TimeGhost History
Published 29 Apr 2020The Indonesian War of Independence is heavily fuelled by the gangs of youngsters who go by the name of Pemuda. They engage in clandestine guerrilla fighting as their revolution takes a violent turn.
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Hosted by: Indy Neidell
Written by: Isabel Wilson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson and Joram Appel
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Carlos Ortega Pereira (BlauColorizations) – https://www.instagram.com/blaucoloriz…Research Sources: https://bit.ly/IndoSources
Sources:
Tropenmuseum part of the National Museum of World Cultures
Nationaal Archief
Imperial Wars Museum: SE7034; SE5663Music:
“Deviation In Time” – Johannes Bornlof
“Disciples of Sun Tzu” – Christian Andersen
“Epic Adventure Theme 4” – Håkan Eriksson
“Guilty Shadows 4” – Andreas Jamsheree
“Last Point of Safe Return” – Fabien Tell
“Magnificent March 3” – Johannes Bornlöf
“March Of The Brave 10” – Rannar Sillard
“The End Of The World 2” – Håkan Eriksson
“The Inspector 4” – Johannes Bornlöf
“The Unexplored” – Philip Ayers.
“Try and Catch Us Now” – David CelesteArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 day ago (edited)
For the research of this episode about Indonesian revolutionary culture in 1946, I mostly turned to the diaries and writings of those who were there. Reading the untouched experiences was so absorbing and allowed for writing a bottom-up narrative. Something that didn’t make it into the video was the work of Chairil Anwar, a poet who died young a few years after the War of Independence. Dwelling about the life and death of the individual during the revolution, his poetry defied Indonesia’s antagonists. In his poem “Notes for 1946”, he writes of how it felt to be among the young generation of Indonesia: “We – running dogs, hunting hounds – we get to see only a moment of this drama we play in.” I’d definitely recommend reading his work if you’re interested!
Cheers, Izzy.
