activist heart,” to suggest that the sex binary was also an oversimplified social construction. Fausto-Sterling insisted there are at least five sexes: males, females, “true hermaphrodites” with one testis and one ovary, male pseudohermaphrodites with testes and “some aspects of female genitalia” but no ovaries, and female pseudohermaphrodites with ovaries and “some aspects of male genitalia” but no testes. Perhaps, she asserted, several of every hundred people might be in one of the three intersex categories, with — the clincher — an “infinitely malleable continuum” between them.

It was quickly pointed out that Fausto-Sterling had been deceptive in her estimate of the frequency of intersexuality. Leonard Sax, in the Journal of Sex Research, noted that she had counted phenomena such as Klinefelter’s Syndrome (biological males with an extra X chromosome), Turner’s Syndrome (biological females with only one X chromosome), and several other conditions typically not recognized as intersex. One of these alone — late-onset congenital adrenal hyperplasia (LOCAH), which involves the overproduction of adrenal androgens — accounts for 90 percent of Fausto-Sterling’s claimed figure of 1.7 percent of the population that is intersex. But LOCAH is not an intersex phenomenon. Many individuals who have it are never diagnosed because the symptoms are so mild, and all who have it are born with typical male or female genitalia that correspond to the male and female genotypes. Nearly all such individuals go through puberty with the typical sexual development for their genotype, as the condition generally does not manifest in women until the early 20s and in men much later. The true estimate of intersex individuals, Sax argued, is roughly 0.018%, about 100 times lower than Fausto-Sterling’s estimate. That is, more than 99.98% of humans are clearly either male or female in terms of biological sex.

But the attack on “standard sex difference science” was undeterred by this decimation of Fausto-Sterling’s case. In Gender Trouble, Butler criticized the work of an MIT group that had just discovered the region on the Y chromosome responsible for sex differentiation, claiming these scientists ultimately had to invoke cultural symbols of patriarchy to legitimate their explanations. In her view, this betrayed the very notion of an objective science of sex difference. We are always trapped in culture, she wrote, which means we are always trapped in patriarchy. A science of sex is impossible. Radical sex/gender ideology attacked science as male knowledge and elevated female knowledge as superior on the basis that women as a class were treated as inferior. Like blacks and other powerless groups, women — at least, women with a feminist outlook — could critically understand the point of view of men and supplement its lacunae with the fuller vision of the female perspective. Marx made similar claims about the superiority of working-class consciousness, though he did not attempt to cast the very notion of science as a tool of oppression.

The MIT group’s finding that what we now know as the SRY gene determines sex is universally accepted science today, and Butler’s ideological criticism has aged poorly in scientifically literate circles. So has her wild overestimation that perhaps one in ten people is outside the normal sex binary.

Tank Chats #100 | Rolls-Royce Armoured Car | The Tank Museum

Filed under: Britain, History, Military — Tags: , , , — Nicholas @ 02:00

The Tank Museum
Published 6 Nov 2020

The 100th Tank Chat milestone has been reached as the Rolls-Royce Armoured Car turns 100 years old! In this special edition, everybody’s favourite moustachioed tank historian David Fletcher examines his favourite vehicle in The Tank Museum’s collection: the Rolls-Royce Armoured Car, on its 100th birthday.

Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Visit The Tank Museum SHOP & become a Friend: ►tankmuseumshop.org

Twitter: ► https://twitter.com/TankMuseum
Instagram: ► https://www.instagram.com/tankmuseum/
#tankmuseum #tanks

QotD: The Furies

Filed under: Europe, Greece, History, Quotations, Religion — Tags: — Nicholas @ 01:00

In Greek and Roman mythology, the Furies were female spirits of justice and vengeance. They were also called the Erinyes (angry ones). Known especially for pursuing people who had murdered family members, the Furies punished their victims by driving them mad. When not punishing wrongdoers on earth, they lived in the underworld and tortured the damned.

According to some stories, the Furies were sisters born from the blood of Uranus, the primaeval god of the sky, when he was wounded by his son Cronus*. In other stories, they were the children of Nyx (night). In either case, their primaeval origin set them apart from the other deities of the Greek and Roman pantheons.

Most tales mention three Furies: Alecto (endless), Tisiphone (punishment), and Megaera (jealous rage). Usually imagined as monstrous, foul-smelling hags, the sisters had bats’ wings, coal-black skin, and hair entwined with serpents. They carried torches, whips, and cups of venom with which to torment wrongdoers. The Furies could also appear as storm clouds or swarms of insects.

Jay Currie, “Character meets the Furies”, Jay Currie, 2018-10-08.

Powered by WordPress