Andrew Sullivan breathes a sigh of relief that the French government is going to properly restore the fire-damaged cathedral rather than — shudder — re-imagine it:
A small note of hope. The fiery destruction of the Notre-Dame Cathedral in Paris was one of the more searing occasions for acute depression these past couple of years, and it was not without some stiff competition. Yes, it’s just a building and not a human being. But it is also far more than a building. It’s a reminder to me of what the faith of Europe was once capable of; of a civilization proud, rather than ashamed, of itself; and of a lost world when beauty itself was a virtue and connected to a view of the whole of creation that made sense and provided hope and meaning.
Much of that has disappeared, of course, which is why the physical remains of a previous civilization are so precious. And so I was terrified, to be honest, that our own aesthetically squalid and spiritually devoid ideas of what architecture should be might ruin the rebuilding. And when you take a look at some of the original wackier proposed designs — you can see models for seven modernist monstrosities in this Architectural Digest compilation here — you can see what I was worried about. One tops the cathedral with a greenhouse; another with a swimming pool. One hideous version has the entire roof and new spire made out of stained glass; another re-creates a ball of fire in metallic form. Norman Foster’s design turned the place into a huge greenhouse, or as one Twitter wag put it, like “a conference center in Essex.” This was all because Macron himself hinted that he preferred a “contemporary architectural gesture.”
Mercifully, the chief architect put in charge of the restoration, Philippe Villeneuve, had some strong feelings on the matter. He wanted the original restored in its entirety, period. When I say “strong feelings,” I refer to the following statement he made on television last year: “I will restore it identically, and it will be me, or they will build a modern spire, and it won’t be me.” When President Macron’s somewhat more ambitious adviser on the project, General Jean-Louis Georgelin, testified on the matter to the National Assembly’s cultural-affairs committee, sparks flew when Villeneuve’s statement was brought up. Georgelin said: “The matter will be solved in a serene manner, and on time. I have already explained to the chief architect that he should just shut his big mouth, and I will do it again.” “On time” meant in time for Paris’s hosting of the Olympics in 2024.
And since that time is fast running out, and designing, approving and building a modernist tower would take too long, we found out yesterday that the restoration will be identical after all. It will copy the 19th-century Gothic design exactly. The contemporary gesture that Macron desired will instead be a giant Victorian single finger to all the modernists who would have destroyed it. And who knows how many generations in the future will be thankful.
Two of the “re-imagined” restorations: