Andrew Doyle discusses the debate over the culture war in Spiked:
The phrase that probably best characterises the events of 2020 is the “New Normal”. Although it’s typically used to describe our changed circumstances under lockdown, it could just as easily be applied to the way in which we have all grown accustomed to the worst excesses of the social-justice revolution.
News stories that only five years ago would have been dismissed as asinine aberrations now recur with a quotidian certainty. Recent notable examples include: Princeton University confessing to “systemic racism”, leading to an investigation by the Department of Education on the grounds that racism is a violation of civil-rights law; the Royal Academy of Dramatic Arts making a similar admission, thereby emboldening some of its students to produce a 100-page document full of demands so entitled that it would make Veruca Salt blush; and an academic and novelist stating that debate is “an imperialist capitalist white supremacist cis-heteropatriarchal technique that transforms a potential exchange of knowledge into a tool of exclusion and oppression”. Yes, the culture war is the “New Normal”.
Yet with all the evidence before our eyes, certain commentators persist with their view that the culture war is a right-wing myth advanced by those who are resistant to change. “There’s no actual ‘culture war’, is there?”, writes LBC’s James O’Brien: “It’s just a new way of describing disagreements between people who hate racism and discrimination and people who love it.” Then there is the Guardian‘s Owen Jones, who maintains that “a lot of what’s called ‘the culture war’ is just younger people trying to assert their different social and moral values over older generations who run most of the media”. Nesrine Malik has argued that the culture war has been manufactured by the right, although it will not have escaped most people’s attention that the majority of salvos come from the left side of the battlefield.
It’s this kind of gaslighting – to borrow the language of social-justice activists – that we have already seen from writers who insist that “cancel culture” doesn’t exist, in spite of abundant and incontrovertible evidence that it does.
This is because, as Helen Pluckrose and James Lindsay have so clearly outlined in their seminal book Cynical Theories, the ideology of social justice has its origins in postmodernism, a school of thought which favours “lived experience” and multiple “ways of knowing” over objective truth. It doesn’t matter, for instance, that JK Rowling has never said or written anything transphobic — her new novel must be denounced for advancing an anti-trans agenda, even though it contains no actual references to trans people. These activists have apparently taken their cues from Humpty Dumpty in Lewis Carroll’s Through the Looking Glass (1871). “When I use a word”, he says to Alice, “it means just what I choose it to mean – neither more nor less”.
