It is, of course, her own show:
There are over 2,000 shows at this year’s Edinburgh Festival Fringe, but only one that is really worth seeing. Titania McGrath’s Mxnifesto is a tour de force of political oratory that is unlikely to be surpassed in my lifetime. I have seen every single performance, except for the nights I’ve had off (usually when my self-diagnosed PTSD has flared up), and its cultural significance is indisputable. I’d go so far as to suggest that the Edinburgh Fringe should cease after this current year, given that its purpose has now surely been fulfilled.
I was warned against writing this piece. Apparently, it is frowned upon to write a review for your own show. I consider this yet another attempt to silence women’s voices by the forces of heteronormative patriarchy. Why should I, as a proud independent woman, not proclaim my own worth? I will not bend the knee to swaggering males who seek to oppress me with their “opinions”. I will not seek permission before declaring my own genius. Mxnifesto is a fucking masterpiece and I am only awarding it five stars because to give it six it might seem arrogant.
As one walks into the auditorium at the Pleasance Above, a charming little theater space that emphasizes McGrath’s humility, there is a collective tremble of anticipation among the crowd. After all, McGrath has a reputation not only for her wisdom, but also for her righteous anger. Like Joan of Arc, she has successfully fought for justice against incredible odds. But unlike Joan of Arc, she didn’t make the stupid mistake of getting herself burned to death in the process.
From the program description:
Titania McGrath is a radical intersectionalist poet committed to feminism, social justice and armed peaceful protest. As a millennial icon on the forefront of online activism, Titania is uniquely placed to explain to you why you are wrong about everything and how to become truly woke. “The latest genius twist in Britain’s long tradition of satirical spoof” (Daily Express). “Outrageous and hilarious” (Irish Independent). “Brilliant” (Daniel Sloss). “Titania McGrath is a genius” (Spectator). “Hilarious… perfectly captures the joyless tone of the woke Stasi” (Times). “Lampooning the language of social justice is a cheap shot” (Observer).
